fiction

‘Mickey 17’ is the new dystopian science fiction film that leads the box office. The problem is not enough

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There are times in which to crown the box office with a number 1 means nothing: ‘Mickey 17’, the new Bong Joon Ho movie, director of ‘Parasites‘ and ‘Snowpiercer‘, has been number 1 on American lists. Even so, the high cost of this ecologist dystopia of satirical dyes make it a questionable investment for Warner and, above all, the finding that in Hollywood they still do not curdle the ambitious projects that are not sequelae or reboots. The figures. ‘Mickey 17’ He has pocketed Only in the United States 19.1 million dollars, which are added 25.4 in 66 international territories. Not bad for a real -extravagant movie and that has dethroned films such as Marvel’s last captain America (also with good collection, but with a trajectory that has had to turn on Some other red light in Disney). However, its cost of 118 million, to which to add about 80 in marketing and distribution, leaves the approximately 300 million that it should raise so that Warner does not consider it a failure. A quick comparison. If the question is whether these amounts are expected, we can compare them with those of your immediate rival at the box office: ‘Captain America: Brave New World’ collected 88 million at the box office In its first weekend, and although it started from a budget much higher than the one to aim (200 million), to exceed 50 million in the United States would have been closer to a satisfactory figure for Warner. Doubtful direction. To this initial collection, which The first analyzes estimate as insufficient Before the challenge of reaching the 300 million commented, it is added that the film has not aroused a unanimous opinion between criticism and public: Its mere 78%-72% In ‘Rotten Tomatoes’ it is not especially high (especially considering that its director has signed films that have previously dazzled to public and critical). Among the obstacles of the film to improve its collection in successive weeks is the extravagant argument (Pattinson gives life to a worker who in the future is cloned again and again every time he dies in the course of the dangerous mission of helping to colonize an icy world), and also his tone of farce, acid and very little commercial, which is detected in all the films of the Korean director, but that is ever unleashed here. Warner: decisive year. Without successes guaranteed as new sequelae of its star franchises (‘Dune‘ and ‘Godzilla‘) In perspective, Warner has a year full of very expensive productions but are not a guaranteed success. For example, ‘Alto Knights’, Robert De Niro’s return to a certain “prestigious” cinema; ‘Sinners’, one blaxoploitation vampire of the director of ‘Black Panther’; ‘A Minecraft movie’, whose first advances have a chilling appearance; and the start of James Gunn DC Universewhich looks very good, but that does not have the best precedents. Only sequelae. The prick of ‘Mickey 17’ is one more symptom of the latest trends of a Hollywood that seems to have turned its back on the original high -budget products: by sujuesto that there is always space for a ‘Anoraor any other bombing indie. But The 2024 figures made it clear: sequels and REBOOTS They mark the step at the box office: no Top 10 movie was completely original. The success of ‘Barbie’ (which is not that it was an absolutely isolated product of a franchise) and ‘Oppenheimer’ the previous year It was little more than a mirage. Without franchise there is no return. There is an extra detail that should underline so that it does not go unnoticed: the budget of 120 million dollars is high, but it is triggered to levels that rival the Marvel herself if we add the very high expenses in marketing. This means that on many occasions, the films bet in a lost depth, knowing that only with a box office can not be recovered, but trusting that it is achieved with derived products: books, video games, attractions in parks, spin-offs … and above all, that money serves as something already invested as part of the future marketing of sequelae. A fish that bite the tail and is condemning the original blockbusters such as ‘Mickey 17’. Header | Warner In Xataka | Warner has a problem with the new Harry Potter series: JK Rowling’s opinions

The director of ‘Rogue One’ signed one of the best science fiction films in recent years, and now comes to Prime Video

