18 years ago he went viral for his famous “I’ve messed it up.” Now Antena 3 has paid him 50,000 euros to turn it into a meme

Spain repeated the phrase “I have messed it up” with an unmistakable Madrid accent for almost two decades, being very clear about the origin (a young lifeguard whose intervention in the Antena 3 news program had gone viral on the Internet), but perhaps without knowing the true scope of the joke. The Provincial Court of Madrid has just set the effects of one of our most famous memes at 50,000 euros. The sentence. The Provincial Court of Madrid sentenced on May 5 Atresmedia to compensate the woman who starred in the video for “La he liado parda” with 50,000 euros. The court raised the amount set in the first instance, which had been 40,000 euros, and rejected the appeal presented by the audiovisual group. The resolution also orders the removal of the recordings from all Atresmedia platforms and prohibits their reuse in similar circumstances. What happened. The origin of the video is in the summer of 2008: an Antena 3 interview with a young lifeguard after an incident with chemicals in a swimming pool in San Sebastián de los Reyes, where she utters the phrase that would become a classic of Spanish humor. The original interview, protected by the right to information, is outside the sentence. What the sentence punishes is subsequent reuse: The condemnation also extends to La Sexta, Onda Cero and Europa FM, stations from the same group that continued to exploit the recording for years in comedy programs and compilations. The demand. The woman filed the lawsuit in 2021, after verifying that her voice and image continued to circulate without her permission. more than a decade later from that afternoon at the pool. There is an episode that gives an idea of ​​the scope and consequences of the video: years after the recording, some police officers, upon identifying her, came to comment among themselves “we are here with the one who has gotten into trouble.” It is just an anecdote that allows us to guess the pernicious reach of a video that went viral without the woman’s permission: it took her several years to return to work, it was an ordeal for her to see her image on television, she found herself wearing t-shirts with her face on it and she even had problems developing her profession almost a decade later, due to anxiety attacks, hospitalizations and medical leave. Who pays for the meme. The ruling does not hold Atresmedia responsible for the original viralization of the video, which attributed to the dynamics of the internet and social networks. The damage is “serious” in moral terms, although it is not entirely attributable to the chain. What he does attribute to him is the decision to continue broadcasting that material for years in his own programs, with massive audiences, when there was no longer any informative justification. Atresmedia is not planned appeal the sentence to the Supreme Court Other victims of memetics. The case of the Madrid lifeguard is, of course, not the first. The Star Wars Kid dates back to 2002, and his fame began when, at the age of 14, he recorded himself imitating a Star Wars lightsaber combat. A colleague found the tape, uploaded it to the Internet and the video became one of the first big virals on the internet. As a result, the boy suffered bullying, had to change schools and received psychiatric treatment. His family sued the colleagues responsible, claiming around $250,000 and reached an out-of-court settlement in 2006. Years later, he explained that a crime would have given him more legal protection than a viral video without his consent, since juvenile laws did not contemplate that scenario at that time, which was not yet known as cyber bullying. Victims in Spain. In Spain, the perhaps best-known case is that of Álvaro Muñoz, the 12-year-old boy who burst into unexpected racist comments when talking about tranquility is what is sought in the summer pools. He suffered his corresponding share of bullying and harassment when his address was made public, he received 17 complaints of racism and spent five years going to juvenile court. Recently has announced that he had regretted the comments and was entering a seminar, closing this circle of Celtiberia Memes. Luckily not all the protagonists of youth memes in Spain are broken toys: Miquel Montoro, the boy from “Host, piles”has become influencer of the rural world with social media accounts that exceed 400,000 subscribers. And José Gómez, who uttered the glorious phrase “You can’t live off petanque” has ended up becoming world champion of the discipline. The meme as a meat grinding machine. Researcher Limor Shifman defines memes, in her book ‘Memes in Digital Culture’as units of digital content created, imitated and transformed with the awareness of belonging to the same shared pattern. This is what explains why “La he liado parda” survived for so long: it stopped being the testimony of a specific person and became a reusable piece, without the need to reference the original event. The ruling recognizes, in some way, this mechanism: the magistrates distinguish between the legitimate informative use of the interview and its subsequent reuse for entertainment purposes, which they consider an interference in the right to one’s own image. Journalist Jon Ronson describe Similar processes occur when digital lynchings take place: the target loses its personal context and begins to function as a symbol of the transgression it represents, almost as if it were a company that has been involved in a public relations disaster and not a person with a life behind it. In this case, that symbol was not just constructed by anonymous users: the network itself that recorded the original interview fueled its circulation for more than a decade. In Xataka | When a town found a dead whale on its beaches, it decided to dynamite it. 55 years later they still celebrate it

In 2021, BBC released a video about China causing an earthquake. Now it’s a meme that glorifies Chinese cities

