Imoo turned the children’s smartwatch into its own genre. Now all the parents who bought it are stuck

According to CounterPoint Research estimate for the global smartwatch market in 2025… Apple grew 12%. Samsung fell 6%. Imoo grew by 17%. Action replay: A Chinese brand that exclusively sells children’s watches is growing more than Appleand definitely more than Samsung, which is going down. Imoo, what The year has already started growing in quotaalready has 7% of the global smartwatch market. And it doesn’t really compete against the Apple Watch Ultra or the current Galaxy Watch: compete against the anguish of not knowing where your child is when he leaves school. Or rather: against the fear of not knowing if one day something happens. Counterpoint Research projects that the global smartwatch market will grow 7% in 2025 after first falling in 2024. That rebound is partly explained by Apple launching the cheap SE 3 and recovering after seven consecutive quarters of declines. But there is another factor: China went from 25% global share in 2024 to 31% in 2025. And within that jump, Imoo has a specific role that perhaps we are not looking at closely enough. Huawei is reinforcing its focus on health and sports, Apple maintains its inertia, Xiaomi focuses on the watch as part of a domestic ecosystem… and Imoo has turned parental fear into a product category. Their watches have GPS, calls, SOS button or alerts when the child leaves an area geofenced by his parents. As a watch it is not very smart and perhaps fits better in the category of surveillance and emergency aid device. Imoo hasn’t invented parental fear, but it has built a great machine to monetize it. Besides, It is a device that creates functional dependency: Once a parent puts it on their child’s wrist, they get used to the peace of mind it provides. So it is difficult not to renew it when the child stamps it or when it becomes obsolete. This success of Imoo goes beyond technology: when you grow 17% a year selling this type of watches, you do not measure adoption, but rather the number of parents who have decided that the anxiety that would cause them not knowing where their child is (understandable, of course) is worse than the inconvenience of constantly tracking them. Once you cross that threshold, there is no turning back. Previous generations had opaque spacesmoments of disappearance for a few hours before returning to dinner. These spaces are closed with this type of products, colorful and gamified, with a branding questionable but an unquestionable commercial success. Parents do not feel that they “control”, but rather that they protect. And kids don’t feel tracked, at least until they get acne and the bomb goes off, until then they just feel like they have a cool watch. And there is an advantage for parents: if suddenly almost all of your child’s classmates have one, the fact that your child does not have one becomes an anomaly. Imoo’s 7% share (and counting) measures how many children are growing up knowing that their parents can track them at any time. It measures a generation that normalizes permanent connectivity as a default state from the age of six. Counterpoint speaks of the smart watch market with “China-driven growth” and “different strategies to sustain the engagement of the consumer”, but it does not mention that One of those strategies is to redefine a part of childhood. The next son will also wear the watch. And the next one too. Imoo doesn’t need to grow faster than Apple to win. It just requires that each generation of parents find it more unthinkable than the previous one to leave a child unaccounted for. In Xataka | After almost a decade with the Apple Watch, I have switched to a Garmin. And I understood what I was missing Featured image | Xataka

This year the Three Wise Men bring something very special to children: children’s cosmetics

