physical

For years we were condemned to physical travel agencies. The English Court is investing millions in demonstrating otherwise

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The English Court has renewed 60 of its 430 travel officesand plans to reform another 44. The idea is to implement open spaces, sofas, digital screens, previous appointment and advisors with “emotional connection.” Why is it important. The message to be sent is that the physical store has not died, but only needed a new experience. In perspective. It is the classic play of retail Traditional: redesign the spaces to sell a transformation that between, especially, by the eyes. Along the same line as the changes applied to the low floors – the accesses – of some of its stores, modernizing the bookstore or giving more weight to the section Gourmet. EITHER The premiumization of its supermarkets. What is at stake is the role that a traditional physical agency can play in the Skyscanner era, Google flightsAirbnb and Booking. What is happening. Travel El Corte Inglés is more profitable (More than 100 million euros from Ebitda8% more than a year ago), but loses in volume against its great rival, Ávoris (Barceló Group). To renew your offices is a way to reaffirm as a premium brand and differentiate in a world in which the average customer has become accustomed to organizing their vacations from your mobile. The physical network is reduced to transform. Personalized attention is insisted as an advantage over the digital model. Between the lines. The reform is real estate, but first of all it is a way of sustaining the story: we are not a vestige, we are a luxury; We are not an agency, we are a space of inspiration. From store a Boutique. The passage of time will tell us if this is a real modernization or if it is rather an attempt to keep the physical channel alive. The company has not gone wrong: after years seeing how the environment rewarded its new competitors, the English Court is still alive despite insistent rumors of serious crisis. There is also the doubt of the long -term value of that “human contact” as a differential pillar. He is seductive, but difficult to climb. Yes, but. The new model has a very good press, but with the unknown of whether there is insufficient demand. There are still many clients who continue to go to a physical office, but they are increasingly minority. And those who do it, often look for something very concrete: custom trips, honey moons, large budgets. Can you sustain an entire model so capillary around those profiles? In addition, post-pandemic tourism has recovered, but It has also changed. The traveler has become accustomed to certain flexibility levels, price comparators, online opinions, immediate decisions. All of that has a difficult fit in an agency by appointment. The decision to invest in so many offices sends a message: trips El Corte Inglés remains convinced that there is a place for physical agencies if they become experiences. It is quite possible that it is right, although it is a commitment against the direction in which the future of the sector seems to go. In Xataka | Spain has become a country addicted to something that some years ago enjoyed little prestige: the white brand Outstanding image | El Corte Inglés trips

As of today, ATMs are also a revolution thing. Fintech launches its first physical network, and starts with Spain

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Which It started as a way to send and spend money Without commissions, a bank has ended up looking more and more. Revolutionwhich ten years ago was born in the United Kingdom as an app designed to simplify finances, it has become One of the most valuable Fintech in the sector. And his last play makes it clear: his own ATMs. Yes, ATMs. An idea that would have been difficult to fit in its early years, when it was unmarked from the traditional. But now it is a reality. The former will arrive in Spain, and not anywhere: the debut will be in the Spring Sound from Barcelonawhich starts today and extends until June 8. Spain, Revolution’s first physical laboratory. The company has chosen Spain to release its first physical product: a network of ATMs developed entirely in its Techhub in Barcelona. According to Revolution, the initial phase includes 50 terminals between Madrid and Barcelona, ​​which will be expanded until reaching 200 throughout the country. The former will be located at large points such as Avinguda Diagonal or Toledo Street, and can be located from the app by an interactive map. Barcelona’s choice is not accidental. The city not only houses one of the strategic development centers of the company, but also represents, according to the company itself, a key piece in its European expansion map. In fact, Revolution plans to take this network to other countries such as Germany, Italy or Portugal from 2026. Happy ATMs for a digital customer. The new ATMs do not look like the usual. They are designed with a modern interface, touch navigation, compatibility with contactless payments and multilingual support. They also offer functions designed to reduce friction: withdrawals without additional commissions for Revolution clients and immediate delivery of physical cards. Free withdrawals will be available both nationally and internationally and intra -Europe. For non -customers, the service will also be available “with a competitive commission.” In addition, Revolution plans to incorporate in the future the dynamic conversion option of currency (DCC), which will allow you to choose between the exchange rate of the emitter bank or that of Revolution at the time of withdrawal. And he will not remain in retired. The company also plans to enable cash deposits in later phases, thus expanding the range of accessible services from these physical points. The physical step of a 100 % digital experience. In the words of Manjot Bhati, Operating Partner of Revolution, “to launch our own ATMs network a decisive step in our mission of offering a truly global financial experience and without friction.” As we can see, with this movement, Fintech seeks to expand its footprint beyond the app. It is not a minor change. Revolut was born as a 100 % digital actor, without physical offices or windows. His commitment to their own ATMs suggests a new stage: one in which the physical does not contradict digital, but complements it. A stage where the cashier is no longer just an cash machine. We will have to see if this movement translates into a new success. Images | Aleksandrs Karevs In Xataka | Revolution is not just a threat to traditional banks. Now it is also for Teleoperators