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After spending less than a year for Disney+, ‘The Creator‘, the magnificent futuristic dystopia of Gareth Edwards, Reach Prime Video. The Amazon platform can provide a tremendous impulse to this film that, Despite the praise received with its premiere in 2023he punctured at the box office. This relegated to a secondary role both in the awards season, where its excellent technical invoice should have been recognized, as in the public reception. Edwards has a very peculiar vision of the genre, a very unique eye for drama and intimate, which has been reflected in his films even for successful franchises: ‘Godzilla’ and ‘Star Wars: Rogue One’, two productions found A similar balance between the show and the small -scale emotion. In that sense, where ‘The Creator’ finds more similar is in the director’s first movie, the excellent ‘monsters’. In ‘The Creator’, Edwards enters an iconic science fiction issue, artificial intelligences, classic since Asimov wrote their robots stories, but with a fiercely modern perspective: in a war between the human species and artificial intelligences, an exagent of the special forces is recruited to locate and execute the creator, a mysterious architect of the AI ​​that has developed a devastating weapon end to war and mean the victory of the machines. He must prevent it. The film is raised as an empathetic approach to the other, to the IAS that in this case are far from being like Skynet, no matter how much they face humans with virulent violence. The great mystery of ‘The Creator’ is precisely what are the last intentions of that creator, and everything is raised in a devastating war environment, with special effects that, despite its modesty (or precisely thanks to it) They work much better than that of so many Blockbusters. An essential event for lovers of the genre. Header | Disney In Xataka | ‘The Creator’ is the science fiction film of the year. And also a declaration of war to clonic franchises https://www.xataka.com/streaming/pelicula-ciencia-ficcion-importante-2023-esta-disney-sus-sugerentes-predictions-ia

You have a few days to see this magnificent science fiction film by the director of ‘Ex Machina’ that will disappear from Netflix

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They were the early days of Netflix’s mass implantation, when it was still far from being the aesthetic and thematic roller in which it has ended up becoming. The platform premiered in 2018 ‘Annihilation‘, a film that had gone through a nightmare struggles to see the light due to its daring proposal, which made cinemas only in a few countries. Finally, Netflix acquired rights and premiered it as their own world. Now, after being one of the exclusive jewels of its catalog, the platform announces that it will withdraw it on March 11. Behind her is Alex Garland, an essential name for modern science fiction who has signed as a scriptwriter or director as daring and personal as’Ex machina‘,’Men‘, ‘Devs‘,’Civil War‘or the script of’ dredd ‘or ’28 days later’. However, with ‘annihilation’ the project was choked: it was the adaptation of the start of the trilogy of books ‘Southern Reach’ by Jeff Vandermeer, an unclassifiable science fiction work very complicated to translate into a conventional narrative argument. ‘Aniquilación’ starts when the husband of a biologist returns from a secret mission in an area cordoned off by the army, zone X, and of which nothing is known. To find out what has happened, he joins a group of five scientific women to discover which intentions has the alien force that controls it. Others have entered the area before her, but no one has ever returned. Zone X is the great finding of this film that, even needing more footage to explain its final stretch, and simplifying too much the fascinating proposal of the book, Throw a series of suggestive images of the fauna and flora of the place that are among the great recent findings of the genre. Excellently interpreted and with a rambling production design, it should be reviewed before Netflix disappears, because who knows how and when we will enter the X zone again. Header | Netflix In Xataka | Within Alex Garland’s mind, the renovator of modern science fiction thanks to works such as ‘Devs’ or ‘Ex-Machina’

A science fiction novel with mystery elements to the Agatha Christie, ‘Hermes file’ wins the XIX Minotaur

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The novel of Science fiction ‘Hermes file’ wins the Minotaur prize the year in which the dean publishing house dedicated to the fantastic turns 70 and her editorial group, planet, turns 75. The prize has been granted unanimously to a manuscript sent under pseudonym And with another title that has finally stayed aside, ‘Lovebot’, and that referred to an important element of the plot. The jury as always, brings together names from the press and the fandom of the fantastic, to which Asier Moreno Vizuete adds, winner of the XVIII Minotaur Award. Next to him have been part of the jury Isabel Clemente (member of Porticothe Spanish Fantasy, Science Fiction and Terror Association), Fernando Bonete (University Professor, Author and prescriber), Daniel Pérez Castrillón and Alberto Pluled (both booksellers and prescribers). In the contest, 274 manuscripts from different countries have participated this year, mainly Spain, Argentina, Mexico and Colombia, although they have also come from other European and even Asian countries. The winning novel has been praised by its Interesting use of classic elements of science fiction and authors such as Isaac Asimovwith issues on artificial intelligence heirs of those already raised by the author mixed with unusual ingredients in gender, such as agatha Christie -type criminals. In the book we moved to the twentieth century, when vacation cruises, Mars and Jupiter have been popularized. On board the SC Schettino, the head of security has to resolve the murder of Condesa Planck, multimillionaire and influencer. Its main witness is also the great suspect: the Lovebot of the deceased, an artificial humanoid created for pleasure. The trip will become an epic of discovery about what makes us human. Header | Minotaur In Xataka | In 1993, an author predicted devastating fires in Los Angeles of 2025 and the “Make America Great Again”

