“I don’t understand Stallone, I have the impression that he only does it for money”

That phrase from Clint Eastwood is not current, but belongs to 2003, to a profile that Lillian Ross wrote about Eastwood for ‘The New Yorker’. Curiously, after that Stallone returned to Rocky, but he did so with a film that was a huge critical and public success. And Eastwood did not return to any of his previous films. That is, a quarter of a century later, the quote is nuanced but it essentially means the same thing. What is it coming for? That “I don’t understand Sylvester Stallone. I have the impression that he only does it for money” was said within Eastwood’s broader reflection on his own career: he was talking about Harry Callahan, about the risk of stagnating artistically, about the need to grow instead of going backwards. At that time, it was not known whether ‘Rocky Balboa’ would end up being a worthy film or a nostalgic wreck. In 2003, filming hadn’t even started. It was cool. Three years later, Stallone wrote, directed and starred in that sixth installment. The critical reaction far exceeded that of its two predecessors: Rotten Tomatoes Today it scores 78% out of 180 reviews, well above the reception that ‘Rocky V’ had in 1990. In commercial terms, ‘Rocky Balboa’ grossed 155.9 million dollars with a budget of 24 million. The installment that recovered Rocky was a very worthy tribute to a classic character. Everyone sins. Eastwood was also not free from the impulse to resurrect characters. He played Harry Callahan five times between 1971 and 1988, until ‘The Blacklist’, the last installment of the saga. When a sixth Callahan was finally ruled out, Warner Bros. did not close the door: in 2004 it considered relaunching the franchise with Dwayne Johnson as a thirty-something detective. The plan died due to Johnson’s own box office failures. Without consequences (relatively). However, Eastwood has remained true to his words: in 2003 he had already abandoned Callahan’s films many years ago and was fully immersed in a career as a complete auteur accepted by Hollywood. Words are always relative, yes, because at the end of the day… what are films like ‘Unforgiven’ if not late sequels to his successes as a protagonist for directors like Leone, where the director wonders what happens when the icons reach an advanced age and all the treasures obtained by clean shooting have come to nothing? What remains The really valuable thing about this statement, which we must remember that the current nonagenarian Eastwood has not uttered, is that it is infinitely nuanced: Rocky returned to one of his classic franchises (and would do so again with ‘John Rambo’, another critical – to a lesser extent, yes – and public success), but it was a more than worthy return. And Eastwood would stay true to his words, but four Dirty Harry sequels are there to remind him that there is no one with a completely irreproachable career. In Xataka | “They were not used to silence”: when Clint Eastwood set foot in Spain for the first time in 1964, he was marked forever

Sylvester Stallone and the phrase that turned a scene into the most dangerous of his career: “Hit me for real”

For years, in action cinema there was a kind of unwritten rule: the more real a scene seemed, the better it worked on screen, even if that meant taking unusual risks. That limit was unexpectedly tested when, in the middle of filming Rocky IVa seemingly minor decision ended up forcing Sylvester Stallone to leave the set and be transferred urgently to the hospital. “Hit me for real.” Rarely has a phrase said on set had consequences that were as real as they were dangerous, but that is exactly what happened during Rocky IV. Sylvester Stallone, obsessed with making the final fight convey absolute authenticity, made a decision that would mark the filming: he asked his partner to leave the choreography aside and really hit during part of the fight. That order, which had to be translated into dramatic intensity on screen, ended up becoming a physical experiment that crossed a dangerous line between interpretation and reality. He almost doesn’t count it. The result did not take long to arrive. Dolph Lundgren, much larger, stronger and with training in martial arts, executed what was asked of him without restraint. In the middle of that unscripted combat, a direct blow to the chest hit with such force that it compressed Stallone’s heart against his ribcage, causing an injury that doctors compared “to a traffic accident“. The most disturbing thing was that the actor did not notice anything at the moment of impact, but hours later his body began to collapse, dizzy and with symptoms that showed that something was very wrong. From filming to the emergency room. That same night, the situation became critical. Stallone’s blood pressure shot up to extreme levels and his heart began to swell, forcing to transfer him urgently by plane from Canada to a hospital in California. The actor entered directly in the ICUwhere he spent several days surrounded by health personnel, in a surreal scene due to the way it occurred. Stallone himself I would admit with the time that he was very close to dying that day, in an episode that turned a simple creative decision into an extreme experience. ANDThe plane that he did not want to cut. The most surprising thing is that the blow responsible for that entire critical situation was not eliminated of the final assembly. On the contrary, Stallone, faithful to his obsession with the authenticity of the saga he had created, decided to keep in the film the exact moment that took him to the hospital, turning the moment into a key piece of the intensity conveyed by the fight. Paradoxically, a scene that seems spectacular due to its realism and brutality is precisely because, for a few seconds, it stopped being fiction. Return to the ring later. Far from abandoning, Stallone returned to filming after leaving the hospital to finish the production, thus closing a production marked by physical excess and the search for truthfulness at any price. That decision reinforced the myth of Rocky IV as one of the most extreme installments in the saga, but it also left an uncomfortable lesson about the risks of pushing realism too far. Authenticity turned into danger. If you also want, the case of Rocky IV It’s not just a filming anecdote, but a clear example to what extent the film industry has historically played with the limits of security in search of greater impact on screen. What happened that day sums up an idea that is difficult to ignore: sometimes, in the attempt to make a story seem real, there is a risk that it stops being so altogether. Image | United Artists In Xataka | In 1953 Hollywood filmed a blockbuster in front of US nuclear tests. It was the most radioactive movie in history, literally In Xataka | The day a man dared to go further than anyone else: a real fight with Bruce Lee where there were no limits

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