There’s barely a month left until Christmas and the first catalogs are already in hands of thousands of families. But this year, among dolls, constructions and car tracks, something unexpected has appeared: construction kits. skin care aimed at girls. unicorn masks, jade rollers “to play spa” and even “children’s” serums. On TikTok, creators like Mommy of three and Alottameg They accumulate thousands of views criticizing the fact that these products are promoted as toys. The alarm has gone off: what is facial care being part of the letter to the Three Wise Men? A global phenomenon that reaches children’s catalogs. What the Christmas brochures show is not an anecdote: it is part of an international trend. According to The New York Timesactress Shay Mitchell launched Rini, a brand of masks aimed at girls as young as 4 years old, whose promotional images caused massive rejection on networks and among dermatologists. And the data increases the tension. A Nielsen IQ study has pointed out that American households are spending more than $2.5 billion annually on beauty products for girls between 7 and 12 years old. In Spain, in addition to the boom on TikTok, stores already include children’s spa kits in their toy sections. More and more girls are asking for jade rollers, creams and creams on their Christmas lists. glowmasks peel off or antioxidant serums. dand the Sephora kids to the toy aisle. According to Yale Medicinemany children and preteens are “obsessed” with creating skin routines copied from TikTok and Instagram: scrubs, serums, masks, night creams… Even without having acne or any dermatological problem. Dermatologist Kathleen Suozzi explains that: “Our study shows that 20% of tweens and teens spend more than $50 a month on products they don’t need, sometimes layering five or more products.” The phenomenon has a name in digital culture: Sephora kids. The academic study of Rachel Wetstone and Jane Grant-Kels details that Girls between 8 and 12 years old show routines of between 6 and 12 products on social networks, many of them designed for adult skin. In these videos, exfoliating acids, retinoids, concentrated vitamin C and steps that imitate a 10-step adult routine are repeated. Beyond the skin risks, the authors warn of the ethical effects: premature aesthetic pressure, misinformation and economic exploitation of an extremely impressionable public. When skin care becomes a feminine role. In parallel, children’s advertising has been pushing girls towards the field of aesthetics for years. The Women’s Institute analyzed toy advertising in the Christmas campaign and found that: In 38.5% of advertisements aimed at girls, archetypes linked to beauty or the role of caregiver/mother/wife appear. The color pink dominates in almost a quarter of toys for girls, while boys appear linked to vehicles, action, professions such as pilot, police or military. 11% of advertisements sexualize girls, while no examples of sexualization of boys were detected. In that context, that sets of skin care As a toy “for girls” it is not an anomaly, but one more piece of a puzzle: that of a female childhood associated with aesthetics, beauty and body care from a very young age. As we already explained in Xatakathe Alpha generation (born after 2010) is growing up under an “early ritual” of aesthetic care, driven by algorithms that serve them videos of perfect skin, filters and routines, often before they have reached puberty. Dermatological risks. There is broad medical consensus here. According to KidsHealthmost children and teens only need three things: a mild soap, a fragrance-free moisturizer, and sunscreen. For their part, acne-prone adolescents can use versions oil-free of moisturizer and photoprotector, but always with medical advice. In addition, they emphasize that anti-aging products (anti-wrinkle, blemishes, firmness…) are not necessary and can cause just the opposite: acne, irritation, burns or eczema. However, between different sources The ingredients that most worry about trends in preteens are: Retinoids and retinol, which can cause severe irritation, peeling, and photosensitivity. AHA/BHA acids such as glycolic or salicylic acids, associated with redness and chemical burns in children’s skin. Fragrances, one of the main triggers of allergic dermatitis in children Drying alcohols, which damage the skin barrier Chemical sunscreens, more irritating than mineral ones Comedogenic oils such as coconut, cocoa or lanolin, which clog pores and can aggravate cosmetic acne. There is a psychological impact. From Yale Medicine describe how some children They begin to feel a real compulsion to maintain long routines, to the point of affecting sleep, social time, or even school performance. The Wetstone and Grant-Kels clinical study points to growing anxietyconstant comparisons, and teenagers who feel “insufficient” if they don’t replicate the routines they see on TikTok. For their part, the case of girls between 10 and 12 years old who speak openly of fear to “get old”, a meaningless concept at his age. And some come to think that “without products they are not worth enough”, a symptom of what several experts They are already beginning to identify it as infantile cosmeticorexia. It is not the first controversial toy. But the first with real assets. For example, children’s makeup cases have existed for decades: barely pigmented shadows, almost transparent lipsticks, peelable nail polishes. They were toys. However, the current difference is twofold: on the one hand, the products imitate real cosmetics, with active ingredients (although in low concentration) and claims typical for adults: illuminates, blurs pores, anti-aging, repairs barrier. On the other hand, they are not sold only as a game, but as a routine, as a habit of care and self-care. That is, as something that is not used from time to time, but every day. As The Guardian detailsdermatologists already treat 10-year-old girls who use vitamin C, retinol and exfoliants “because they saw it on TikTok.” This is not a mask with friends: it is the idea that they should “take care of themselves” to avoid non-existent wrinkles. Is this really a toy? Christmas catalogs raise an uncomfortable question: at what point did a face mask become a normalized children’s gift? It is not … Read more

