The latest publishing sensation is a 410-page billet that talks about something very specific: how to overcome the apocalypse

Another manual for preparationists in case it happens to us the final blackout? Well, not exactly: the recently published in Spanish ‘The Book: The definitive guide to rebuilding civilization’, by the Hungry Minds collective, is much, much more than that: an illustrated encyclopedia that recounts the crucial discoveries that have taken place throughout our history. But it’s not just an instruction book. What is ‘The Book’. Above all, an imposing tome that rejects any pretension of portability: it weighs more than two kilos and its dimensions (approximately 24 x 35 centimeters) make it a a museum piece rather than a table read. 410 pages containing more than 700 original illustrations and now Duomo Editions (who have already faced “difficult” books such as ‘The Ship of Theseus’ or ‘House of Leaves’) publishes in Spain fully translated. There are 23 thematic chapters that make up a progressive itinerary: from basic survival knowledge (obtaining water, lighting a fire, identifying edible plants) to complex conquests such as navigation, aviation, cultural festivals or psychotherapy. How it was born. In December 2020, while the world was still navigating the uncertainty of the pandemic, a collective of artists launched a seemingly far-fetched proposal on Kickstarter: creating a visual encyclopedia to rebuild human civilization after an apocalyptic collapse. The answer exceeded expectations with more than 21,000 patrons and $2.3 million raised: it was the third most successful publishing project in the history of the platform. crowdfunding. Since then, nearly 300,000 copies have been sold worldwide, going far beyond its initial niche of illustrated books. Some precedent. The question of how to reactivate civilization after a cataclysm is not new. British astrobiologist Lewis Dartnell published ‘Open in the Event of an Apocalypse’ in 2014, a manual that became a best-selleralthough it adopted a technical and textual approach, explaining chemical processes and physical principles. The Long Now Foundationa foundation led by Brian Eno and dedicated to promoting thought on a civilizational scale, in a time frame of 10,000 years and as a counterweight to the current accelerated culture, incorporated the work into the ‘Manual for Civilization’ project. Hungry Minds offers a radically different approach. Where Dartnell provides practical instructions, the collective creates a visual artifact that evokes medieval codices. The genesis occurred during the 2020 confinementwhen those responsible asked themselves: if everything stopped, what essential knowledge deserves to be preserved? With the incorporation of Artur Stelmakh, an expert in crowdfunding campaigns, they transformed that philosophical concern into a viable editorial project. Who are Hungry Minds? A decentralized creative studio without physical headquarters: its members (artists, illustrators, scientists and historians) work from different corners of the planet. Illustrator Lev Kaplan, an advertising veteran, took on the art direction of the book and spent months refining each illustration. The initial team was joined by university professors who were experts in specific disciplines, as well as writers, editors and proofreaders who verified the precision of each data. The result fuses historical references ranging from the mysterious Voynich Manuscript from the 15th century (considered the most enigmatic codex in the world) while the conceptual classification draws on the ‘Summa Technologiae’ of the Polish Stanisław Lem. The object-book market. As the entertainment industry migrates towards digital formats (streaming, downloadable files, ebooks), large-format illustrated books exhibit a certain paradoxical health. According to data collected by The Booksellersales of large-format artistic monographs experienced an increase of 70% in the British market, defying the general trend in the sector. In the United States, a similar phenomenon was experienced: Independent bookstores increased their orders for travel titles by 23%, design by 20% and art by 12%, always referring to large formats. This phenomenon responds to a demand that digital files do not satisfy: the tactile and visual experience of the book. He crowdfunding is partly to blame, democratizing editorial projects that traditional publishers would consider unviable. ‘The Book’ was originally published this way, without the backing of a major company, and in fact, Hungry Minds took the experience further, expanding the book’s concept with an experiential pop-up in Manhattan, transforming the book into an immersive installation. In Xataka | A new movement has emerged in the US: ordinary people with AR-15 rifles preparing for a social collapse

Miquel Ballester, co-founder of Fairphone, talks to us about how they compete with giants

