All the Golden Globe nominations and where to watch them streaming

The nominations for the 83rd edition of the Golden Globes confirm the prestige and impact of Paul Thomas Anderson, whose ‘One Battle After Another’ sweeps away nine nominations, leading this edition. The other surprise of the year, closer, are the two nominations for the Spanish film ‘Sirat’ (Foreign Language Film and Soundtrack), thus opening a door to the Oscars. This edition stands out for its notable internationalization: three of the six nominees for best drama are not filmed in English, and the Norwegian ‘Sentimental Value’ has eight nominations. On the other hand, on television, ‘The White Lotus’ dominates with six nominations. As for distributors and production companies, Netflix equals Warner in the number of nominations in film and leads the nominations in television. These are all the nominations and where to see them. Television Best supporting actor Best supporting actress Best Actress in a Comedy or Musical Best Actor in a Comedy or Musical Best Actor in a Miniseries, Anthology or Television Movie Best Actress in a Miniseries, Anthology or Television Movie Best drama actress Best Drama Actor Best drama series Best comedy series Best Limited Series, Anthology or Television Movie Best Monologue Performance Bill Maher (Bill Maher: Anyone else notice?). In HBO Max Brett Goldstein (Brett Goldstein: The Second Best Night of Your Life). In Movistar Plus+ and HBO Max Kevin Hart (Kevin Hart: Acting My Age). In Netflix Kumail Nanjiani (Kumail Nanjiani: Night Thoughts) Ricky Gervais (Ricky Gervais: Mortality) Sarah Silverman (Sarah Silverman: Postmortem). In Netflix best podcast Armchair Expert With Dax Shepard (Wondery) Call Her Daddy (Siriusxm) Good Hang With Amy Poehler (Spotify) The Mel Robbins Podcast (Siriusxm) Smartless (Siriusxm) Up First (Npr (National Public Radio) Cinema Best supporting actor Best supporting actress Best actress in drama Best actor in drama Best Actress in a Comedy or Musical Rose Byrne, If I could, I’d kick you Cynthia Erivo, Wicked: Part II Kate Hudson, Song Sung Blue: Song for Two Chase Infiniti, One battle after another Amanda Seyfried, The Testament Of Ann Lee Emma Stone, Bugonia Best actor in a comedy or musical Timothée Chalamet, Marty Supreme George Clooney, Jay Kelly. In Netflix Leonardo Dicaprio, One battle after another Ethan Hawke Blue Moon Lee Byung-Hun, No Other Choice Jesse Plemons Bugonia Best soundtrack best song best script Paul Thomas Anderson, One Battle After Another Ronald Bronstein and Josh Safdie, Marty Supreme Ryan Coogler, The Sinners. In HBO Max Maggie O’Farrell and Chloé Zhao, Hamnet Jafar Panahi, A Simple Accident Joachim Trier and Eskil Vogt, Sentimental value best director Paul Thomas Anderson, One Battle After Another Ryan Coogler, The Sinners. In HBO Max Guillermo Del Toro, Frankenstein. In Netflix Jafar Panahi, a simple accident Joachim Trier, Sentimental value Chloé Zhao, Hamnet Best foreign language film A simple accident (France) No Other Choice (South Korea) Secret Agent (Brazil) Sentimental value (Norway) Sound of Falling (Germany) Hind’s voice (Tunisia) Sirāt (Spain). In Movistar Plus+ Best animated film Best Film – Drama Frankenstein. In Netflix Hamnet a simple accident secret agent sentimental value The sinners. In HBO Max Best Motion Picture – Comedy or Musical Blue Moon Bugonia Marty Supreme No other choice New Wave One battle after another Best Cinematic and Box Office Achievement In Xataka | This new Netflix movie is so brutal that it has achieved an unusual milestone: sweeping the K-pop music charts…