The two largest travel agencies in Spain fight to sell trips to Disney. This is the business of children’s dreams

Ávoris has lost the exclusivity it maintained in Spain to market trips to the Disney parks. El Corte Inglés Travel obtained authorization in May to distribute these packages through its Smytravel platform, breaking a monopoly that allowed its great rival to consolidate its leadership in the ranking of Spanish travel agencies. Now both giants compete directly for the same pie: the 500 independent agencies integrated into Traveltool and the thousands of Spanish families who ask about the price of a trip to Disney every year. Why is it important. Disney is not just another product: it is the star product of family tourism in Spain (and increasingly even for adults without children). Its parks received 142 million visitors in 2024, almost doubling its closest competitor, and Disneyland Paris is the loose leader. This trip is sold almost exclusively through physical agencies, generates high margins and attracts families who are especially willing to spend a lot of money to make their children’s dreams come true. Whoever controls Disney controls a substantial part of the family travel business. The background. The exclusivity of Ávoris has never pleased its competitors: For years, agencies that wanted to sell Disney had to resort to the group’s tour operators: LePlan and Touring Club. That made Ávoris the inevitable intermediary of a business with guaranteed demand. This privileged situation used to generate recurring complaints in the sector for what they considered unjustified favorable treatment. Yes, but. Ávoris has not sat idly by. It has launched improvements to the LePlan and Touring Club platforms with a new centralized page that offers training, inspirational content and tools to design personalized Disney experiences. The answer comes weeks after Tourmundial (the brand of El Corte Inglés) announce combined packages to Disneyland Paris with accommodation, transportation, tickets and complementary services. Between the lines. This trade war points to something deeper in Spanish society: the touristification of childhood. Going to Disney has become an almost obligatory milestone, a natural extension of the first communion as a rite of passage and as an experience that “must be lived.” Not taking your children to see Mickey and company can generate a feeling of social exclusion, as if the experience were an essential requirement for a complete childhood. So agencies don’t just sell trips, they sell the feeling of tranquility from meeting social expectations and the fulfillment of the child. In Xataka | The incredible story of the couple who lived at Disneyland for 15 years without the visitors realizing it Featured image | Capricorn song

Call of Duty announces a film, with which he will make a leap to the void, going beyond the children’s audience of other adaptations