The northern hemisphere has the highest snow extension of the last 20 years. In Spain that sounds like science fiction

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While the extension of Arctic Ice was in January the second lowest Since there are satellite data, snow is giving a surprise. According to the NOAAsnow levels in the northern hemisphere are the highest in 20 years. Although the truth is that Europe (even less in Spain) we are not noticing it. What about snow in the northern hemisphere? It is soon to know. As we knowthere are many descriptors of winter in the hemisphere that may seem inconsistent with each other, but that are only a sample of the enormous climate complexity of the earth. As with Any extraordinary event (And, of course, this amount of snow is) now it remains a whole series of analysis to know what is behind and what we can expect in the coming years. So much to Nevado? So we know more detailed analysis, the increase in snow extension It is mainly due to the strong snowfall that were in early February in Asia and North America. Especially, a huge snowstorm that lasted a week caused many problems In Russia in general and In the distant this Russian in particular. In the US and Canada too They are having more Normal Snowbut the Russian storm is the key push for these historical records. And in Spain? On our side, the extension of snow in Europe is below the average. And, as a result that snowfalls are becoming more irregular, higher levels, Spain is even worse. In the Cantabrian Mountains, for example, We are at 72.6 hm³ Faced with the average of 250. In the Pyrenees, 764 compared to 1400 of the average of the last 10 years. On the other hand, the central and Iberian systems accumulate about 5 hm³ compared to 50 on average. The only one Discordant note is Sierra Nevada: The surroundings of the most southern ski resort in Europe has 12.7 hm³. That is, not only is it twice as the central mountain ranges, but almost exactly the same amount of snow as in the average of the last decade. Little snow … For now. As Nacho Espinos explained in Meteored“just 7% of the mountainous surface in Spain” is covered with snow. In aggregate terms, there are 1,160.9 hm³ of snow compared to 2,000 average. Of course, we will have to wait to see how the year ends: in the 2023/2024 season, the great snow peak came between March and April. And, honestly, time is unpredictable that (despite the “advanced spring” we are living) any scenario is reasonable. Image | NOAA | Joan Oger In Xataka | Snowing stations at the end of the century: the most pessimistic models show what could happen in our high mountain

I wanted to be one of the great science fiction sagas, but the box office failure took ahead to the book saga

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‘Twilight’ and ‘The hunger games’, like or not, marked an era. His aesthetics, his arguments and even his industrial logic (successfully female literary saga, and that adapts in a film with aspiration to open a saga) sowed A series of seeds that set in a good amount of sagas As the semi -infallid ‘divergent’, although few achieved the fame of the two most successful franchises. In fact, Stephanie Meyer herself, author of ‘Twilight’, launched to experiment with science fiction. The result was’The host‘, a new editorial success that was quickly adapted to the cinema. And the film, directed by Andrew Niccol (signatory of ‘Gattaca’ and screenwriter of ‘The Truman show’), was not bad at all. However, the failure was considerable, with only 63,3 million dollars collected around the world compared to 40 budget, insufficient for the saga to have continuity. The film tells how the earth has been invaded by beings that are housed in human bodies and control their minds. The creature that inhabits the body of a young land has to live fight against the memories of this, who strives to not losing the control. To do this, rConstantly recue the man who is in lovewhich makes the creature, Wanderer, also ends up in love with that human. Both will end up allying to reunite with him. As you can see, high doses of youth romanticism in a film that, despite its dishes with the teenage fashions of that time, has a good amount of powerful ideas: visually it is attractive, the cast (Saosear Ronan, Diane Kruger, Emily Browning) It is more interesting than usual and has good doses of violence that distance it from the white approach of ‘twilight’. A pity, since Meyers also abandoned the continuation of the literary series, and there is no way of knowing (for the moment) how the story ends. In Xataka | Between ‘Body snatchers’ and ‘are alive’: 11 films about ultra -corps and other silent extraterrestrial invasions

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