Moving ‘Guernica’ requires a complex and dangerous operation for the painting. Now the Basque Government wants to do it

‘Guernica’ is an unusual painting in many aspects. Its history is. It is he tour that took him to several continents during his first decades. And so is its size, much (very) larger than the vast majority of paintings that hang in museums. This sum of factors explains why it is now at the center of a bitter controversy. The Basque Country wants to temporarily take it from Madrid to Bilbao to celebrate the 90th anniversary of the bombing which inspired Picasso, but its current custodian, the Reina Sofía, believes it is a bad idea. The debate is served. What has happened? That the Basque Government wants ‘Guernica’, probably Pablo Picasso’s most famous work, finally exposed in Euskadi. A few days ago, during a meeting with the Minister of Culture, the vice lehendakari Ibone Bengoetxea requested the Government to temporarily transfer the painting to the Guggenheim in Bilbao. She wasn’t the only one. The same request Lehendakari Imanol Pradales has transferred it to the President of the Government. The idea is that ‘Guernica’ ends up in Basque lands nine monthsfrom October 2026 to June 2027. After that period, he would return to what has been his home since the beginning of the 1990s, the Reino Sofía Museum in Madrid, where he acts as the main attraction, capturing tens of thousands of visitors. Click on the image to go to the tweet. Why is it important? Because of its symbolic load. ‘Guernica’ is not just any painting. Picasso painted it between May and June 1937 in his workshop on Rue des Grands-Augustins, Paris, commissioned by the Government of the Republic. The work is also inspired by one of the most disastrous episodes of the Civil War: the bombing of the town of Guernica (Vizcaya) at the end of April 1937 by the Condor Legion and the Italian Legionary Aviation. Although during its first decades it was the protagonist of an intense journey that took it through a good part of Europe, North America and South America, the work did not land in Spain until September 1981. Some historians like The Barroquistahave interpreted his arrival as “the symbolic return of the last exile.” And why is it news? That Euskadi wants it to be exhibited in Bilbao right now, between October 2026 and June 2027, is no coincidence. It would coincide with the 90th anniversary of the constitution of the first regional Executive and the bombing of Guernica. Hence Bengoetxea has insisted in the “deep historical, symbolic and emotional meaning” that the transfer would have for the Basque people. Will it be possible? Of course it won’t be easy. Just one day after the meeting between Bengoetxea and the Minister of Culture, the Reina Sofía Museum published a report of 16 pages in which he “strongly advises against” the transfer of the painting from Madrid to the Basque Country. The reason: the process could damage it. “The work is kept in stable conditions thanks to rigorous control of the environmental conditions. However, in view of a possible transfer, its format, nature of the elements that compose it and state of conservation, together with the numerous damages suffered over time, make it especially sensitive to all types of vibrations that are inevitable in transporting works of art.” Does it say anything else? Yes. In case there are any doubts, underlines: “Such vibrations could generate new cracks, lifting and loss of the pictorial layer, as well as tears in the support.” The opinion of the Reina Sofía of course has not pleased the Basque Government, dissatisfied with both the substance and the form. “It would be serious for a formal request from a government to be responded to without a serious and in-depth analysis. The order must be an analysis of the needs so that the painting can be in Euskadi temporarily,” claims Bengoetxea. The regional Executive emphasizes that this is not a simple technical issue. In the background, they insist, there are much deeper readings that affect “memory” and “repair.” The vice lehendakari first complaint and that at the moment it has not received “any official response” from Moncloa. Is it that surprising? Yes. And no. Everything that revolves around ‘Guernica’ arouses expectation, something understandable if one takes into account that the artistic value of the work is added to its historical and symbolic relevance. However, Reina Sofía herself has been responsible for highlighting that his position is not new. In fact, it has been closing the door to organizations that request a loan for the work for several decades. In 1997 he already said ‘no’ to a request for the painting to be included in the inauguration from the Guggenheim in Bilbao, and that it arrived backed by a report in which “the technical conditions” of the transfer were detailed. Click on the image to go to the tweet. Have there been more cases? In 2000 ddenied a request of MoMA, in 2006 he did the same with the Royal Ontario Museum and in 2007 he rejected another request from the Basque Government. Two years later he again said ‘no’ to the Fuji Group, interested in including the piece in the “50th Anniversary Fuji TV” exhibition, held in Tokyo, and in 2012 he also rejected the request presented by a Korean museum. The painting’s last trips date back a few decades: in 1981 it was packed up at the MoMA for transfer to Spain, where it was first exhibited at the Casón del Buen Retiro and later (from 1992) at the Reina Sofía. There alone the exhibition “Piety and Terror in Picasso”, organized during the 80th anniversary of the work, attracted more than 625,000 visitors. And that in less than half a year. Is it so problematic to move it? The report published by the Reina Sofía Museum not only advises against the transfer of ‘Guernica’. Before reaching that conclusion, he offers a detailed analysis of the current state of the painting, in which he notes “alterations such as cracks, cracks … Read more