How fantastic cinema has invaded the main nominations of the 2025 Oscar

For a few years, fantastic cinema is living a kind of face washing thanks to prestigious successes and labels such as “high terror“. The cotton test is always in the Oscars: as a maximum representation of Hollywood’s respectability and the show industry, when gender movies appear in the main categories, we live a new era of acceptance of the fantastic. Like this year. The circle of life. It is not a new phenomenon, but it has not always existed either. For decades all genres outside the drama, comedy and its variants (musical, western) were none by the Oscars. Until the international success of ‘arrivedStar Wars‘At the end of the seventies, and the technical categories of effects began to acquire relevance. The next spicy of the horror genre in the Oscars arrived in the nineties, with films without traces of series B in its DNA as ‘the silence of the lambs’ or ‘misery’. Since then, and by streaks, there have always been periodic claims of the fantastic in the Oscars (‘Let me out’, ‘The form of water’, ‘The Lord of the Rings‘), And this year he plays again. A significant precedent. Although last year there was almost almost the presence of fantastic cinema among the Nominated for Best Film (‘Barbie‘, of course, but above all’Poor creatures‘-Two films that never had the slightest opportunity-), the most interesting nominations in this regard took place in 2023. Not only was it nominated’Avatar: The sense of water‘, but ‘All at once everywhere‘He won seven awards, including the best film. A pure fantastic movie that also put on the table a producer who had been talking for years, A24. The legacy of A24. The great winner of the 2023 Oscar were neither her directors, the Daniels, nor her squad of actors (all awarded), but As we said at the timeproducer A24. Although it is not a specialized producer, it is responsible, distributing and producing the cinema of directors such as Robert Eggers (‘La Bruja’, ‘El Faro’) or Ari Aster (‘Hereditary’, ‘Midsommar’) that the fantastic cinema live A new era of respectability. Which includes, as a consequence, a renewed presence in the Oscars. 2025, Fantastic Oscars. This year we have several gender films among the nominees. On the one hand, the inevitable blockbuster, the equivalent of the ‘avatar’ of 2023: ‘Dune: Part two‘. On the other, ‘WICKED‘, which is a musical and therefore is more in the Hollywood tradition than in the rupture of norms, but let’s not forget that it is a prequel to’ The Wizard of Oz ‘, a classic absolute of the genre. Yeah ‘Emilia Pérez“It is fantastic or not would be something to sit down to discuss it (or better not), but it is clear that the radical point puts it. ‘The substance‘, a film that drinks from the troma and series B, of the Body Horror and the Gore, of Cronenberg and the latex feasts of the eighties. A true surprise whose only presence in nominations is already an indisputable award. And this year there are possibilities? First of all, it should be said that it was not planned that ‘everything at once everywhere’ razed in 2023, so there are always possibilities. But in principle, no: this year the thing is between ‘The Brutalist‘,’ Conclave ‘and’ Wicked ‘, and even’ Anora ‘and’ Emilia Pérez ‘, but neither’ Dune: part two ‘(which possibly takes a good amount of technical awards) nor, of course,’ the substance ” (Too Molona for Hollywood, it could be said, although Demi Moore should not lose hope) they are among the favorites. In any case, having reached nominations is a triumph: it is still clear that the fantastic is renewing Hollywood. In Xataka | Karla Sofía Gascón has achieved more than endangering her own Oscar: jumping all Netflix alarms

The 13 nominations for ‘Emilia Pérez’ are another historic triumph for Netflix. But a hugely controversial one