There are more and more physical videogames that are pisapapeles. It is a tremendous problem for the video game as art

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Video games have been traveling the same path as music and cinema for a few years: change towards digital. The releases are now digital and Streaming video game platforms They have been a great jump in the industry. Some -xbox- are so clear that much of their strategy revolves around this technology. If you want the physical format, it is also there, but with an important small print: the album you buy may be empty. AND ‘Doom The Dark Ages‘It has been the last example of this new reality. The controversy of ‘Doom’. The games each time they occupy more and more space. That is why the current physical format, the Blu-ray, has long opted for the double and triple layer of 66 and 100 GB respectively. A lot of information enters an album with that capacity, but the problem is that the recent release of ‘Doom The Dark Ages’ shows that, on the album, barely There are 85 MB in PS5about 320 mb in Xbox Series x. It is a motorcycle of dust in an ocean. What does this imply? Well, when we introduce the album in a PS5 or an Xbox Series X, the data that is installed are not on the disc: it is the files of those 85 MB that give the order to the machine to download the data of the servers of the corresponding companies. That is to say: The new ‘doom’ album is a launcherbut it’s nothing new. The ‘tweet’ of the controversy Ubisoft has taken the taste. Before the last Bethesda game, the controversy in this regard came with each Ubisoft launch. The French company has had some of the largest games in the industry in recent years (such as’Avatar: Frontiers of Pandora‘,’Star Wars Outlaws‘ and ‘Assassin’s Creed Shadows‘) And, although not everyone has gone well, they do share something: you need the Internet to install them. Physical format, but not much. It is no longer that you need the Internet to play (‘Gran Turismo 7‘, among others, they require constant connection to Sony servers or we will not be able to play most of the content), but the game must be downloaded even if you bought it in physical format, relegating the box to something that simply occupies space on the shelf. But there are more examples of other companies, such as’Indiana Jones and the big circle‘ either ‘Stalker2‘. Others like ‘GTA Trilogy‘They can be played with disk content, but they are so broken that without patch it is not worth it. And cases like ‘Star Wars Jedi Survivor‘ either ‘Hogwarts Legacy‘They bring the beginning of the game on the album and the rest under download. The alternative? Two albums, as does’Final Fantasy VII Rebirth‘, but that also increases costs for companies. Activism. All this has caused a reaction in users. It is not about being against the digital format, but about the albums that come practically empty because nobody knows what will happen when the servers close. It is a new situation in the industry and we have already seen cases (Ubisoft closing servers of ‘The Crew’ and making it impossible to play something you have paid in physical or digital format) of inaccessible games when the company closes the tap. That is why initiatives such as Stop Killing Games To be the authorities who promulgate laws that prevent our remote games from deactivating, but there are also initiatives by users that allow us to know which games are complete on the disc and, if they need download, to what extent it is mandatory. This is the case of the web Does it play? in which users report the status of physical versions in video games. And the big question. As we say, the most recent mess has formed around the launch of ‘Doom The Dark Ages’, and the question is what will happen to my physical video games in the future. Title Xbox 360 It guarantees me, whenever I have a console, to be able to play it now or within 20 years, but nothing assures me that in 20 years the active Microsoft servers are keeping my copy of ‘doom’. And we focus on the case of almost empty Blu-ray, but we could put the Game Key Card of Nintendo Switch 2 In the bag, since they work in the same way. Green outbreaks. On the one hand, platforms such as Good Old Games They allow us to buy a digital game, but when we get with it, we have an installer to be able to install it offline as many times as we want without depending on servers. Even when they remove games for licenses, recently The case of ‘Warcraft 1 + 2‘, If you had already bought them, they are yours forever. On the other hand, when we have attended Nintendo DS servers closures, Wii or Xbox 360, companies have warned in advance so we can make the necessary purchases Before video games disappear forever, being able to download them in the storage of the system or hard drive to play them in the future. Because Ubisoft or Steam have made it clear that Digital games do not belong to usbut physicists should be ours and, if the servers close in the future, we will have to see what happens with all those albums that only have a launcher inside. Because, in the end, this goes beyond being able to play my physical game within 20 years: it is that it is a practice that Play against the preservation of the video game as art, one that can make many They disappear forever. Main image | Xataka In Xataka | The consoles are still the stars of the video game. Real money is on mobile and microtransactions

