The question is if the ‘True Crime’ is getting too far
The edition of the book ‘El Odio’, in which José Bretón confesses the murder of his children, has been paralyzed after numerous requests of Ruth Ortiz, woman of the murderer, by the editorial itself that I was going to publish it, Anagrama. Although they believe they have the right to edit it, for the moment they stop the process until there is a legal pronouncement on Ortiz’s requests. A decision that, in any case, puts on the table the controversial literary works written by murderers, and that are lately arriving at the Spanish editorial panorama. The Breton case. José Bretón killed his two children Ruth and José in Córdoba in 2011, but since 2013 and for 12 years he kept his innocence. The book ‘The Hate’ includes the correspondence he has maintained with the journalist Luisgé Martín and in which he finally confesses the crime, which he carried out poisoning them and subsequently incinerating the bodies. Breton was convicted and turns 25 in prison in the maximum security prison of Herrera de la Mancha. The book that was not. ‘Hate’ was going to be published on March 26, with the undoubted commercial hook to include Breton’s confession. As soon as Ruth Ortiz was announced, he went to the service of victims of Andalusia, with whom he presented a letter to the Prosecutor’s Office (first of Córdoba, after Barcelona, where the publisher is) asking that the publication be stopped. The Minister of Equality, Ana Redondo, has expressed support for prevent Ortiz from revictimizing. Anagrama’s aforementioned message manifests his disagreement and mentions works such as Cold Blood ‘of Capote or’ The Adversary ‘of Carrère as precedents. New ways for True Crime. It is one of the Fashion genres indisputable within a morbid variant of the criminal documentaries of a lifetime. On platforms, every very little time triumphs a series or fiction film based on real facts, or documentary that unleash old cases or iconic criminals. In podcasts, programs like ‘Criminopathy‘or’ The Lord of Crimes’, not to mention foundational milestones as’ serial ‘or’ criminal ‘bet on the profusion of data and atmospheric narration. Books on the subject also abound, and practically all publishers have their releases True Crimebut this orientation to give voice to the murderers is new. Or isn’t it so much? More convicts who write. Breton adds to a series of books that different men are recently written. The media Daniel Sancho I would be writing one From prison in Thailand. And Alfonso Basterra, convicted of The assumption casehas written a book in jail, although it has nothing to do with the case that gave it fame: it is a novel that It is titled ‘Cito’ and dedicated to the murdered girl. The three most media cases and that have occupied more hours in the media in recent years between conjectures, follow -ups and gatherings, thus find such a singular as expected editorial counterpart. A long tradition. Breton, Sancho or Basterra cases are not unique. A serial murderer as legendary as John Wayne Gacy detailed his crimes in the Book of Memories ‘A Question of Doubt’, 1992, encouraged by the abundant literature he was generating. And the recently deceased OJ Simpson played with the morbidity of his case with ‘If i did it’, in which he counted, in the form of hypothesisthe crime by which he was tried, although he never published in his original form, but as a commented manuscript. More abundant are the books in which a journalist interviews the criminal or investigates the case and tries to put himself into his skin, as in the classics cited by Anagrama or the ‘Hate’ of Martín and Breton, and that it is not yet clear if we will read. Header | Anagram In Xataka | The ‘True Crime’ pending black Spain: the cases that television fiction have not yet dared to play