Alcalá de la Selva is the living portrait of a broken tourist model

“There are people who come because they are overwhelmed by so much heat.” He says it José Edo, Councilor for Culture and Heritage of Alcalá de la Selvaabout his own people. He is not talking about weekend tourists: he is talking about people who buy a house in a municipality of 382 neighbors because he can’t stand the summer where he lives anymore. Alcalá has become, in the mouth of one of its own rulers, a climate refuge. The problem is that this “refuge” has a water network designed for 500 people, not for the more than 6,000 it hosts each summer. A pipe about to burst where it is impossible to perceive a real demographic boom. Nobody registers nor are there any census changes. What there is is a ski resort ten minutes away, eight kilometers away, and a wonderful golf course at 1,475 meters above sea level. It is just a car ride away from half of the Valencian Community. Recognizing someone on the street at this time? Risky sport. The numbers that don’t add up. Alcalá de la Selva, which does not have a jungle but does have a cool climate due to its altitude (1404 m above sea level) and being located between two mountains in the Gúdar mountain range, next to the Alcalá river, belongs to Teruel. It is one of the many Aragonese towns with white and stone houses that grows every summer. However, few grow as big as this one. From 350 to 6,500 peoplea couple of years ago, as recognized by the City Council. And without counting nearby campsites or hostelsE. That is multiplying the population by seventeen, an increase of more than 1,600%. Tourism makes money, right? Not exactly: regional and state financing is calculated only on those registered. The City Council charges the IBI and water and garbage rates from its inhabitants, but neither the Provincial Council nor the State allocates an extra euro to the services consumed by such growth. Furthermore, it depends on Teruel for everything and cannot grow much more on a stone hill. A town designed to have no neighbors. The municipal urban planning itself admits it bluntly: “There is hardly any need for a first home”recognizes the document that Alcalá presented to the European contest Europan in 2011, when the town had 513 registered inhabitants and already admitted peaks of up to 5,000. María Amparo Atienza Chisbert, from the PAR, the Aragonese Party, governs from the 2023 municipal elections. And they recognize a model problem that is suffocating them. The mayor of Cosuenda (Zaragoza) and that of Canfranc (Huesca) described exactly the same asphyxiation with governments of a different color. The El Castillejo golf coursemunicipal, 9 holes, inaugurated in 2003, is the highest in Spain and has incredible views. The Valdelinares ski resort, the closest and with 14 slopes, opened in 1970. And neither facility exists for the 382 winter residents. Along with the historic center, scattered seasonal occupation developments grew since the 80s and 90s, chalets that clean and open at Easter, in August and on snow bridges. The rest of the year, as you know: closed tight. This summer, there is also an eclipse. To finish with a certain irony, it is worth remembering that the Gúdar-Javalambre region, where Alcalá is, isIt has become one of the seven official points in Aragon to see the total solar eclipse on August 12. The area dresses up before the first total eclipse visible on the peninsula in more than a century. Aragon expects about four million visitors just for the phenomenon. Rural reservations in the area already exceed 90% for the days of the eclipseand some rural houses will bill in August 2026 up to four times more than a normal August. When it’s all over, the cold will return, the streets will be empty, the store and pharmacy on duty will no longer have to double stock, and will endure the downpour until the next bridge. The municipality has its own historical story – they fell at the hands of the anarchist “The Avengers” of the Iron Column, so that months later General Varela took the town under Franco’s mandate – and is today one of the many victims of a self-fulfilling wish regarding tourism in an emptied Spain. The national context. According to estimates, Spain will close 2026 with around 100 million tourists, a historical record, and between June and September alone, 43 million international arrivals are expected. Tourist housing reservations Airbnb types have doubled since 2018while hotel overnight stays only increased by 8% in the same period. Yes, since May 2026, all tourist homes advertised on platforms need a unique registration number, the NRUA, required by European regulations, but this has not stopped growth. Although in many regions vacation rentals are “losing its appeal“, the Bank of Spain itself warned that this type of accommodation displaces the traditional rental market, as is the case of Alcalá de la Selva, a miniature version of a country that builds for those who visit it three weeks a year, and that bills cleaning, water and roads to those who stay to live the rest of the remaining three hundred and forty-five days. It is easy to think that cities like Malaga live in worse situations, with almost 30% of the rental market. The reality is that, proportionally, Alcalá de la Selva is congested by more dangerous numbers. Image | Alcalá de la Selva City Council In Xataka | Spain promised them happiness with its airports increasingly full of tourists. Until someone calculated how it affects rents

Today in streaming, one of the most epic box office failures of recent decades receives a portrait worthy of its legend

Mike Figgis sent an email congratulating Francis Ford Coppola for resuming, forty years after imagining it, a project called ‘Megalopolis‘, a film financing and collection apocalyptic He added a postscript half jokingly: if he felt like it, he could document the filming. Coppola accepted, and thus ‘MegaDoc‘, that Filmin premieres today. Figgis had full access to the filming, without a script or preconditions. Figgis and Coppola had known each other since the nineties, when the Briton directed Nicolas Cage, the director’s nephew, in ‘Leaving Las Vegas’. In November 2022, when filming began, ‘Megalopolis’ was the biggest unknown in American independent cinema: a science fiction fable set in a New York inspired by Catiline’s conspiracy against republican Rome, financed entirely by Coppola with more than 120 million dollars from the sale of part of his wine business There is a very interesting detail in the nature of ‘MegaDoc’. Eleanor Coppola, the director’s wife for more than sixty years, died on April 12, 2024, just a month before the premiere of ‘Megalopolis’. It was she who in 1991 directed ‘Corazones en tinieblas’, the documentary about the filming of ‘Apocalypse Now’ that became the making of in its own genre within documentaries. ‘MegaDoc’ inherits that family tradition of documenting the creative process from withinalthough this time it is a filmmaker from outside the clan who holds the camera. In ‘MegaDoc’ we will see Shia LaBeouf’s confrontations with Coppola, who even told him that he was the most difficult actor he had ever worked with. Aubrey Plaza turned Figgis almost into another character in the film, ordering her without leaving her role as the Wow Platinum presenter to follow him as if it were her personal camera. Adam Driver, the protagonist, asked not to be filmed during filming and only gave an interview at the end. The result is a documentary as eventful and as peculiar in its destiny as the film it portrays. In Xataka | Today on Netflix, the exciting third installment of one of the most viewed sagas in the history of the platform