Mediamarkt has an ereader for almost the same thing that costs an official case of the Kindle. It is compact and includes physical buttons

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Although Rakute and Amazon are the most popular Ereader brands, the truth is that there are many others that have models with excellent value for money. For example, the Woxter Scriba 195 S We usually find it at a very good price, especially today in Mediamarkt. In the store offers section we have it for only 39 euros; That is, almost the same as it costs an official case of the Kindle, since its price is 34.99 euros. * Some price may have changed from the last review A cheap, compact and very light ereader The Woxter Scriba 195 S is a simple and compact ereader, but which is also ideal for devouring digital books. Differs from other better known models – such as some Kindle O Kobo— For his 4.7 -inch screen which offers a resolution of 960 x 540 pixels. It is worth mentioning that we should not confuse this model with the Scriba 195, since the version “S” does not include touch screen. To pass the pages, access digital books or navigate the ereader menu physical buttons that we find on the sides of the front (to pass pages) and at the bottom front (to access the books and the menu). Among other things, the Woxter Scriba 195 S stands out for its compact format, but also because it is light: Weigh only 100 grams. It also comes with 4 GB of internal storage to save many books and is compatible with multiple formats. In addition, a very interesting function that we do not usually see in all ereader is that Allows you to read books (and not only PDF) both horizontally and vertically. You may also be interested in these other alternatives Kobo Clara Color | Electronic color reader | E-Ink Kaleido ™ 3-color screen without 6-inch reflections | Dark way option | Water resistant | Audiobros | 16 GB of storage * Some price may have changed from the last review Pocketbook see electronic book 6 “8GB Blue Blue * Some price may have changed from the last review Some of the links of this article are affiliated and can report a benefit to Xataka. In case of non -availability, offers may vary. Images | Woxter In Xataka | Best electronic books. Which to buy and nine recommended models In Xataka | These are the 20 best books edited in 2024

Nintendo Switch 2 will have “Key cards”. And the big question is what it is for the future of physical format

