LEGO was one of the last refuges of analog play. You have just opened the door to sensors, lights and sound in your bricks

LEGO has flirted with electronics before, but its most stable promise was always something else: that the classic brick needed nothing to become anything. For decades, this principle maintained an almost intact refuge from the digitalization of children’s play, without screens or sensors, with imagination as the only driving force. That is why the step that the company has just taken is not minor. Introducing motion, light and sound detection into the brick itself strikes at the heart of the system. The announcement occurred at CES 2026, in Las Vegas, where LEGO officially presented its new SMART Play System. The company explained that it is a platform that introduces new electronic components into its construction system so that the creations react with lights and sounds in response to movement and interaction. It was not presented as a prototype, but as a product with a launch date and with a platform vocation. The system, by pieces. The SMART Play System is based on three elements that work together. The core is the so-called SMART Brick, a 2×4 brick that acts as a response center. Around it, the SMART Tags come into play, pieces that indicate to the brick what type of object or scenario it represents, and the SMART Minifigures, figures capable of activating different behaviors. LEGO insists that they are not independent accessories, but parts of the same system designed to fit with the rest of the traditional pieces. Sensors, lights and sound. Unlike previous approaches based on recognizable modules, here the electronics live within the brick itself. The SMART Brick integrates motion detection using an accelerometer, lights capable of reacting to the environment and a sound system that is activated according to physical interaction. There are no external screens or controls – it’s all down to how you turn, pan or tap the build. In its official description, LEGO also talks about a color recognition scanner and a game engine that generates reactions with lights and sounds. The CES demos show a birthday cake capable of recognizing when its candles go out and reacting with an audible celebration, as well as a helicopter that responds to movement with flight effects and changes behavior when turning or falling. In these cases, the interaction does not start from a button or a screen, but from a physical gesture. Release date. The commercial deployment of the system already has a first date set. The premiere will arrive in the United States in March, with a set based on Star Wars as the spearhead. The choice does not seem accidental: starting with such a recognizable license allows you to immediately show the possibilities of the system and see how it fits into real use before taking new steps. It’s not the first time. Although the SMART Play System introduces electronics to a place hitherto untouchable, LEGO has been exploring hybrid formulas for years. From robotics kits with sensors, like LEGO Mindstormsuntil augmented reality experiencesthe company has been testing how to combine physical construction and digital responses. The difference now is one of focus: the technology stops being a recognizable addition and becomes integrated into the language of the parts system itself. What some experts say. The announcement has not been received with unanimous enthusiasm. Josh Golin, CEO of Fairplay Group, warned the BBC that Smart Bricks “undermine what was once great about Legos” by shifting initiative from the child to the sensors. Along the same lines, Professor Andrew Manches, from the University of Edinburgh, recalled that the historical value of the brand has been in “the freedom to create, recreate and adapt simple blocks to create infinite stories.”, and warned that technology can condition how it is played if it is not designed carefully. Faced with these criticisms, LEGO defends that technology does not replace physical play, but rather expands it. Julia Goldin, head of product and marketing, explained to the British media that they do not see the digital world as a threat, but as an opportunity to “expand physical play and physical construction.” An important nuance. The SMART Play System does not mean that all LEGO sets will incorporate electronics from now on. For now, the company has presented a concrete proposal, with a first launch without announcing an immediate expansion to the rest of its catalog. What path this technology will have and in what lines it will end up appearing is something that is not yet defined. For now, this is a limited deployment that will serve to test how far this approach fits within the traditional game system. Images | LEGO In Xataka | What happened to Technicolor: evolution and death of the company that changed cinema and was overwhelmed by its ambition

Parking lots were the goose that laid the golden eggs for bricks in Spain. Until someone created the tomb of Las Teresitas