I meet again Miquel Ballester twelve years later. I interviewed him in 2013: I started my career in Xataka, and he did the same in Fairphonea company he officially co-founded a few months earlier with a singular goal: “to create the world’s first fully fair smartphone.” Many things have changed since then. We both already have gray hair, and we have both experienced from our side of the industry how smartphones have conquered the world and then become a standard and everyday product that has one difficulty: that of being truly differentiating. A different mobile in everything. Including your materials But at Fairphone they have managed to do precisely that: differentiate themselves. Your focus is totally different to that of the rest of the manufacturers, and although that part of the original mission has not changed, it has also expanded. According to Ballester, “it has always been a tool,” because Fairphone’s intention was to “change the industry from within.” Fairphone (Gen. 6). In fact, he explains, “we could have made our way by remaining an NGO or getting into the industry in another way, perhaps inspiring other companies and convincing them that there was a market for fair electronics.” Instead they decided to apply the old “if you want something well done you have to do it yourself”, and got to work. This is how the original Fairphone was born and how the others have emerged. Thus, the Fairphone commitment to conflict-free minerals remains one of the hallmarks of its devices. Miquel Ballester confirms that the situation has improved, in part, thanks to legislative changes such as those that have emerged in Europe. “Monitoring and reporting that reveals where certain materials come from, but conflict-free minerals are only one part” of the equation, he points out. The company has scaled its commitment from the initial 4 supply chains to 23 monitored chains, with the goal of half of its materials coming from fair or recycled sources. The new Fairphone (Gen. 6) is the demonstration of that work: more than 50% of the weight of its materials corresponds to fair or recycled materials (that percentage was 42% in the Fairphone 5). This direct management of the chain is vital, especially when deal with rare earthswhose shortage global affects the entire industry. Ballester clarifies that, although they notice the impact on the price, the one directly affected by the volume and wait challenges is the company that manufactures the component, not always the final assembler. Long live modularity and repairability If there is one thing that defines Fairphone, it is its radical approach to repairability and modularitysomething they have successfully extended beyond phones, as evidenced by their repairable headphones, the amazing Fairbuds. Miquel Ballester, Head of Product at Fairphone. That philosophy raises an inevitable question: “Does being repairable and modular involve too many sacrifices?” According to Ballester, “In Generation 6 we are very proud of the balance we have achieved between performance, modularity and sustainability. We have had to say no to many things, but they have all been good strategic decisions that went in one direction: getting a balanced phone for the type of consumer and the type of market we are in.” It is in these decisions that it has been decided, for example, whether to opt for one or another cutting-edge components. We have an example in the ultra-wide-angle sensor, which has lowered its resolution which “has nothing to do with modularity”, but rather to seek a balance and a good balance of specifications. But of course, that philosophy imposes certain criteria. Thus, this engineer and entrepreneur explains to us, “modularity imposes design and size restrictions“. For example, to ensure a large and serviceable battery, the device had to be “a few millimeters thicker” (9.6 mm in the case of the Fairphone (Gen. 6)). Despite this, Ballester emphasizes that this modularity cannot compromise the design too much. In the end, the mobile phone needs to “work and be attractive. It is super important that when a person goes to a store – we are in 20 operators throughout Europe – they see a terminal with a good design.” All that history and experience has allowed them to polish once again a design that remains remarkable but that at the same time includes a battery of decent capacity (4,415 mAh) that is also interchangeable/repairable. The result for him and his team is remarkable: “I’m very proud of the design we’ve achieved with the Fairphone (Gen. 6). It feels good in hand, is light, maintains balance and has a larger screen than the Fairphone 5, which was one of the key goals we had.” In fact, we asked Ballester about past mistakes that they learned from, and he precisely alluded to the predecessor of this mobile. “The Fairphone 5 is a very good device, but it is also I tried to do many things. With the Fairphone (Gen. 6) we were able to make stricter decisions about what should be included and what not, and thanks to that we were able to launch it at a more affordable price.” The Fairphone (Gen. 6), like its predecessors, allows you to enjoy an interchangeable battery, a feature that was previously common and is no longer so. Long live repairable cell phones. It’s true: the Fairphone 5 was launched at 699 euros, while the Fairphone (Gen. 6) has a retail price of 599 euros, a notable difference especially considering that it is normal for everything to go up in price, not go down. For him, in fact, what happened with the Fairphone 5 led to a very important learning experience. “The 5 responded to a certain moment in the company, there was uncertainty, we did not want to close doors. With Gen. 6 we have taken another path even knowing that perhaps we were leaving things behind. You can’t try to please everyone because in the end you don’t make anyone happy.“. Fairphone in Spain and how to compete with giants At Fairphone … Read more

The search as we knew it is over. Google’s AI Mode no longer delivers results, he talks