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On June 5 it will be launched Nintendo Switch 2. In a one -hour event, the Japanese company has Clear almost all doubts That there was on its new console, but beyond being a celebration and although the presentation has been an avalanche of games, the aftertaste that has left among users is bittersweet. Nintendo Switch 2 will be retrocompatible with Siwtch 1 game cards, but to enjoy improvements We will have to pay. The price of the console will start from 470 euros in Europe (but in Japan it will be much cheaper so that more people can buy it, saying by Nintendo). And physical games They already go to 90 euros. In social networks, the conversation revolves around something else: the ‘Key or’ Game Key Card ‘Nintendo Switch 2. And it is a concept … controversial, at least. The “Key Key Card ‘Game Cards” Nintendo Switch 2 During the presentation, there were elements that Nintendo did not detail. For example, to know the price we had to enter the Nintendo Store, the same for the price of the games. And when he talked about the formats, the company just said two things: That the game cards will be the same size as those of Switch, but will be red and will read data at a higher speed. That normal microSD cards will not be compatible, since it will be necessary to buy microSD Express cards that read data at a speed, again. It is logical, because more demanding games at the visual level need storage support with a higher reading speed to be able to do streaming of data without interruptions. What did not say anything is one of the ‘game key cards’. Again, it is after the presentation when we find out about this matter, and it is the one that is raising blisters among users on social networks. In the Nintendo Support Pagethey say the following about this third alternative format to the physicist and digital: Game key cards are different from normal game cards since they do not contain complete game data. Instead, the game key card is your “key” to download the full game to your console through the Internet. After completing the download, you can insert the game key on your console and play as you do with a normal physical game card. They also show an example of the notice that will be in the physical cover: The operation is simple: we buy a box with this cartridge-lave, we introduce it in the console and we are given the possibility of downloading the game associated with it. The cartridge has no informationso the game is saved in the MicroSD Express that we have bought separately and will be from where it is executed. When we want to play that game, we will have to put the corresponding cartridge-lave, be connected to the Internet the first time we start it (subsequent starts do not need the Internet, but the cartridge-llave is already playing. It is a mixture between physical card and digital game. What is the point? The only one that occurs to me is that it is for games that have a higher weight to the maximum of the game cards or for small editors who want to have physical pretence in stores (although more caught with tweezers this). But of course, it also gives rise to another interpretation: Nintendo kills the conventional physical format. . Too much fog, but with precedents on switch Nintendo says clearly: “The game key cards are different from normal game cards, since they do not contain the complete game data” and “This is a box of a game key.” There are no need to clarify it, but these phrases would imply that, on the one hand, the normal game cards will be and, on the other, the key cards. There will be games that come inside the card and others whose card is simply an ‘activator’ For the game that you download from the eShop. Nintendo has said that Siwtch 2 game cards have a higher reading speed. If they are just an activator, it wouldn’t make sense, right? Supporting this theory, we have ‘Cyberpunk 2077’. Your responsible They affirm The following: “Nintendo Switch 2 owners can buy the game on a 64 GB game card or by digital download in the Nintendo Eshop.” The other interpretation, however, is that the “game key cards” are those of Switch 2 and the “normal game cards” those of Switch 1, which would imply a death of the ‘pure’ physical format on the new machine. And that is why it is mandatory to use MicroSD Express cards in Switch 2, because everything will go on them. That is the reading that is being done in networks and the one that gives rise to the company itself due to the diffuse messages. Currently, Nintendo already offers boxes that do not wear the game. An example is the ‘code in a box’ like that of ‘It Takes Two‘ either ‘Final Fantasy VII‘, Boxes that are in physical format, but do not have a game card: only a code to download them from eShop. On the other hand, titles like ‘Noire‘They have a giant notice of “requires Internet download.” I had not done the test until now, since I always had my connected switch, but I have put the game on the console, I have removed the connection to the network and … I can’t play. Basically, at least that is what it seems, that new notice of the Nintendo Switch 2 boxes makes it more clear that, or you have the Internet, or do not play that specific game. With the case of ‘La Noire’ I thought it was a certain additional content or some chapter that did not enter the ‘cartridge’. And it may be so, but the truth is that it does not let me play without downloading the data before. Other cases, such as the ‘Heritage Pack’ … Read more

