The price of electricity, the cold and the fear of a blackout have brought a 19th century job back to London: chimney sweeps

When you hear about chimney sweeps, the image that comes to mind is that of men (or boys) from the late 19th century with smudged faces, shirts full of soot and a large broom on their shoulders. That’s the topic. The photographs that Google shows when we search for the word and the one it illustrates your entry on Wikipedia. Today the reality is very different. In the middle of 2026, not only are there still professionals dedicated to the trade, but they use cutting-edge technology and in cities like London they are experimenting a resurgence thanks to the price of energy. His appearance is nothing like that of the famous Bert de ‘Mary Poppins’but they continue to play a key role… and above all they are in demand. Chimney sweeps in 2026? Exact. And at least in London they are not an extemporaneous and decadent group, the memory of a bygone era. On the contrary. As I counted a few days ago The New York Times The profession is still very much alive there, it has been able to adapt to the needs (and resources) of the 21st century and above all it is experiencing a resurgence thanks to the cost of energy. The clearest proof is left by National Chimney Sweeps Association (NACS, for its acronym in English): in 2021 it had 590 members, today its membership base is already around 750. The union includes dozens of women and some businesses claim that in winter they receive between 70 and 80 calls a day. What do they do? Essentially the same as its predecessors from the 19th and 20th centuries, although in a very different context and with very different resources. To remove soot from chimneys they still use brushes that Bert from ‘Mary Popins’ would perfectly recognize, but that is only part of an arsenal that also includes digital cameras, industrial vacuum cleaners and smoke detection equipment. “Almost like chimney technicians,” points out Martin Glynnfrom NACS. Companies are even using drones to scan rooftops. Nothing to do with the habits that once made the profession infamous, such as employing orphans to climb chimneys and clean ducts. It sounds like terrifying science fiction, but this practice was common in the 18th and 19th centuries. In fact in 1875 the death of a child that got stuck in Fulbourn generated such a stir that the Government approved a law that banned “climbing children.” Are there still chimneys? Yes. British chimney sweeps were not immune to key changes, such as the popularization of central heating in the second half of the 20th century or the Clean Air Act (‘Clean Air Act‘) of 1956, but the union has been able to endure and today lives in a much kinder time, even one of vindication. I told it just a year ago in The Telegraph Steven Pearce, descendant of a long line of chimney sweeps who started in the trade decades ago, convinced that the profession’s days were numbered. “At first I only accepted it as a weekend job because we thought the trade would disappear with the 1956 law, when the Government gave local authorities the power to control the burning of coal and boiler fumes,” Pearce relates. “But that didn’t happen, in fact the last five years have been better than ever in business. It’s the busiest time I’ve seen in 45 years.” He is not the only one which confirms the rebirth of the profession. What is the reason? In 2026 English homes may not rely on coal and wood for heat, but they will still light their fireplaces. And not only because of the popularization of stoves. NACS itself admits that demand for its services has been driven by two factors: the increase in energy prices of recent years and a turbulent international context, in which the electricity supply seems a vulnerable flank to enemy attacks. The group also remembers that people simply “like to sit in front of a fireplace” to read, have a glass of wine, watch a movie and unwind. As if that were not enough, a good fire also helps reduce dependence and expense on central heating. What does the regulations say? Of course there are restrictions on the domestic use of coal, but The New York Times remember that even in areas like London the burning of authorized fuels They emit very little visible smoke. What they do generate is soot, which explains why the Government advises that chimneys be cleaned every year with professional help. “People think: ‘We’re going to have a plan B, a fireplace, a stove in case the power goes out,’” Glynn adds.president of NACS. “If you have the option of burning wood or smokeless fuel you can still cook and have some heating. There is a big increase in demand, people are lighting fireplaces again.” How does the future look? Steven Pearce assures that his clients continue buying stoves and admits that it is difficult for him to believe that people are going to do without the installations, even if they are prohibited. “I can’t imagine those who have spent £3,000 to £5,000 installing them not using them.” In fact, he maintains that in recent years he has seen “a great resurgence in the purchase of multi-fuel fireplaces and stoves, which burn wood, charcoal and smokeless materials.” It’s not all advantages: your ‘bill’ is PM2.5 emissionparticles invisible to the naked eye but which do represent a harmful “air pollutant”. Images | Wikipedia, Jorbasa Fotografie (Flickr) and NACS In Xataka | While the whole world looks at oil, Venezuela’s true treasure is hidden in the basements of London: its gold

