For centuries, the camp of Carlos v In the German city of Lauingen it was little more than a scene embodied in a team of the 16th century. Painted by Matthias Gerungshowed in detail the surrender of the city during the War in the Danube campaign. We knew that something important had happened there, but we had not found archaeological evidence that confirmed it and the painting could have been a free artistic interpretation.
Until five tombs and a boot buckle caused the painting to become an radiography of the past.
Danube campaign. In 1531, Protestant princes joined in the Esmalcalda League To fight the Catholicism that made its way in Europe Thanks to figures such as Carlos V. As usually happens, a religious war began, in this case to defend Protestantism against Catholicism in a war that consisted of bell battles when one of the two forces was considered superior, but also in strategic movements games when they felt at a disadvantage.
The League had a huge army, but Carlos V managed to gather experienced soldiers and, above all, a lot of artillery. After a series of attacks and constant harassment, added to the fact that there were league troops that were not too close, it resulted in Carlos V to take control of southern Germany in 1546. He did not mark the end of the war, which would arrive a year later, but it was an important turning point.
The picture. The Emperor’s main camp during the campaign was located in Lauingen, a town that surrendered in 1546 and inspired by the artist Matthias Gerung to paint in 1551 his ‘Heerlager Karls V. Bei Lauingen’, or ‘The Camp of Carlos V in Lauingen’. It is a historical piece, there is no doubt about that, but if you have not seen it so far it is understandable because paintings of this style there are many. Or not so many?
Gerung embodied many details in the work that allow us to get an idea of how the tents were used, as well as the weapons, armor and clothing. It was so rich that there were tiny details, as ornaments in the clothes or broches very well defined. Was it an artistic license or, was it hyperrealistic? Well, rather … the second.
Coincides! The painting represents the moment in which the Lauingen Council surrenders to the emperor and is the heritage of that city. To be such an important place, no human or material remains had been found in the area, something strange that could suggest that Gerung … well, a license had been taken. However, in 2024 the situation took a turn when a group of archaeologists from Bayerisches Landesamt Für Denkmalpflege found five tombs of imperial soldiers in a place extremely similar to that represented in the painting.
That changed everything. Apart from the remains, it is not that a lot of objects appear, simply some coins and the closure of a hook -shaped boot. “What has to do with the painting?” You will be wondering, because much: that closure coincides perfectly with some that can be seen in Gerung’s painting.
The detail of the picture is surprising, everything must be said
Coins. In a new one releasethe researchers of the BLFP They claim that the five deceased found were young men who had structural changes in the legs of the legs due, surely, to a large overload fruit of the long marches of the army. But objects are the true protagonists because, normally, in the tombs of this era there are neither coins or footwear remains.
And, beyond that the closure of the boot coincides with the one that was represented in the painting, the really key is the dating of the currencies, which by their inscriptions aim to be from the 16th century. And all this represent the first clear dating sample of this era in the area.
Eureka! “The antiquity of the coins suggests that burial Deputy Director of the Archaeological Conservation Department of Susabia de BLFP.
The next steps of the archaeologists is to continue analyzing the remains found, but the most curious thing about this story is the painter’s excellent documentation to perform his work, since either he was in the place and stayed with all the details or was magnificently advised by someone who was in the camp. And it is, according to the coincidence found by archaeologists, an almost photographic representation of the camp that was touchstone in European history.
Images | BLFD
GIPHY App Key not set. Please check settings