Banco Santander will close more than 200 physical offices. It is the most visible symptom of traditional banking metamorphosis

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Santander plans the closure of the largest number of offices in Spain from the pandemic. According to Digital economymore than 200 branches will lower the blind this year. The arrival of Ignacio Juliá – a manager with DNA DNA forged in ING – to the direction of Santander Spain is no accident. It is a symptom. Similar to what happens to other Ibex companies – as Telefónica debating between transforming between technology company or assuming the decline as a traditional teleco-, Classic banking has an existential dilemma ahead. On the one hand, Maintain physical offices has become a financial ballast to the Neobancoswhich operate with infinitely lighter and more efficient structures. On the other hand, those same offices They are a competitive advantage for certain demographicparticularly among over 60 years, who concentrate a large part of the financial assets in Spain. Neobancos have gained ground in basic operation and current accounts, but still have important limitations in more complex products, such as mortgages or heritage management. Santander himself has recognized your annual report “The value of the human connection” provided by branches, especially for vulnerable clients, while simultaneously advances towards what defines as “a digital bank with branches”. The Ying and the Yang. Investment management is that space that still has traditional banking to uncheck from the Neobancos, where even the face to face with the manager (the one who gives a branch) can be an incentive for the client. There they face independent platforms, such as Trade Republic or the Spanish Indexa, with increasing traction, better fame … and lower commissions. Of course, they do not usually have exclusive products for large heritage, more complicated land for Fintech. Santander has no urgency for these changes. In 2024 he got a record benefit of more than 12,500 million euros. Your current business model is still profitable. The issue is whether the digitalization strategy combined with selective physical presence will be sufficient to maintain its relevance when the digital generation becomes the main segment with heritage. Traditional bank is not disappearing, but it is in full metamorphosis. It is looking for a balance between digital efficiency and the added value that human interaction provides. In Xataka | The digital counterrevolution reaches the classrooms: seven CCAA backs down with the screens and mark a change of trend Outstanding image | Santander Bank

The United States has decided to start a tariff war. Videogames in physical format will pay Caro

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Practically from his inauguration as president of the United States, Donald Trump launched a series of tariff measures that put many of the countries with which he maintained commercial relations. Very soon, the ESA (Entertainment Software Association)of which companies such as Xbox, PlayStation, Nintendo or Ubisoft are part of the evil, warned how bad these economic impositions can sit to the industry, mainly due to the conditions of globalization that the sector is experiencing. More tariffs, it is war. The Toma and Daca between countries that maintained a fluid commercial relationship with Trump has just begun, and we recently knew that if the US imposed 10% on Chinese productsthey responded with others in the opposite direction of 10 to 15% For American products such as coal, gas or oil. Similar answers They have given themselves after the announcement of the 25% tariffs for Canada and Mexico. ESA said it. The association warned In a statement that “tariffs on video game devices and related products would negatively affect hundreds of millions of Americans and damage the important contributions of the industry to the US economy.” And although analysts like David Gibson, from MST Financial said On Twitter that the tariff to China would have a “zero impact” on the price of the Nintendo Switch 2 In the United States, it also left the door open to the thing could change if tariffs like countries like Vietnam remained, very important for the manufacture of the console. The problem: physical games. The physical games market is increasingly a more residual part of the industry. But the thing could get worse. Analyst Daniel Ahmad He has highlighted that 20% of Chinese products would undoubtedly affect technological products such as consoles, mobiles and gpus (the latter It is already being noticed), while the 25% that Trump plans to carry Mexico would have an unsuspected effect: in the manufacture and consequent increasing discs, where the Latin American country has an important weight. Less and less. Mat Piscatella, another video game expert analyst, Replica these Ahmad predictions With an even more disastrous prediction: “I would not be surprised to see that the physical games subject to these rates simply did not get to do, with the editors addressing a completely digital strategy.” And concludes: “What a disaster.” At the moment, they are only conjectures, but analysts seem to coincide that tariffs could have an unwanted effect on precisely North American editors, which is what this policy tries to avoid. A future without physical format. Maybe this is the last lunge that awaits the physical games. The digital format gain ground Without rest, and the figures could not be clearer: in 2023 95% of the video games that were sold did so through digital roads. And decisions like Sony’s launch the PS5 Pro without disk unit (You have to buy separately) or Microsoft’s launch A new model Of Xbox Series S also without an album, they make it clear to which direction the industry is. Header | Álex Alcolea In Xataka | Nvidia lost 265,000 million dollars yesterday. Tariffs have caused terror among technology