A 19th century tactic is blowing up Russian horses

The war in Ukraine, presented for months as the great laboratory of 21st century combat dominated by dronessensors and electronic warfare, is entering a deeply contradictory phase in which technologies from the last century and tactics from the 19th century are resurfacing, not due to doctrinal choice but due to material exhaustion. There are really videos explosives. The war that looks back. Ukraine has entered a phase in which the narrative of permanent innovation begins to crack, because along with drones and electronic warfare, technologies and practices that they considered themselves surpassednot as isolated oddities but as structural solutions to a conflict that has become a test of industrial and logistical resistance. The battlefield no longer advances at the pace of available technology, but rather at the pace of resources still in stock, which is pushing armies to rescue weapons, doctrines and methods that belong to other timesadapting them to a radically different environment. Soviet mines. The Soviet anti-tank mine TM-62 has become one of the best examples of this functional regression, not because it is especially sophisticated, but because it combines three key virtues in a war of attrition: power, simplicity and abundance. Designed to destroy armored vehicles from underground, today it is also used as an improvised demolition charge and as aerial ammunition. launched from dronestaking advantage of its enormous explosive charge to compensate for the lack of modern ammunition. The result is an artifact from the sixties that has been found a second life in the most monitored and technical war in history, demonstrating that, when supply fails, creativity relies on what already exists. Image capture from a video shared on social media showing the view from a Ukrainian bomber drone as it drops a TM-62 anti-tank mine on a Russian position The war of attrition. The massive reuse of the TM-62 does not respond to a tactical preference, but to an industrial reality that affects both sidesalthough especially harshly on the Russian side, where producing and sustaining advanced weapons is increasingly expensive. In this context, recycling ammunition inherited from the Soviet arsenal reduces logistical pressure and allows the operational pace to be maintained, even if it is at the cost of saturating the terrain with explosives and accept levels of destruction and danger that turn the front into an increasingly more hostile and uncontrollableboth during the war and in the future. TM-62 When the engines disappear. That same exhaustion explains the return of the animals, one more timeto the Russian front, first as a logistical solution and then as combat toolin a process that is reminiscent of the last stages of great industrial wars of the past. The constant loss of armored vehicles, trucks, motorcycles and light vehicles, together with maintenance and supply problems, has led to replacing engines by animal tractionsomething that is not due to any military romanticism, of course, but rather to the need to move men and material when modern media are no longer available in sufficient quantity. A Russian cavalryman seen through the thermal imaging camera of a drone The return of the cavalry. The most extreme step of this logic has been the reappearance of cavalry chargesan image that seemed banished from the war imagination for some time. more than a century and now it reappears in real videos from the front. Far from being an effective tactic, these charges reflect a desperate improvisationin which an attempt is made to cross areas hit by drones with means that do not generate thermal signatures or depend on fuel, but that lack any protection against an enemy that controls the air almost permanently. Horses like white. Thus, in an environment where any movement is detected from kilometers away, horses have become easy targets for FPV drones, with images showing animals and riders jumping through the air hit by direct explosions, a real bleeding illustrating the brutal clash between 19th century tactics and a battlefield dominated by flying robots. Even when operators attempt to minimize damage to mounts, the reality is that the use of cavalry exposes to animals and soldiers to almost certain death, without providing real tactical advantages. Propaganda distortion. While these scenes are repeated, the Russian media sympathetic to the Kremlin have presented as examples of ingenuity and adaptation, wrapping scarcity in an epic discourse that avoids talking about losses and results. How they explained in Forbesthis narrative does not seek to convince the adversary, but rather to sustain internal morale and hide the fact that resorting to cavalry is not a brilliant innovation, but rather an unmistakable sign that modern resources are running out and that the war is being fought with what is left at hand. Go back in time. Thus, the combination of soviet mines recycled and cavalry charges draws a portrait of an army that, under Putin’s command, has gone from promising high-intensity mechanized warfare to relying on solutions from previous conflicts to the First World War. In fact, we had seen it previously with Soviet-era tanks. It is not a victory-oriented adaptation, but rather the symptom of a progressive degradation in which each step back in time reflects a loss of material capacity, and in which the price is paid by both soldiers and animals dragged into a war that can no longer advance without looking to the past. Image | WarGonzo, X, Vitaly V. Kuzmin In Xataka | First it was Finland, now the US has confirmed it: when the war in Ukraine ends, Russia has a plan for Europe In Xataka | If the question is what a drone from Ukraine is doing 2,000 km from your home, the answer is simple: take the war to the Mediterranean