In 1832 Britain realized that it didn’t have much sun. Since then, a law requires that houses have good light

If there is something that the United Kingdom could blame for its geography and climate, it is the gray days. Rare is the moment when the sun is not covered by clouds in Mary Poppins’ country, where natural light has become a scarce commodity to fight for. So much so, that there is a “right to light” by which homeowners can legally prevent new construction that obstructs natural light rays into their homes. This law is actually an easement established in 1832 by which the owner of a building with windows that have received natural light for more than 20 years has the right to prohibit adjacent constructions that limit it. That is, historically, a person was entitled to this if natural light and air had passed freely through their windows during that time and been enjoyed without disturbance. And these homes protected by the ordinance were marked with the “Ancient Lights” sign. Therefore, if a neighbor tried to violate this by building a structure or planting trees, the owner had the power to sue him for the “nuisance”. Of course, it is important to note that these do not only affect direct sunlight. But it gives the right to a minimum level of natural lighting, not direct rays of the sun. Although this urban planning law has undergone quite a few changes since its inception, the power of property owners to demand natural light continues to be debated in British cities. Nowadays, These “Ancient Lights” signs are still found on buildings around London and other counties such as Dorset and Kent. And the law, more than 100 years later, continues to be the protagonist of all types of litigation, becoming a headache for judges, lawyers and construction companies. The idea of ​​”having the right to light” Let’s go into more detail. A question that arises from this concept is: how much natural light does a person have the right to? And that is precisely where this law has several legal loopholes. Because a building owner’s windows don’t even have to be completely blocked by a neighboring obstruction for that right to be invoked. You simply have to maintain the same level of lighting that the owner has experienced for twenty years, something that is quite diffuse. In the 1920s, Percy Waldram, an expert in this law, proposed a system to standardize the sufficient amount of light that people could claim. He suggested that “common people” required at least one foot-candle (a measure of light intensity) for reading and other work. If the builder, including a homeowner planning an extension, identifies a risk affecting light rights, they must notify the affected homeowner and engage with them to reach an amicable agreement. This could be as compensation or a redesign to rectify or mitigate the problem. However, if there is a dispute, There are two ways to take legal action: damages and/or a court order. The first consists of granting a sum of money to compensate for the loss. The second may require demolition of part or all of the new building unless some other structural change can remedy the problem. The latter is usually too expensive. The idea for many years was that if a property owner did not take immediate steps to obtain a court order, the only remedy available to them was damages. However, a 2010 case left builders stunnedas the court held that it was possible to obtain an injunction even after the completion of the new building. In another more recent case from 2020the court granted an injunction to a property owner two years after the completion of the infringing work. The court found that the builder had proceeded with full knowledge of the risk he was taking. Is there a similar law in Spain? The easements They also exist in Spain. It is the right that the owner of a property has over the adjoining property that limits the proprietary powers of the owner thereof. In fact, it is not so uncommon to find cases in our country (especially in individual homes), in which Your neighbor has one or more windows that face directly onto your property. Is it legal? As regulated by the Civil Code in article 580no party wall can, without the consent of the other, open any window or opening in a party wall. Otherwise, the owner of a wall that is not a party wall and that is adjacent to the back of another owner may open windows or openings in the same wall. to receive lightsas long as it complies with the premises established in article 581 of the Civil Code. Furthermore, as stipulated in the article 582 of the Civil Code: “You cannot open windows with straight views, nor balconies or other similar overhangs, over the neighbor’s property, if there is not two meters of distance between the wall on which they are built and said property. Nor can you have side or oblique views over the same property, if there is not 60 cm of distance.” In Xataka | If your renovation is a pain, think about the house that cost 120 times more than its original cost: a masterpiece In Xataka | If the question is whether they forgot the elevator shaft in the tallest residential skyscraper in Spain, the answer is simple: it was much worse Image | Chris Flexen

AI doesn’t just live on chips, it also requires massive energy, so Google has bought an energy company