The next generative AI revolution will not reason better, but integrate into physical robots. And will change robotics forever

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In the technological world we are fascinated with chatbots who write essays and take their time reasoning. Grok 3 goes, Claude 3.7 It comes, meanwhile, something less visible but deeper is happening: The beginning of the merger between conversational and mechanical bodies. For the first time, robots not only execute preprogrammed instructions. Now also, in their own way, they understand. Historically, robotics and AI have followed separate paths. Parallel, but separate. Industrial robots were as accurate as stupid. AI systems are intelligent, but incorporeal. Let’s think about robotic arms that have existed on assembly lines for decades. Millimetrically exact, but absolutely lost If a single component appeared in a position slightly different from that expected. The new generation of robots connected to LLMS You can now interpret ambiguous instructions, such as “bring me something for thirst”, and solve the problem through reasoning (word of the year), evaluating which drinks are available, if the user showed preference for some and even if there is ice in the freezer. We no longer program specific movements, but rather general objectives. Figure robots are good examples. So good that even They work autonomously at a BMW factory. According to The company has just publishedthey can even receive generic verbal instructions, such as collecting pieces, and without the need for previous specific programming are able to visually analyze the environment and detect them. They can even pause, reassess the situation and correct the error if someone modifies the pieces. This contextual adaptation capacity was unthinkable a couple of years ago. The really groundbreaking of this impaired in robots is that You can learn very differently. The LLMS trained with text lack the physical understanding of the world. Traditional robots lack contextual intuition. By merging them an intelligence that includes both semantics and physics. A robot equipped with LLMS is not only able to understand the instruction “opens that box without damaging its content”, but can improvise before boxes never seen, evaluating materials, closures and fragilities. The revolution, unfortunately, will not be spectacular as in The novelty-fictionbut it will arrive in the form of robotic arms in factories that can be reconfigured with a verbal order. Or warehouse robots that will understand contextual priorities. Or medical assistants capable of interpreting non -verbalized needs of their patients. Boston Dynamics, the Non-Va-Más de la Robotica during this last decade thanks to your robots jumping and doing Parkourshe is no longer as interested in acrobatics as in integrating understanding systems that allow her machines Understand complex instructions in construction and industry environments. You just have to see Your website. And on the horizon look The Tesla optimus or the Cyberone de Xiaomi. Or unitree like One of the great Chinese technological bets. The big change will come When these systems stop failing before the unforeseen and begin to apply general principles of physical and contextual reasoning. We are not seeing the birth of artificial consciousness, but the understanding of the physical world and the world of meaning in a single integrated system. What this powerful convergence does is its silent nature. He catches us arguing On whether Grok 3 deserves a better product or about itself Chatgpt 4.5 It will be sufficient during the remaining of the year, but Robots are beginning to understand the world like us. Not only by calculating a trajectory, but understanding intentions, contexts and meanings. That is much more transformative and valuable than Any ten -page trial generated in seven minutes. In Xataka | Deep Research is not just a new AI function. It is the beginning of the end of intellectual work as we know it Outstanding image | Figure, Ryunosuke Kikuno in Unspash

Bluray has been the last refuge of “physical” collectors for years. Now the industry is strangling it