In Castilla y León, a baby of an eagle that became extinct in the 19th century has been born. What is not clear is that it is good news

The skies of Castilla y León have left a historical imagesomething that had not been seen for a long time in our country: a native baby eagle flying over the territory. The specimen of this bird of prey was born on Spanish soil a few months ago, early mayand has already taken flight, as has just been said reveal The Confidential. Something like this hadn’t happened in a long time. That a species that was supposed to be extinct in the Iberian Peninsula since the 19th century manages to recover ground is usually positive news, but in the case of the eagle it comes clouded by something else: controversy. There are those who believe that its reintroduction in Spain is a “historical milestone”. And who thinks it is a blunder. First of all, what is the eagle? A bird of prey that stands out for its enormous size. With its wings extended it can reach 2.4m wingspan and usually measures between 80 and 90 cm long. His name appeared in a list published years ago by the Ministry for the Ecological Transition and Demographic Challenge (MITECO) with extinct species susceptible to be reintroduced. After all, there are those who consider that the eagle, which continues to live in Scandinavian countries, it disappeared from the peninsula among the 19th and 20th centuries due to the degradation of their environment. How did you return to Spain? Thanks to Proyecto Pigargo, a plan released in 2021 with the approval of the Principality of Asturias, the Cantabrian Government and above all the support of MITECO, which invested more than 300,000 euros in the recovery of the species. In August of that same year was announced the arrival of almost a dozen young specimens born in Norway that were introduced in Pimiango, in the municipality of Ribadedeva (Asturias). As time went by, more birds were released until add 25. Of them survived about 17almost all (12) paired. And have they bred yet? Yes. The news I advanced it on September 18 GREFA, the group that has promoted the reintroduction of the species on the peninsula. In a statement The group explains that the calf was born in May in the north of Castilla y León, in an area that had been identified as “optimal for the species”, although GREFA has not specified the exact location “to avoid any disturbance.” “The birth of the first European eagle chick in Spain represents a historic moment for nature conservation in our country,” celebrate the association before highlighting the collaboration of the Junta de Castilla y León and the “technical support” of both MITECO and agents of the autonomous community. Perfect, right? It depends on who you ask. If we listen GREFA is “a historic milestone for biodiversity in Spain and Europe”, the result of a well-studied plan, which accumulates hours of work and has achieved the support of IUCNthe International Union for Conservation of Nature. The group insists that it is the first breeding after “the extinction” of the species in Spain and highlights “the success” of having achieved a chick in a few years with 25 specimens released. “An exciting and motivating result that allows us to hope for more views next season,” celebrate. Don’t everyone think that way? No. The launch of the Pigargo Project may have generated expectations at the time, but it certainly did not achieve something equally or even more important: scientific consensus. Already in 2021 there were voices that warned that releasing copies in Spain meant “a bad idea”. In fact, that was the key message of an article published in The Conversation by three experts from the University of Oviedo in which they pointed out the weak points of the program and questioned whether the eagle is really a native and extinct species. The controversy escalated to such a point that the central government and the autonomies that had initially endorsed the project they decided to back out after just two years. What arguments do they use? GREFA recalls that the releases of eagles that began four years ago in Asturias had the endorsement of the IUCN and the species was included in the list of extinct fauna prepared with the endorsement of the committee of scientists that advises the ministry. Not only that. The group defends that the birth of the first baby in the wild in Castilla y León a few months ago proves the adaptation to the environment of a bird of prey that, argues“contributes to keeping under control” other species that can damage ecosystems, such as carp. “Thanks to its scavenging habits, the European sea eagle plays an important role as a ‘health police’, helping to control the spread of diseases by effectively removing animal corpses from the environment,” they point out from the entity. In fact, GREFA trusts that the birth of the first chick marks a turning point in the program and will allow it to recover the institutional support that it has been losing in recent years. “We hope that this historic event encourages strengthening or resuming support for the project, especially in the case of the Principality of Asturias and the Government of Cantabria, whose initial collaboration was fundamental although they later withdrew it,” Ernesto Álvarez slidesits president. And what do the critics say? They go to the root of the approach and question its most basic premise: that it has really been proven that the eagle is a species native to the peninsula. “To consider a species as extinct, the evidence must be irrefutable. In the case of the eagle that does not happen. The documentation that has been used for its classification as an extinct species is reduced to some reports on archaeological remains, several citations of solitary specimens and dubious signs of breeding,” he points out. the article published in The Conversation. One of them, Germán Orizaola, Ramón y Cajal researcher in Zoology, warned in 2023 in statements to The Country of the risk that the initiative may pose … Read more

