The box office did not treat it well, but this stimulating apocalyptic fable now reaches prime video and it is worth recovering it

There are those who tire postapocalyptic films with arbitrary rules that must be met to survive. Do not make noise. Don’t look. Don’t talk. Do not move. And in ‘You never release‘, that now premiere prime videothe rule is clear from the first moment: do not stop grabbing your classmates, do not stay alone, or get on the way. However, this proposal starts from that point to go in a very dike direction A manido start, yes, but effective and reserves a good amount of surprises. Everything fits that in command of this party we have Alexandre Aja, the Frenchman who terrified us at the beginning of his career with the extraordinary remake of ‘Las Colinas has eyes’, and that he has then developed a career full of ups and downs, yes, but With pieces of pure horror as estimated as ‘high voltage’, ‘Piraña 3D’, ‘Hell underwater’ or ‘oxygen’. On this occasion, Aja presents us with two twin children who live sections in a cabin in the depth of the forest with his mother (Halle Berry), which tells them about a dangerous spirit that lives abroad. To survive they must always be together, even tied by strings. It is a measure that will begin to question according to children are growing and suspect that the world does not work as they have told them. Mental illnesses, traumas and overprotection are some of the ingredients of this tense story not exactly apocalyptic (although moods are very there). Full of macabre details that certify the good visual taste of AJA, ‘You never let go’, unfortunately, it was received very timidly at the box officeand raised only 21.8 million dollars compared to the already lean 20 that had a budget. It is time to recover it and give it a new opportunity. In Xataka | ‘Oxygen’: a science fiction thriller of Netflix and Alexandre Aja (‘High voltage’) in which surprises and claustrophobia abound

The best history of superheroes in recent years returns to prime video with its third season

There will be those who prefer, of course, the two great, Marvel and DC. There will be those who are more decided by bilious versions of the superhero cosmos, such as the sensational ‘The Boysand his Spin-off ‘GEN-V‘, although here we prefer to see this successful Amazon series as a satire that uses superheroes as a backdrop, rather than as a purely superhero story. But The truth is that superheroes do not end up exhausting: In fact, DC has recently returned with the hilarious’Monster command‘, spiritual sequel to also magnifgic ‘The Pacifier’. Perhaps this last series by James Gunn is the only one capable of shadowing ‘Invincible‘, which now premieres its third season In Prime Video: genuinely superheroic, but with absolutely adult content regarding the conflicts that the violence it shows, it has become an impressive appointment for gender fans. From the aesthetics to the background, all ‘invincible’ is both a love letter to superheroes and a question of their main topics. The series continues at the point where the previous season stayed: we meet Mark’s father, Omni-Man, who is apparently repentant of what happened in the past, and Mark will test its almost omnipotence to the limit. All among absolutely devastating action pan: this is one of the most frantic and violent seasons of the series. Meanwhile, Mark will ask what exactly distinguishes a hero from a villain and will undertake a search for his own identity that will have such fun moments as the adoption of a new suit and as emotional as the protection and education of his brother. That baby of the second season? He has become a teenager who does not know prudence, but devastating super powers. Header | Prime video In Xataka | The new Spider-Man series arrives at Disney+, but it has something that is raising controversy: its animation style

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