Trends on social networks are, in many cases, inexplicable. Overnight something goes viral and it’s easy for us to not even know where it came from. In the summer of 2025, chinese networks began what from the West we could see as a simple memeeven nonsense: many videos that show panoramic views of Chinese cities to the rhythm of the mythical BBC intro. This meme spread and is useful for observing some of the most impressive cities in the world from a drone view. There are even users commenting on how some cities, like Chongqing, had undergone a radical transformation in just 20 years. The videos, without a doubt, are impressive and there is a example after other…and after other. But behind the meme there is something much more interesting: an outbreak of international conflict because of… the BBC. BBC News countdown intro style meme continues in China. Below in order is for Guiyang, Nanjing, Jinhua and Jieyang. https://t.co/EKZopt48Pc pic.twitter.com/LhjHVATMKW — JR Urbane Network (@JRUrbaneNetwork) September 1, 2025 The BBC video that angered 1 billion people In February 2021, the world was still reeling from the aftermath of COVID-19. Wuhan, the Chinese city identified as the focus of the global pandemic, was a monitoring point for world news due to the government’s policies to fight the virus. And the BBC published its controversial ‘How everyday life has changed in Wuhan’. It’s this video: Up to this point, we might think that it is just another report, but they published it in duplicate. The one above is the international version, in English. The one I leave you below is the version for China: Have you noticed any difference? Let’s go with some screenshots: International version Chinese version International version Chinese version International version Chinese version International version Chinese version Already we saw it in Xataka back in the day: The international version has a gray filter, while the Chinese version shows more vivid colors. That, without us realizing it, creates a narrative. And those who did notice were some Chinese Internet users and the state media Global Times. Chinese social networks named the filter used in the international version as “underworld filter” or “gloom filter”but the one who gave it the most importance was the aforementioned state tabloid. He accused the BBC of adding greyish filters to its reporting on China to make the country appear dystopian and polluted. It did not stop there: the matter spread like wildfire on networks and the tension escalated to the point that the international broadcast of BBC World News was banned in China that same month. In fact, international spokespersons have on occasion used the hashtag #GloomFilter to criticize Western coverage of China. The BBC defended its editorial independence, rejecting accusations of bias, but both the BBC and Chinese media have since starred cross attacks. A lot has rained since 2021 and, as I pointed out at the beginning of the article, it is now meme stuff. The BBC intro accompanies luminous images of Chinese cities without the “underworld filter.” And it is an example of how something that, at first glance, may be a story without much history, hides much more. And, well, the story of Global Times throwing darts at the BBC did not end in 2021, but has lasted until recently, mentioning that “BBC has become one of the most destructive negative examples in the global media landscape.” But beyond all this, the truth is that the videos are impressive, showing dystopian cities in some cases. Images | BBC In Xataka | China loves Europe so much that it has built its own: these are the replica cities that populate the country

The female pockets are so useless that they became meme. The serious thing is that they have centuries to be