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Sony has announced that Abandon the production of physical formats Like Blu-ray. They are not the only ones: Panasonic, Sony and Oppo They stopped manufacturing playback devices in 2018, Samsung In 2019 and, at the end of last year, also did LG. We can be in favor or against physical formats, considering them more or less superfluous, but the position of the industry is clear: the players will increasing Games in physical format and the world of film disc edition, increasingly dedicated to collecting, disappears. It is not definitive, but almost. Although Sony’s pass is more radical, as we counted yesterday, LG has given some extra nuance to its decision to stop manufacturing players: it has eliminated the section of these devices from its website, According to Arstechnicabut from LG Korea they have not affirmed that this cessation is permanent. Although they are going to make a parenthesis in the manufacture and sale of their devices, of which he also did not take any new model since 2018, being the Ubk90 and Ubk80 The last ones that updated. Consoles are no longer the last redoubt. To this growing shortage of players is added that consoles are no longer that safe specio for physical format devotees. Both the Xbox Series X and S and PlayStation 5 took the market with Blu-ray player, but soon they joined Options without disk reader. But more than four years ago of that, and the trend begins to blow in the opposite direction: PlayStation 5 Pro leaves, by default, without disk (which can be bought independently at a completely deterrent price). And Microsoft’s turn towards a philosophy of “Any device is an Xbox“It favors the game in the cloud and the abandonment of the physical. Et tu, brute? Less records. Of course, accompanying this fall we have the descent of releases of the games themselves and, above all, films on the support. There are less and fewer stores that take care of it: the chain Best Buyone of the most important in the United States, has stopped selling Blu-rays and DVDs in 2024, and the extended Target He announced that he would only do so on indicated dates. In Spain, there is nothing more to take a walk through businesses that were once unavoidable appointment for the physical format collector: in El Corte Inglés, for example, the film zone has been reduced to the minimum expression, and serve on request in the most cases. The market is compressed. At a speed of infarction, in addition: between 2019 and 2023, the US DVD market and the Blu-ray 40% were reducedand the situation is complex enough to make it difficult to find a single guilty. The main and most striking is the streaming. Who sees movies to hang out finds more than satisfied their needs with the streamingdo not need to accumulate films in physical format that yes, they look better, but with nuances that only interest experts (we live times in which television come, by default, with Activated options that tasting the photography and color work of any movie). But Netflix and Prime Video are not the only villains of this story. It is the market, friend. The public that consumes physical format has also changed: before the arrival of the platforms, the economic formats such as the DVD and the latest VHS spoils made it economy to buy movies. Now it is a luxury article, on a parallel path to which they have followed The vinyl of music Let us add to this circumstance that the space for storing physical formats has been reduced in these times of rented rooms of 60 square meters, where every centimeter of bucket is vital, and we will have circumstances that are not favorable to the pile chaotic and compulsive of the DVDs: Do you remember when it was impossible to buy the newspaper without half dozen records?) Nor are the producers for the work. And finally, we have the companies themselves, little interested in the business of the physical, since the streaming It is much more profitable: a platform that includes its catalog or that of its partners in its offer bridges intermediaries such as stores, and gives more benefits. The digital format, in addition, means that if we want The same product, something that does not happen when a physical copy of a film is owned. We will always have collecting. Interestingly, while Majors They gradually distance from the physical market (Disney recently announced that he would edit less 4K movies, a witness that Sony would collect with part of his catalog, while the least commercial options of his cinema Possibly they would disappear), collecting and special editions live a golden age, on a new path very similar to the one traveled by the vinyl. Recoverations of classics, attention to unknown and worship as it was not seen from the first explosion of the VHS, and stamps as criterion, Arrow, 88 films, Eureka or indicator, among many others making some classical and modern cinema editions as not It had ever seen it. That is The authentic future of the format: A remnant for cinephiles and cinephagos. Header | Diego Correa In Xataka | I have been testing the best teles that come to the market for more than 20 years and these are the films I use to analyze its image quality

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