The AI needs a lot of energy and technology companies are already planning how to power their huge data centers. On the table there are such creative ideas as take them to space either submerge them in the sea to reduce its consumption. Google has opted for a more immediate solution: it has purchased an electricity company for data centers. The agreement. Google has purchased Intersect Powera company dedicated to developing energy infrastructure, including renewable energy sources, for data centers. Google has paid $4.75 billion for the San Francisco-based company, in addition to assuming its debt. According to Sundar Pichai: “Intersect will help us expand our capacity, operate with greater agility in the construction of new power generation facilities in line with the new load of data centers, and reinvent energy solutions to drive innovation and American leadership” Why it is important. The agreements of AI companies are usually focused on computing capacity, not energy. This agreement underscores the importance of energy in AI infrastructure, putting it on the same level as the very chips it powers. Data centers are being developed at a brutal pace and energy is presenting itself as a bottleneck. Satya Nadella already said it: there is no power for so many chips. It’s Google ensuring enough “food” for its chips. Yontersec. Google’s relationship with Intersect began just a year ago, when big tech acquired a minority stake in the company. Under this collaboration, several projects have come to light in their data centers. Both these projects and all Intersect personnel are part of the agreement. What the agreement does not include are other company assets, mainly located in Texas and California, worth 15 billion. These will continue to operate under the Intersect brand. Energy. In 2023, data centers already accounted for 4% of the energy consumption of the entire United States, and at the rate at which they are being built, the figure will continue to increase (there is talk of 12% by 2028). The problem is that US electrical infrastructure cannot support that pace and is having consequences for consumers through price increases in electricity. Google assures that with this agreement it will be able to guarantee “an abundant, reliable and affordable energy supply that allows the construction of data center infrastructures without passing on costs to network customers.” Image | Wikipedia, Intersect In Xataka | Talking about artificial intelligence is talking about energy, and the fashionable term is ‘bragawatts’

From today, Ryanair requires 100% digital boarding. It is the culmination of a strategy to trap us in its application

The day has come. Ryanair only lets you board its planes with a digital card. The measure has been postponed for a few months but November 12 was finally the date on which this decision by the airline, which has raised some controversy and critical voices, was consolidated. Digital boarding. Showing your boarding pass on your mobile phone will be the only way to access Ryanair planes from today. The company claims that by issuing the digital boarding pass, what they call TED, 300 tons of paper are saved per year. This TED is available from the Ryanair application, once the passenger has checked in online prior to taking the plane. This card is available without a mobile data connection, so they ensure that you can access the plane if your mobile phone does not have data or the airport Wi-Fi is not fast enough. The big news is that, until now, it was possible to send a PDF to email from the application and from the browser. This PDF could be printed or simply stored on the mobile phone and brought onto the plane with it, “bypassing” the download of the application. What does Ryanair earn? That the client downloads its application where the company offers seat changes and, simply, facilitates the collection of supplements with added services. This has become the company’s great gold mine. It is, in fact, the only reason to make this decision. In Xataka Mobile have contacted the company to ask why this change and the last part of the answer is eloquent: “This transition, already adopted by almost 80% of Ryanair’s more than 207 million annual passengers, will offer a faster, smarter and more sustainable travel experience. In addition, it will make it easier for passengers to access a variety of innovative features within the app” In the video itself where they explain the change, they already point out that the user will have constant information during their flight, the allocation of the boarding gate… or the possibility of ordering food at your seat. And if… The company has opened a page question and answer website in which all the possible “what ifs” that we can think of are answered. All of them, yes, require billing in advance. For example: And if… I left my phone at home: you can request a free paper boarding pass at the airport, as long as you have completed the online check-in. And if… I lose my phone: same case as the previous one. And if… I lose my phone or I run out of battery after having passed the control: if we have passed the control it means that the passenger has already checked in. In that case, attention will be offered at the boarding gate. And if… I don’t have a smartphone: we will have to check in online beforehand and request a physical boarding pass at the airport. If we have not done it previously, we will have to pay the 55 euros that Ryanair charges for check-in at the airport. Is there some kind of advantage for the user? More or less. Until now, issuing the boarding pass cost 55 euros, whether or not we had done online check-in previously. With the change, Ryanair ensures that the issuance of the card will be free, as long as we have previously made the online check-in. Controversy. Since the measure will be announced in October 2024the voices opposed to the measure have multiplied. Facua has assured since then the measure is illegal as it is considered abusive. The organization defined the situation as follows: Mandating 100% digital boarding is “an especially burdensome clause for vulnerable groups (older people, passengers who, due to their disability or physical condition, have difficulties interacting with new technologies, etc.). These types of consumers usually need the attention and assistance of a third party to be able to carry out the procedures correctly. on-line. Likewise, in Xataka we already got in touch with the company to ask what would happen if a person wanted to print their boarding pass and access it with it, without using their mobile phone. So we didn’t know (nor did the company confirm) that they were going to remove the PDF. Now, the only way is to take a screenshot and print it. However, if someone wanted to go to this trouble, there was no solution offered for this case. Photo | Dan Barrett In Xataka | Ryanair has found a new formula to earn more per ticket: forcing you to board 100% digitally

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