Spotify and Apple Music have a problem with AI-generated music. And the real musicians are paying for it

Music generated by AI has flooded the large platforms of streaming without anyone having asked for it. Deezer says it detects 75,000 AI tracks uploaded every day, and the number is growing. Spotify has uploaded 75 million songs of that type in the last twelve months. And Apple Music recognizes that more than a third of everything that comes to it is “100% AI”. Why is it important. It is not only a quality problem for the catalog or the reputation of the platform, but also an economic problem. Spotify, Apple Music and most platforms operate with a proportional distribution model (pro-rata): each artist receives a percentage of the total pool royalties equivalent to your reproduction quota. The more AI songs that accumulate listeners (even if they are fraudulent, generated by bots) the more it dilutes what a real musician earns. Between the lines. Although more and more music of this type is uploaded, almost no one listens to it, at least on purpose (sometimes AI songs sneak into algorithmic discovery lists). The problem is not the demand, which does not exist, but the brutal and increasing amount that distorts the algorithms and erodes the income of real artists even though their songs are still the ones that people do want to hear. Someone is uploading music that no one asks for to collect money that they do not deserve because the listeners arrive via bots. And that is money that the real artist stops earning. The background. The most extreme case, at least documented so far, has been that of Michael Smith, an American businessman who between 2017 and 2024 generated more than 10 million dollars in royalties wearing Suno and other tools to create hundreds of thousands of songs and armies of bots to play them automatically. That was the first case of fraud streaming with AI criminally prosecuted in the United States. According to the accusation, it accumulated 660,000 views a day. One billion views and zero fans. Yes, but. The platforms are already facing this wave. Deezer has been the most aggressive: it has implemented AI automatic detection, excludes those songs from algorithmic recommendations and has demonetized 85% of its views. Bandcamp has outright banned AI-generated music. Apple Music has begun to roll out its ‘Transparency Tags‘ (optional for now), and Spotify has released a verification stamp ‘Verified by Spotify‘ to ensure there is a human behind every artist profile. The problem is that both Spotify and Apple have opted for voluntary systems: it is the labels and distributors who must declare whether they have used AI. Nobody who lives off fraud is going to do it. There is an important distinction: It is one thing for a musician to use AI as a tool within their creative process (to refine a lyric, generate a base, experiment with sounds…) and quite another for an entire song to come out of Suno or equivalent with a pair of prompts and without real human intervention. The platforms, at the moment, do not distinguish between one thing and another. And Spotify has also left a door open by noting that “the concept of artistic authenticity is complex and rapidly evolving,” which in practice means that AI artists could end up being verified one day. Featured image | Xataka In Xataka | Science has measured how music impacts us during exercise: choosing the right Spotify list is essential

is that AI is “reviving” dead musicians

That artificial intelligence is reaching the musical field It is something that does not catch us by surprise. But what songs generated through this type of tools He passes to a platform like Spotify It is already something to think. Especially if we take into account the detail that they are songs that take reference to deceased artists. As Inform The 404 Media medium, Spotify has published songs generated by artificial intelligence in the official pages of deceased artists decades ago, apparently without having the permission of families or recordings. Although the platform has already removed some of these contents after complaints, it is clear that it is a sign that it will be more and more complicated to determine whether a song is generated or not by an AI. At least the examples we show below are seen. The case discovering the cake. Blaze Foley, Country singer -songwriter killed in 1989, appeared last week with a new song entitled “Together” on its official Spotify page. Craig McDonald, owner of Lost Art Records and responsible for managing Foley’s digital catalog, discovered The theme by chance and confirmed that it was a song generated by AI that had nothing to do with the style of the Texan musician. The song also included an image generated by a man who was not similar to Foley singing in front of a microphone. It is not an isolated case. The investigation revealed That Guy Clark, winner of a Grammy and deceased in 2016, had also “released” a song for the same week. “Happened to you” appeared in his official profile with the same characteristics: artificial generated music and false image of the artist. Both songs were marked with the “Syntax Error” copyright, a company from which there is no public information but has distributed at least three similar themes in recent days. A case that adds to the ghost bands. The situation becomes from CastaƱo to dark, and adds to the growing wave of completely fictitious groups, such as The case of Velvet Slownwhich achieved more than one million monthly views posing as a real folk band, or The girlsthe Spanish project that jumped to the media at the end of 2024. It seems that this time it goes beyond creating non -existent artists, but the identity of dead musicians is being supplanted to monetize artificial content under its name and reputation. Distribution without verification. According to the company, the songs arrived in Spotify through Soundon, the Tiktok musical distribution platform that allows you to upload music directly with hardly any verification filters. After the publication of article On the part of 404Media, Spotify contacted them by e-mail and claimed to have withdrawn the content alleging violation of their policy against deceptive content, but the damage to the reputation of the artists was already done. McDonald states that any artist follower would have immediately detected fraud. Although it also admits that the problem arises with the new listeners, since they can confuse these songs generated by the artist launched. The solution that does not arrive. McDonald proposes A seemingly simple measure: that Spotify requires authorization from the owner of the official website before allowing new content to appear. Meanwhile, companies such as reality defend, a company in charge of detecting deepfakes generated by AI, confirm That these songs present “indicators that show a probability superior to the normal generation by AI”, but the detection continues to depend on external tools. A problem that can go worse. Most likely, we see more similar cases while platforms do not implement stricter verification systems. It is clear that artificial intelligence You can catch off many peoplebut platforms as settled and prolific as Spotify must take action. The debate here is no longer the artistic quality, but the identity of a real, deceased person is being supplanted. Cover image | 404Media and Xataka In Xataka | 14 apps and services to discover new music in Spotify, Apple Music and other streaming services

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