This Netflix series is a great portrait of addiction and anxiety

There are series that work because the plot is engaging, and there are series that work because they delve deeply into how our heads work. ‘Queen’s Gambit managed to do both at the same time, and in fact, five years after its premiere in Netflixcan boast an impeccable and unusual track record: researchers cite her in academic psychiatry journals to explain how addictions work in the real world. Released in October 2020 and created by Scott Frank and Allan Scott based on the 1983 novel of the same name by Walter Tevis, the miniseries already has 112.8 million views according to platform data (it is the most viewed miniseries in its history) and won the Golden Globe for Best Miniseries in addition to the Emmy for Best Directing of a Limited Series. But what makes this sketch of the life of Beth Harmon (Anya Taylor-Joy) special, a chess prodigy who grows up in an orphanage where she develops a dependence on tranquilizers and, later, alcohol, is that researchers from ‘The British Journal of Psychiatry‘They analyzed it in 2022 as a clinical study case. What the series does well is not turning the protagonist’s rooms into a decorative element around her genius. According to the publication, hThere are three consistent triggers for Beth’s substance use. throughout the series: shame, anxiety and isolation, all three in a chain. A defeat damages her self-image, anxiety about revenge paralyzes her, and consumption arises as an avoidance mechanism and the isolation that this consumption causes, which aggravates the first two factors. A perfect storm with very recognizable symptoms for psychologists. And also the solution to the problems presented by the series makes sense: other characters reveal to him the real cost of continuing to drink, others help him restore some of his damaged self-esteem, and the collective support of his rivals allows him not to relapse. According to the study, resolving underlying issues is what opens the door to sobriety. All in a series that not only has a first-class setting and performances, but can also boast scientific support in aspects that are often ignored in fiction. In Xataka | One of Prime Video’s main action heroes returns to the platform today, although in a new format

‘Gambling Man’ is the portrait of the man capable of betting billions after a 12 -minute conversation. And lose

Technological capitalism continuously disappoints its investors regarding what continually promises them. In 2022, when Masayoshi are announced losses of 23,000 million dollars in softbankthe market pretended to surprise what was inevitable: the collapse of a bubble inflated by the megalomania of its architects itself. It was not the first time they were seeing a fortune evaporate. He had already lost 99% of his wealth in the Crash of the ‘Puntocom’. The pattern is repeated because it should be repeated: the eternal reproduction of the same, where each cycle of boom and Bust Technological needs its own prophets and martyrs. They are represents both roles with particular dedication. Lionel Barber’s new biography about Masayhoshi are‘Gambling Man‘, portrays a man who has turned the extreme risk into a show. The book aims to unravel the genius after seemingly irrational decisions, but ends up revealing something more important: how modern technological capitalism has normalized recklessness as business virtue. They are, who like to compare with Napoleon and Genghis Khan, embodies the violence of a system that has made the disruption its mantra. Invest 4,400 million dollars in Wework After a 12 -minute conversation because it can do it – as well portrayed the phenomenal Wecrashedfrom Apple Tv+ – because el System rewards the grandiloquent gesture about rigorous analysis. Economic rationality is subordinated to the imperative of the show. The mechanism needs, of course, a distortion of the objectives it says. SoftBank does not really seek to identify the best technological companies in the future, seeks to feed the narrative that you can do it. The reality is that the Vision Fund It operates as a validation machine: Validation for Son, which found in money and success a way to overcome discrimination suffered in postwar Japan; validation for founders who receive their investments; Validation for a market that needs to believe that someone, somewhere, can see the future. “If you are intelligent you do not need leverage, and if you are silly you should not use it,” said Warren Buffett, who in addition to being the best investor in history is a great representative of a more sober and methodical capitalism. Perhaps the first is not understood without the second. They are represents the antithesis of buffet: a system where the mass leverage –SoftBank came to accumulate more than 150,000 million in debt– It is not a means but an end in itself. Debt as a show, as a demonstration of power. What surprises is not that they are survived their failures, but that the system needs them. Each multimillionaire loss reinforces its misunderstanding image, willing to bet against consensus. “At some point, everyone will tell you that you are crazy,” he proclaims. The line between vision and reckless has become deliberately diffuse. Today, while driving A new multimillionaire bet in chips for AIThey are still playing their role in this work. The public applauds because it must applaud: the fiction that after each new technological bubble there is a visionary genius is too comforting to abandon it. He show It must continue, although we all know how it ends. The Gambling Man: The Wild Ride of Japan’s Masayoshi are Outstanding image | Wikipedia CommonsXataka In Xataka | Who are the largest millionaires in Spain: the list of the ten richest people in the country

Log In

Forgot password?

Forgot password?

Enter your account data and we will send you a link to reset your password.

Your password reset link appears to be invalid or expired.

Log in

Privacy Policy

Add to Collection

No Collections

Here you'll find all collections you've created before.