‘Emilia Pérez’, the film by Jacques Audiard that tells the personal journey of the head of a Mexican cartel who undergoes a gender change operation, is the production with more nominations this year for the Oscarsa total of 13. It thus surpasses other rivals that were believed to be equal or even above, such as ‘The Brutalist’ or ‘Wicked’, with 10 nominations each. However, this film produced by Netflix does not come without controversy, something that at the moment does not seem to be affecting his career. The nomination count. In its 13 nominations there are main categories such as Best Film, Best Lead Actress (Karla Sofía Gascón), Best Supporting Actress (Zoe Saldaña), Best Cinematography, Best Direction or Best Adapted Screenplay. The rest are divided between Best Editing, Best International Film, Best Makeup and Hairstyling, Best Music and Best Sound. Significantly, despite the 13 nominations, it cannot win more than 12 awards, since in Best Original Song it opts for two songs, of which it can win a maximum of one. Another triumph for Netflix. Although it is no longer new, once again Netflix has won more nominations than any other Hollywood production company, traditional or newcomer to the industry. There are a total of 18 nominations for the platform, since those for ‘Emilia Pérez’ are joined by ‘The Only Woman in the Orchestra’ for Best Documentary Short, ‘Anuja’ for Best Live Action Short, ‘María Callas’ for Best photography, ‘Six Triple Eight’ for Best Song and ‘Wallace and Gromit: Revenge Served with Feathers’ for Best Animated Film. It is not a new situation for Netflix, which has been every year since 2020 the most nominated studiowith a high so far of 36 nominations in 2021. Controversial AI. During its time at the Cannes Festival (where it won the Jury Prize and Best Actress for its female cast), the film was unanimously acclaimed, but after three also very celebrated awards at the Golden Globesthe film hit theaters, and the controversy began. The first protests were for the use of AI: similarly to how has happened with ‘The Brutalist‘ with her dialogues in Hungarian, ‘Emilia Pérez’ has used the Respeecher program to get Karla Sofía Gascón to sing outside her vocal range, and also to touch up the Spanish accents of Zoe Saldaña and Selena Gomez. But that has only been the beginning. trans rejection Despite the visibility of Karla Sofía Gascón being the first openly trans actress to be nominated, as she was the first to win at Cannes, and also the first nominated at the Golden Globes, the transgender community has criticized the film for its vision. schematic and Manichaean that it presents. It has been said that the vision of transsexuality is made from a completely CIS perspective, creating a film focused on trans problems but with only a transgender interpreter. The activist and philosopher Paul B. Preciado, for example, asked “to European binary cinema to stop using our trans bodies to plant their amusement parks.” Unreal Mexico. However, the en bloc rejection occurred when the film reached Mexico, where it premiered in January and where the issue of drug cartels is especially sensitive. The country’s media have criticized her almost unanimously. The popular Mexican actor Eugenio Derbez has defined Selena Gómez’s performance as “indefensible”, being one of the most ridiculed aspects of the film on the internet. In general, the vision that is not very empathetic towards the victims, but very compassionate towards the criminal protagonist, has also been highly criticized. Header | Netflix In Xataka | Netflix breaks subscriber records, but stops reporting its numbers. The reason: it can’t grow any more

‘Emilia Pérez’ breaks record for a film not spoken in English with 13 Oscar nominations