The history of the mamotreto The Theresies in Tenerife is not an exception, but one more chapter of a long tradition of shot attempts on the Spanish coastwhere for decades the brick advanced on beaches, marshes and cliffs in the heat of express reclassifications, opaque agreements and the promise of a tourist development that almost never arrived as had been announced. This was his story. Great balls with sea views. From Marbella to The Algarrobicopassing through ghost housing estates, illegal hotels and maritime fronts converted into political currency, the coast has been one of the great scenes of speculation, and each new case reminds us of the extent to which the conflict between public interest and private ambition has marked the transformation (and often the degradation) of the coastal landscape in Spain. A symbol that was born crooked. He mamotreto of Las Teresitas It began to raise suspicions long before it became a court case on the island of Tenerife because it appeared where it shouldn’t and how it shouldn’t, emerging without explanation in full maritime-terrestrial public domain, without visible signs and without anyone clearly knowing what was being built in front of the beach or under what legal protection. It was the persistent gaze of neighbors as Lola Schneider the one that set off the first alarms and turned that concrete skeleton into something more than an ugly work: into physical proof that a project was being carried out on the beach front that seemed to be ahead of the law and urban planning logic. Change the beach. Behind the mamotreto was the ambition to transform Las Teresitas into a large urban beach of European reference, with a plan signed by Dominique Perrault which promised to bury parking lots, create open squares and reorganize access to the sea. On paper, the visible mass was supposed to be buried and become an invisible infrastructure at the service of public space, but the partial execution and the breakdown of the balance between administrations turned that promise into an abandoned, gray and dominant structure that ended up being just the opposite of what the project claimed to pursue. The ball The construction of the parking lot was inserted in the heart of the so-called great ball from Las Teresitasoccupying easements and land in the public domain without the mandatory authorizations from Costas and with substantial modifications to the original project. Subsequent rulings made it clear that this was not a minor defect or a forgotten procedure, but rather a a global breach of the urban planning regulations, with works started without legal support while, in parallel, the City Council had purchased the beach front land for more than 52 million of euros in an operation that was already under judicial scrutiny. Justice arrives. The stoppage of works in 2007 marked the point of no return and paved the way to the investigation of the Environmental Prosecutor’s Office, prompted by environmental and neighborhood complaints. The judicial process ended with sentences for urban prevarication and crimes against territorial planning, confirmed by the Court, which established unambiguously that the mamotreto was built without valid authorization and on protected land, dismantling any subsequent attempt to reduce the problem to a simple question of partial legalization. The political and criminal cost. Not only that. The sentences reached to former councilors, technicians and senior officials, some of whom have already fully served their prison and disqualification sentences, while others remain banned from holding public office until the end of the decade. The case was thus established as another branch of the great Las Teresitas scandal, with clear criminal responsibilities and an express obligation to restitute the damage caused, which included the demolition of the building at the expense of the convicted. The demolition In 2017, a horrible mass that had remained in front of the beach for years was physically put to an end. The arrival of heavy machinery to the beach and the visible start of the demolition They marked the material end of a story that had continued for more than a decade. The destruction of concrete, carried out in compliance with a final sentence and after years of delays, it symbolized the closing of a cycle in which the mamotreto went from urban promise to abandoned ruin and, finally, to rubble, returning to the landscape a beach that had been kidnapped by the failure of a “plotazo.” One more. If you like, even though the mamotreto physically disappeared and the sentences were fulfilled, its history remains as permanent warning (one more) about the limits of uncontrolled urbanism, the fragility of the public domain in the face of political and economic interests and the price that a city can pay when projects are imposed on legality. The Theresies of Tenerife recovered space and horizon, but the mamotreto was placed in that monstrous row that is part of the collective memory of the Canary Islands and Spain: that of the emblems of how one should not build a city or, of course, manage its natural heritage. Image | CARLOS TEIXIDOR CADENAS In Xataka | Añaza’s mamotreto: the megahotel abandoned on the coast of Tenerife for 40 years that was never finished In Xataka | The Canary Islands face the irremediable dilemma of limiting tourism. Starting by charging to climb Teide

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