In recent times, Perplexity has done something that seemed unthinkable: Make Google Search feel old. With its conversational interface, direct answers, linked references and a relentless update rhythm, has shown that a search engine with not only possible, but desirable. It is faster, clearer, more useful. And increasingly popular. Many already have it as FJA tab. Google has taken note. And he has responded. The most important announcement – although somewhat camouflaged – of the I/O 2025 It was not a new model or an ultra intelligent agent. It was this: Ai mode arrives at Search and Gemini. Or in other words: Google has begun to transform its search engine into something that looks a lot like perplexity. For now it is only for users of the United States –argh–, but the movement is clear. When AI Mode activates in the Gemini app, the user stops doing classic style searches and begins to receive direct answers generated by the model, with links to sources, relevant context and capabilities to go beyond: compare, ask for explanations, continue asking. The search engine no longer delivers blue link lists, not even a summary above. Find conversation. In this way, Gemini is not a conversational model. It is an active knowledge engine, A synthesis of LLM, browser and assistantwith the ambition to replace the habit of “google” with that of “asking.” You can search for flights, understand documents, ask for cross opinions or compare articles. And all that, without touching an external page. This is not The results with generative that we saw will arrive in Spain a couple of months ago. This goes much further. That were generative responses about classic results. Ai mode is something else: It is more perplexity, more direct, more useful. And more dangerous for the web ecosystem. Because here is the turn that nobody should overlook. In Perplexity, at least for now, the sources are visible, well prominent, and are central to the experience. In ai mode, on the other hand, ambition seems different: respond so much and so well that the user does not feel the need to leave. A closed, polished, self -sufficient experience. That changes things. Not only for the user, who can stop distinguishing between response and source. Also for the media, creators, forums, specialists. Everything that today feeds Gemini from the web becomes less visible in the process. Knowledge is preserved, but loses authorship On the surface. Perplexity Forced Google to advance. But in doing so, Google has changed certain rules. He has taken what works – the synthesis, natural language, speed – and integrates it into an ecosystem, broader, more fluid, also more opaque. If Perpleplexity was a pioneer in experience, Google now counterattacks with total integration. Therefore, the AI ​​Mode in Gemini is not just a technical novelty. It is a paradigm change in how we look, how we read, how we inform ourselves. The user no longer consults a database. Interact with a system that interprets, selects, synthesizes and responds. Google has caught where the search is going. And has decided to move. But in his style. In Xataka | Google has put a price on the future of AI: $ 250 per month Outstanding image | Google

Scarlett Johansson talks about quotes and “ghosting” with her 10 -year -old daughter

Scarlett Johansson40, confessed that he already speaks to his daughter about the complex world of appointments. The well -known actress visited the ‘Today With Jenna and Friends’ program and He relieved important details about the relationship he has with his daughter, Rose, 10 years old. Scarlett He reported how the phenomenon of “Ghosting” explained recentlya modern term that describes when someone stops responding to another person without any explanation. The conversation arose When Rose told him that he had stopped talking to a child who had been interested in her. “She simply stopped talking directly to her, and he felt terrible,” said Scarlett, who decided to use that situation to teach her daughter about the emotional implications of “ghosting.” According to the actress, This type of behavior can leave the other person feeling devastatedtrapped in a spiral of insecurity and confusion. Johansson, who has been honest about his own personal experiences, He revealed that in the past she had resorted to “ghosting” due to its aversion to confrontation. Although he admitted that this behavior is not the ideal, he said that, on some occasions, he would prefer that someone stop talking before having to face a direct confrontation. “It’s horrible to be ignored” “It’s horrible to be ignored,” Said Scarlett. “Not having any response leaves you thinking, ‘I did something wrong?’ And that uncertainty chases you for years. ” These words of the actress reflect the pain that can generate silence in relationships, especially those that are early and not well defined. The star also took advantage of the space to talk about other situations of her life, such as the relationship she has with her twin brother, Hunter, revealing How in their childhood it was difficult for them to find objects with their names. “A couple of years ago, We were in a surf store in Montauk, and we found two keychains with surf boards. One said Scarlett and the other Hunter. We really cried, ”he said with a laugh. The actress, who is married to Colin Jost and has a three -year -old son with him, Cosmo, made it clear that he enjoys Share these little stories with your audienceshowing closer to his personal life than ever. Although Some on social networks wondered if Scarlett was looking for a new entry for appearing in ‘Today‘, sources close to the Daily Mail confirmed that, beyond speculation, the actress He simply took the opportunity to experience interviewer’s rolesomething that is curious, since it is generally the protagonist of the interviews. Continue reading: (Tagstotranslate) Scarlett Johansson

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