Shortly after the devastating wildfires in Los Angeles that hit the heart of the film industry, a beleaguered Hollywood lined up this Thursday behind Netflix’s narco-musical about trans identity “Emilia Pérez” in the Oscar nominations. Jacques Audiard’s “Emilia Pérez,” a Spanish-language film filmed in France, dominated with 13 nominations, including best picture and best actress for Karla Sofía Gascón, making her the first openly trans actress nominated for an Oscar. The film also earned nominations for direction, original screenplay, two of its songs, and for Zoe Saldaña. Zoe Saldaña poses at the “Emilia Perez” session at the 77th Cannes Film Festival in France on Sunday, May 19, 2024. (Vianney Le Caer/Invision/AP) Netflix, despite its leading role in Hollywood, has never won the best picture award. Many of its top contenders have racked up a number of nominations, including “Mank,” “The Irishman” and “Roma,” but have gone home with only a handful of trophies. “Emilia Pérez,” however, may be her best opportunity yet. It became the most nominated non-English language film in history, surpassing Alfonso Cuarón’s “Roma,” which earned 10 nominations. Only three films — “All About Eve,” “Titanic” and “La La Land” — have earned more nominations in Academy Awards history. Another non-English language film that featured prominently was “Ainda Estou Aqui” (“I’m Still Here”). The Brazilian film by Walter Salles about the family of a politician who disappeared during the military dictatorship was nominated for best film, international feature film and had a mention for its protagonist Fernanda Torres as best actress. The musical, “Wicked,” the hit adaptation of the Broadway musical, earned almost the same number of nominations. The lavish production inspired by Jon M. Chu’s “The Wizard of Oz” earned 10 nominations, including best picture and acting for its stars Cynthia Erivo and Ariana Grande. “The Brutalist,” Brady Corbet’s VistaVision-shot postwar epic, also picked up an impressive 10 nominations, including best picture, best director and nods for actor Adrien Brody, Guy Pearce and Felicity Jones. The nominees for best film are the Brazilian film “Ainda Estou Aqui”; “Anora”; “The Brutalist”; “A Complete Unknown”; “Conclave” (“Conclave”); “Dune: Part Two”; “Emilia Pérez”; “Nickel Boys”; “The Substance” and “Wicked”. Alessandro Nivola and Adrien Brody in a scene from “The Brutalist”. (TIFF) In a very open Oscar race, the six most nominated films — “Emilia Pérez,” “Wicked,” “The Brutalist,” “Anora” (with six nominations) “Conclave” (with eight nominations) and “A Complete Unknown” ” (eight nominations) — met expectations. The biggest surprises were “Ainda Estou Aqui” and “Nickel Boys” by RaMell Ross, a drama filmed from the perspective of its protagonists that had been overlooked by many guilds in previous votes. Those nominees likely displaced some best picture prospects in “Sing Sing,” “September 5” and “A Real Pain,” though those films earned nominations in other categories. One of the boldest films of 2024, “The Apprentice” surprisingly scored a pair of nominations, for Sebastian Stan and Jeremy Strong. The film dramatizes President Donald Trump’s formative years in New York real estate under the tutelage of attorney Roy Cohn. Trump has called those involved with the film “human scum.” In the best actor category, where Stan and Brody were nominated, the other nominees were Timothée Chalamet (“A Complete Unknown”), Colman Domingo (“Sing Sing”) and Ralph Fiennes (“Conclave”). Notably absent was Daniel Craig, acclaimed for his very un-James Bond performance in “Queer.” In this image provided by Mubi, Demi Moore in a scene from “The Substance.” (Mubi via AP) Best actress, a category that Demi Moore seemed to have secured for her impressive performance in “The Substance,” also had nominations for Moore, Gascón, Torres, Erivo and “Anora” star Mikey Madison. What is perhaps the most competitive category of the year left out Marianne Jean-Baptiste (“Hard Truths”), Pamela Anderson (“The Last Showgirl”), Nicole Kidman (“Babygirl”) and Angelina Jolie (“Maria”). In the directing category, “The Substance” filmmaker Coralie Fargeat made it into the otherwise all-male group of Sean Baker (“Anora”), Corbet, Audiard and James Mangold (“A Complete Unknown”). Most expected Edward Berger to be nominated for directing the papal thriller “Conclave.” “This has certainly been a difficult time for Los Angeles, where many members of our film community work and live. But the past few weeks have proven what we already know to be true: our film industry and Los Angeles are resilient, and for nearly a century, the Oscars have brought us together to celebrate our global film community,” said Academy President Janet Yang. , before the nominees were announced. Nominations were originally planned for January 17. But after wildfires began burning through Pacific Palisades, Altadena and other areas around Los Angeles on Jan. 7, leaving historic levels of destruction, the academy extended its voting window and twice postponed announcing the elections. nominations.