In the 19th century they were not particularly sad, but no one smiled in the photos. Although they had reasons for it

It’s strange to come across a current photo in which no one is smiling. If we see her, we assume that something is happening: either she wants to give a serious image, or something happens that we don’t know about, or the intention is precisely to go against it, not to smile. However, there was a time in which the usual thing was not to do it, not to show the slightest emotion in the photographs. What is the reason for this attitude? Were they so sad in the victorian englandSpain at the beginning of the century and so on? Actually, there is a very simple explanation. The exhibition. We all know that in the early days of photography, that is, between about 1840 and 1880, cameras required people to remain completely still for several seconds, or even, in the most primitive photos, minutes. Maintaining a natural smile for so long was uncomfortable, and fatigue ended up turning a natural smile into a stiff grimace. Furthermore, any movement resulted in a blurry image, which ran the risk of the model appearing in the photo with a blur on his face like a specter from beyond the grave. Hence the much simpler and more accessible custom of remaining with a relaxed gesture. Decent photographs. But there came a time when photographs did not require more than a moment of exposure, and there were still models with long faces. What was it due to? In reality it was not a technical question, but rather a question of how photography was understood. Perhaps with a vision inherited from when a portrait was a canvas that took days to create, required effort for the painter and model, cost money and could not be reproduced, but rather remained a unique piece. For all this, the portrait was clothed with a certain solemnity. It didn’t matter that these new portraits were much simpler and faster to do: They preserved the aura of dignity and special occasion of the oil paintings. Example: the dead. The legendary photos of the deceased or post-mortem photography They are a perfect example to understand how the medium was perceived for a time. They were a surprisingly common practice during the 19th and early 20th centuries and had a very clear purpose: being still a medium that was not widespread, photography was the only opportunity that many families had to preserve a portrait of the deceased, since they had not been able to do it while they were alive (and with the high infant mortality rate of other times, even more so). Furthermore, with this aura of dignity and pomp that the photograph had, it was incorporated into the elaborate mourning process. Victorian. Smile bad. In the 19th century, smiling openly in public or in portraits was often associated with frivolity, lack of seriousness, or even drunkenness. Educated and respectable people maintained a serious composure. If you have ever seen material from the tone period, let’s say, libertineyou will see what contagious smiles. It’s not that in the 19th and early 20th centuries people didn’t know how to smile: it was the circumstance in which photos were taken. That is why photos have been found taken in more familiar settings, at parties with very close relatives or close friends, where some of this rigidity is lost and people smile widely. Smiling badly, part two. And if we started with a reason as prosaic as “it’s easier not to smile than to smile,” we ended up with another equally practical reason: smiles one hundred and fifty years ago were terrible. The dental hygiene It was much worse than today and the dentures were full of holes, at best. When it came to passing on to posterity, it was normal for the models to decide not to show their teeth. Photo of Lia Den in Unsplash In Xataka | A tractor engine and three floors: this is the Victorian steampunk house that is touring the United States

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