This Netflix series is a great portrait of addiction and anxiety

There are series that work because the plot is engaging, and there are series that work because they delve deeply into how our heads work. ‘Queen’s Gambit managed to do both at the same time, and in fact, five years after its premiere in Netflixcan boast an impeccable and unusual track record: researchers cite her in academic psychiatry journals to explain how addictions work in the real world. Released in October 2020 and created by Scott Frank and Allan Scott based on the 1983 novel of the same name by Walter Tevis, the miniseries already has 112.8 million views according to platform data (it is the most viewed miniseries in its history) and won the Golden Globe for Best Miniseries in addition to the Emmy for Best Directing of a Limited Series. But what makes this sketch of the life of Beth Harmon (Anya Taylor-Joy) special, a chess prodigy who grows up in an orphanage where she develops a dependence on tranquilizers and, later, alcohol, is that researchers from ‘The British Journal of Psychiatry‘They analyzed it in 2022 as a clinical study case. What the series does well is not turning the protagonist’s rooms into a decorative element around her genius. According to the publication, hThere are three consistent triggers for Beth’s substance use. throughout the series: shame, anxiety and isolation, all three in a chain. A defeat damages her self-image, anxiety about revenge paralyzes her, and consumption arises as an avoidance mechanism and the isolation that this consumption causes, which aggravates the first two factors. A perfect storm with very recognizable symptoms for psychologists. And also the solution to the problems presented by the series makes sense: other characters reveal to him the real cost of continuing to drink, others help him restore some of his damaged self-esteem, and the collective support of his rivals allows him not to relapse. According to the study, resolving underlying issues is what opens the door to sobriety. All in a series that not only has a first-class setting and performances, but can also boast scientific support in aspects that are often ignored in fiction. In Xataka | One of Prime Video’s main action heroes returns to the platform today, although in a new format

‘Gambling Man’ is the portrait of the man capable of betting billions after a 12 -minute conversation. And lose

Technological capitalism continuously disappoints its investors regarding what continually promises them. In 2022, when Masayoshi are announced losses of 23,000 million dollars in softbankthe market pretended to surprise what was inevitable: the collapse of a bubble inflated by the megalomania of its architects itself. It was not the first time they were seeing a fortune evaporate. He had already lost 99% of his wealth in the Crash of the ‘Puntocom’. The pattern is repeated because it should be repeated: the eternal reproduction of the same, where each cycle of boom and Bust Technological needs its own prophets and martyrs. They are represents both roles with particular dedication. Lionel Barber’s new biography about Masayhoshi are‘Gambling Man‘, portrays a man who has turned the extreme risk into a show. The book aims to unravel the genius after seemingly irrational decisions, but ends up revealing something more important: how modern technological capitalism has normalized recklessness as business virtue. They are, who like to compare with Napoleon and Genghis Khan, embodies the violence of a system that has made the disruption its mantra. Invest 4,400 million dollars in Wework After a 12 -minute conversation because it can do it – as well portrayed the phenomenal Wecrashedfrom Apple Tv+ – because el System rewards the grandiloquent gesture about rigorous analysis. Economic rationality is subordinated to the imperative of the show. The mechanism needs, of course, a distortion of the objectives it says. SoftBank does not really seek to identify the best technological companies in the future, seeks to feed the narrative that you can do it. The reality is that the Vision Fund It operates as a validation machine: Validation for Son, which found in money and success a way to overcome discrimination suffered in postwar Japan; validation for founders who receive their investments; Validation for a market that needs to believe that someone, somewhere, can see the future. “If you are intelligent you do not need leverage, and if you are silly you should not use it,” said Warren Buffett, who in addition to being the best investor in history is a great representative of a more sober and methodical capitalism. Perhaps the first is not understood without the second. They are represents the antithesis of buffet: a system where the mass leverage –SoftBank came to accumulate more than 150,000 million in debt– It is not a means but an end in itself. Debt as a show, as a demonstration of power. What surprises is not that they are survived their failures, but that the system needs them. Each multimillionaire loss reinforces its misunderstanding image, willing to bet against consensus. “At some point, everyone will tell you that you are crazy,” he proclaims. The line between vision and reckless has become deliberately diffuse. Today, while driving A new multimillionaire bet in chips for AIThey are still playing their role in this work. The public applauds because it must applaud: the fiction that after each new technological bubble there is a visionary genius is too comforting to abandon it. He show It must continue, although we all know how it ends. The Gambling Man: The Wild Ride of Japan’s Masayoshi are Outstanding image | Wikipedia CommonsXataka In Xataka | Who are the largest millionaires in Spain: the list of the ten richest people in the country

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