Oscars 2025: Complete list of nominees

The nominations for Oscars 2025 They have already been made known. This course is one of the most open in memory, with several films running as favorites to win the precious statuette. Among them is Emilia Perezthe French musical that has conquered millions of viewers (and horrified many others). It is also The Brutalistthe monumental post-World War II historical drama. And of course Anora, Wicked and Conclavethree of the most powerful and different titles of the year. The gala of the Oscars 2025 It will take place on Sunday, March 2, in the early hours of Monday, March 3 in Spain. That’s when the presenter Conan O’Brienlegendary face of programs like Late Night either Tonight Showfrom the beginning of a gala in which everything is yet to be decided. Regarding representation of Spain, the actress Karla Sofia Gascón (Emilia Perez) becomes the second Spaniard to achieve the nomination after Penelope Cruz. Additionally, she is the first transgender actress nominated in history. The rest of the national candidates have finally failed to make the last cut. List of nominees for the 2024 Oscars best movie The Brutalistby Brady Corbet. Conclaveby Edward Berger. Dune: Part 2by Denis Villeneuve. A Complete Unknownby James Mangold. Nickel Boysby RaMell Ross. Anoraby Sean Baker. Wickedby Jon M. Chu. Emilia Perezby Jacques Audiard. The substanceof Coralie Fargeat. I’m still hereby Walter Salles. best director Sean Baker, for Anora. Jacques Audiard, by Emilia Perez. Brady Corbet, by The Brutalist. Coralie Fargeat, by The substance. James Mangold, by A Complete Unknown Best original screenplay Sean Baker, for Anora. Brady Corbet and Nora Falstvold, by The Brutalist. Jesse Eisenberg, by A Real Pain Coralie Fargeat, by The substance. Mortitz Binder, Tim Fehlbaum and Alex David, for September 5 Best adapted screenplay Peter Straughan, for Conclave. Jacques Audiard, by Emilia Perez. James Mangold and Jay Cocks, for A Complete Unknown Ramble Ross and Joslyn Barnes, by Nickel Boys Clint Bentley and Greg Kwedar, for Sing Sing Best Leading Actress Fernanda Torres, by I’m still here. Mikey Madison, by Anora. Karla Sofía Gascón, by Emilia Perez. Cynthia Erivo, by Wicked. Demi Moore, by The substance. Best lead actor Adrien Brody, by The Brutalist. Timothée Chalamet, by A Complete Unknown. Ralph Fiennes, by Conclave. Sebastian Stan, by The Apprentice. Trump’s story. Colman Domingo, by The Lives of Sing Sing. Best supporting actress Zoe Saldaña, by Emilia Perez. Ariana Grande, by Wicked. Isabella Rossellini, by Conclave. Felicity Jones, by The Brutalist. Monica Barbara by A Complete Unknown Best supporting actor Kieran Culkin, for A Real Pain. Guy Pearce, by The Brutalist. Edward Norton, by A Complete Unknown. Jeremy Strong, by The Apprentice. Trump’s story. Yura Borisov, by Anora. Best animated film Inside Out 2by Kelsey Mann. Wild Robotby Chris Sanders. Flow, a world to saveby Gints Zilbalodis. Memories of a snailby Adam Elliot. Wallace and Gromit: Revenge is served with feathersby Nick Park and Merlin Crossingham. Best international film Emilia Perezby Jacques Audiard (France). I’m still hereby Walter Salles (Brazil). The seed of the sacred fig treeby Mohammad Rasoulof (Germany). Flow, a world to saveby Gints Zilbalodis (Latvia) The Girl with the Needleby Magnus von Horn (Denmark). Best Documentary Feature Film black box diaries No other land Porcelain War Soundtrack to a coup d’etat Sugarcane Best photography The Brutalist Dune 2 Emilia Perez Maria Callas Nosferatu Best assembly Anora The Brutalist Conclave Emilia Perez Wicked Best Original Score Daniel Blumberg, by The Brutalist. Clément Ducol and Camille, by Emilia Perez. Kris Bowers by Wild Robot. John Powell and Stephen Schwartz, for Wicked. Volker Bertelmann, by Conclave. best original song My Wayby Clément Ducol and Camille for Emilia Perez. The Evilby Clément Ducol, Camille and Jacques Audiard for Emilia Perez. Like a Birdby Abraham Alexander and Adrian Quesada for Sing Sing. The Journeyby Diane Warren for The Six Triple Eight. Never Too Lateby Elton John, Brandi Carlisle, Andrew Watt and Bernie Taupin for Elton John: Never too late. Best production design The Brutalist Conclave Dune 2 Nosferatu Wicked Better visual effects Alien: Romulus Better Man Dune 2 kingdom of the planet of the apes Wicked Best costume design A Complete Unknown Conclave Gladiator 2 Nosferatu Wicked Best makeup and hair a different man Emilia Perez Nosferatu The substance Wicked Better sound A Complete Unknown Dune 2 Emilia Perez Wicked Wild Robot Best fiction short film A Lien Anuja I’m not a robot The last Ranger The man who could not remain silent Best animated short film Beautiful Men In the shadow of the cypress Magic Candies Wander to Wonder Yuck! Best Documentary Short Film death by numbers I am ready, Warden Incident Instruments of a beating heart The only girl in the orchestra

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