It was clear: after the successes of ‘A Minecraft movie‘ either ‘Super Mario Bros.: The movie‘We were going to see new video game adaptations. AND ‘Call of Duty‘It was one of the undisputed franchises to receive a version on the big screen. Although his announcement also involves a distancing from other projects: a more adult series, with more serious themes, and that opens new ways for what could be the next great Hollywood reef. Paramount points. The renewed Paramount, now under Skydance’s wings, is the one that will be responsible for producing this adaptation of the Activision saga, which will appear in the movie’s credits as an advisor to everything that comes out on the screen. It is a turn that is not surprising coming from the producer: one of her last great hits in cinema was’Top Gun: Maverick‘, so it has all the meaning that wants to continue exploiting the war aesthetics with a franchise settled in the past. It is not the first time that Paramount tries, however: in 2018 he already tried to put an adaptation of ‘Call of Duty’ standing with the director of ‘Sicario 2’, Stefano Sollina, on board. A lifelong fan. On this adaptation, David Ellison, CEO of Paramount, said in statements that Deadline collects “As a fan of ‘Call of Duty’ of a lifetime, this is a dream come true. From the first allied campaigns in the original ‘Call of Duty’, going through ‘Modern Warfare’ and ‘Black Ops’, I have spent countless hours playing this franchise.” And makes the inevitable comparison: “We are addressing this film with the same discipline and the same unwavering commitment to excellence that guided our work in ‘Top Gun: Maverick’, making sure that it meets the exceptionally high standards that this franchise and its fans deserve.” Good new times. Today the times in which adapting a video game were almost synonymous with guaranteed failure (at least artistic) seem. The huge software sales promoted adaptations, but gave rise to fiascos such as ‘Super Mario Bros.’ or ‘Street Fighter’ (today claimed as cult films, and both with new versions that – at least in the case of Mario – have cleaned the image of the franchises). Recall that for a while, the one who was considered a nefarious director, Uwe Boll, insisted on adapting a video game after another. Not everything is terrible. Despite the bad reputation of adaptations, we have had good films from the beginning: the first ‘Mortal Kombat’ is a great version and The ‘Resident Evil’ sagawith its ups and downs, it is full of humor, imagination and springs (and The despised 2021 adaptation It was great). ‘Silent Hill’ is remembered for its powerful macabra imagery and Lara Croft’s versions … well, they have not aged at all well but they are esteemed adventure films, and the 2018 version was very defensible. But none of that prepared us for the dump at the box office that would hit films such as those mentioned, to which successes such as ‘Sonic The Hedgehog’, ‘Uncharted’ or Pokémon movies, which we forget about them and although there is an anime through them are added, video games are part of their DNA. Adult cinema. All of them, however, have something in common: they are films oriented to children or, at most, to the family member. ‘Call of Duty’ is, therefore, a risk to which the sequelae of ‘Sonic’ are alien, for example. Paradoxically, franchise players are young and even There is an important group that is between 11 and 20. Paramount, however, may not want to escape the possibility of attracting spectators in a broader range of ages, with a more serious and violent film. If you get even more the arch of the spectators, you can have a real triumph on your hands. Header | Activision In Xataka | An urbanization was deserted in Valencia after the real estate bubble. Some geniuses have made it ‘Call of Duty’

Now the app has given them more control over their children’s accounts

Tiktok has established itself as una of the most popular applications Among adolescents. Although it is presented as a harmless platform, Full of dancessongs and Life Hacksmore and more voices warn about their possible negative effects on the youngest. Some studies point to an increase in cases of depression and eating disorders, while many parents They express their concern for the time their children spend doing Scroll non-stopneglecting other activities of your day to day. New tools for parents. The Tiktok social network, owned by the Chinese firm Bytedance, has announced New functions aimed at better protecting adolescents. These include the possibility that parents or guardians establish daily and customizable time limits. For example, it is possible to configure a maximum of 30 minutes during the week and expand that time during the weekend. Once the limit is reached, the application will be blocked automatically, and can only be unlocked with a code held by the responsible adult. 11 tricks to dominate Tik tok These tools not only allow to adjust the time of use to each specific case, but also offer parents the option to block the app at any time: during a family meal, school hours or when they consider it appropriate. In addition, they can see who follows their children, who are still and who has blocked them. Soon, the company states, a function will also be enabled so that adolescents can notify their parents every time they denounce a content they consider inappropriate. Parental Control in Tiktok: How to activate new tools for parents. Once the parental control tools are known, many parents will want to know how to activate them to manage the use that your children make of Tiktok. The process is not complicated and only requires fulfilling some basic steps. The first thing is that the father or legal guardian must have a Tiktok account. From there, you must enter your profile (below right), touch the three -line menu icon and access Settings and privacy. Within that section you will find the section Family synchronization. Tiktok will ask if it is the legal tutor. If the child has his mobile by hand, just scan a QR code from that device. If not, you can send an invitation through WhatsApp, Instagram, text messages or any other channel. Once sent, there are 48 hours to accept the link and complete the link. When both accounts are synchronized, the adult, in addition to those mentioned, may establish daily limits of use, control who can contact the minor and decide whether their account is public or private. The above tools. As we said, Tiktok has already launched the new parental control tools in much of the world. However, the users themselves, including adolescents, already had some control options for a long time. Among them stands out the function Time on screenwhich allows you to establish pauses in the use of the FEED of videos and configure reminders to go to sleep. These options can be activated from Settings and privacy > Time on screen. Images | Tiktok In Xataka | The videos of AI have broken the Instagram and Tiktok algorithms. Welcome to the new “AI landscape”

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