A trend a little less than two months ago on social networks call Claw Grip It showed how women held several objects – mild, keys, wallet – in one hand, because the pockets are so small that there are hardly any pañuelos package. What seems a fun occurrence is, in fact, a daily photo of inequality in clothing design. “Has pockets”. It looks like a pretty silly phrase, but among women finding pockets in the pants is an almost impossible mission. The expression has become the forced comment, already converted into a cultural meme. In social networks, frustration has become digital activism. With hashtags like #Wewantpocketsthousands of users denounce the absurdity that in the 21st century it is still exceptional to find a garment with useful pockets. The data reflects it. According to the pudding studywomen’s pockets are on average 48% shorter and 6.5% narrower than men. In fact, just 40% of female front pockets can save a smartphone. The consequence is in sight: pockets unable to put a phone, a small wallet or even the full hand. The contrast is even more ironic if we think that, in parallel, many men They start buying bags As a voluntary accessory, while women continue to claim pockets out of necessity. More than fashion: autonomy. The pocket is not a simple aesthetic detail: it allows you to leave home without a bag, with your hands free, without depending on loading an accessory to carry the basics. In a report for the BBC They have detailed that in feminist history it has been claimed as a tool of freedom. At the beginning of the 20th century, the British voters summarized it in a clear slogan: “votes and pockets”, Remember Caroline StevensonDirector of the Cultural and Historical Studies Program of the University of the Arts of London. “It is interesting that a pocket became one of the symbolic forms of counteracting the desire for women’s independence and freedom,” he adds Elizabeth Evitts Dickinsonauthor of a new biography about the American designer Claire McCardell, a pioneer in trying to solve this problem from fashion. For them, having their own space in the clothes equal independence, not to depend on a husband or a bag. The case of little Golden Cameron, eight years old, demonstrates it: indignant because girls’ school pants had no pockets, he wrote to the Sainsbury’s supermarket chain asking for a solution. After viralizing its letter, the company modified its designs. The episode, counted in another BBC report, It shows how even girls detect textile inequality from an early age. A problem with historical roots. In the seventeenth century men enjoyed pockets reited in pants and jackets, while women used Small little bags tied to the waist Under his skirts. That difference implied more than fashion: a woman’s value objects were hidden under layers of clothes, quickly inaccessible and dependent on the design of the dress. The situation worsened in the nineteenth century, when the tight fashion that directly eliminated female pockets was imposed. “Depriving pocket women was also depriving them of liberty,” Explain The Atlantic. In addition, after the years, fashion reinforced the stereotype that the female body should prioritize aesthetics over functionality. Christian Dior verbalized it in 1954 In a phrase that still resonates: “Men have pockets to save things, women for decoration.” The catwalks are pronounced. And it is that the debate continues to speak today. Some brands, such as Chanel or Saint Laurent, have been incorporating pockets as a gesture of modernity for some time. In the 2022 Oscar, Penelope Cruz surprised with a chanel of pockets, something that stood out as an unusual detail On the red carpet. In parallel, independent brands such as The Pockets Project o Sports clothing firms have made a wide pocket an emblem: leggings with mobile space, cocktail dresses with secret pockets. But in Fast Fashion reality is another: false pockets, useless seams or ridiculous sizes. The problem is costs, As the BBC points out: Adding real pockets implies more fabric and more preparation time, something that clashes with the tight fashion margins. The pocket as a social reflection. The debate, in reality, is not just textile. An interesting report by New York Times, deepens more than the absence of pockets is linked to bag dependence. In other words, the bag sector is a global market that moves more than 8,000 million dollars. Fashion seems to have pushed women towards mandatory bag consumption, while men leave home with their hands. It is no accident that in 1937, when Diana Vreeland assumed as editor of Harper’s Bazaar, proposed to dedicate an entire number From the magazine to the pockets. In his autobiography DV remembers that the idea was immediately discarded by the pressure of advertising: “Do you realize that our bags by bags are millions a year?”, Its director warned. The anecdote reveals to what extent economic interests also weighed in what seemed like a simple clothing detail. In itself, the pocket is a mirror: it shows how for centuries the male fashion privileged functionality, while the female sacrificed autonomy in the name of aesthetics. Everything remains the same. Five centuries after men released sewn pockets and women were relegated to hidden bags, the debate is still in force. What is expressed in networks with memes, hashtags or the uncomfortable gesture of the Claw Gripactually points to a deep issue: who has the right to dress with autonomy and who is still conditioned by designs that prioritize aesthetics and the market on equality. Therefore, when a woman proves a dress, pants or skirt, and exclaims: “He has pockets!”, He is not celebrating only a sewing detail. He is celebrating a small triumph in a long struggle: that of being able to keep the same, on the same. Image | Freepik Xataka | From six -digit liftings to a German Viper Serum: Hollywood’s new obsession is “liquid surgery”

The first photographic meme of history was extremely macabro: posing as beheaded corpses

Who says that before the Internet people He made less bullshit? They were the same, what happens is that there was no potential audience of millions of people to reach (and was not monetized). What gives even more merit to analog memes, the fashions due to infection that passed from hand to hand, generating absurd fashions that followed thousands of people. One of the first of these fashions was the Horsemaning (either Jinetism), such a delicious way to make the fool that it was not as isolated at the beginning of the century. What is it. He Horsemaning It shows a person pretending to have been decapitated. Actually, two people participate in the joke: one, the body, placed at an angle that either the camera shot or the position of the deceased assumption makes the neck not seen; Another subject, the head, places the neck on the edge of a table or buries its own body in the sand of the beach, so that it looks decapitation. Both added things create a very shocking and hilarious effect, especially since it is obvious where the trick is. It is fun because we see people lose their composure before the camera, which always laughs. Why Jinetism. By the headless rider of ‘The Sleepy Hollow ‘Legend of Washington IrvingAbsolute classic of Anglo -Saxon literature. The story was written in 1820, a century before the popularization of meme. But it is a story that returns to the collective imaginary over and over again due to its powerful imagery, so linked to Halloween. In it appears a spectrum, that of the headless rider, a decapitated gentleman (supposedly a Hesian soldier) that he was left without a gunshot. Of Victorian England … Although it was in the VCEINTE years of the last century when it became fashionable, we can track the origins of the macabra jokes further back in time: to Victorian England and the first steps of photography. At that time, in times prior to television, the newborn invention caused a sensation in very different environments (from family chascarrillos to the first and disturbing pornography steps). Since their first steps, photographers experienced with tricks: overlays, transparencies and trapantojos, and fashions such as those of the BeachBackground of this Horsemaning: People with heads in the lap or under their arm, and sometimes were achieved with multiple negatives. … to when Facebook cool. Around 2011there was a resurgence of the photos of beheaded with perspective tricks. Surely you remember it, because around that year became fashionable he Stocking (imitate photos of image banks), the Planking (Photos of people laying down in the most incongruous places), the Owling (disturbing snapshots posing as owls), the Plowling (the two previous meetings) or the Batmanning (Hang upside down). Loquisimo Pre-Tiktok times, and still overwhelmed an endearing digital naivety. In Xataka | Putting the testicles in landscape photos is the latest crazy photographic fashion of the Internet. There are more

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