The US has just freed eight women that Iran was going to execute. The problem is that Iran says they were generated by AI
Sometimes, an image can trigger unexpected consequences in international politics. During the Kosovo war, at the end of the nineties, a photograph released no clear context on alleged civilian victims provoked immediate reactions from governments and international organizations before their true origin could be verified. That episode left a lesson that is still valid: in high-tension scenarios, the impact of a story can be as fast as the difficulty to check if it’s true. Two versions for the same photos. The episode begins two days ago with Donald Trump asking through your social network Iran to stop the execution of eight women arrested after the protests, he also does so by publishing the image of the eight women, an anomalous situation that, coincidence or not, in a matter of hours takes a radical turn when Trump himself goes on to affirm who has achieved it. According to their version, some would be released and others would receive light sentences, presenting it as a gesture of good will before the alleged new negotiations. The problem: that from the beginning there is no verifiable data clear about their identities or their judicial situation, which leaves the story supported by information that is, at the very least, incomplete. Iran not only denies it, it dismantles the story. The Iranian response could not be more direct: There were no planned executions. They assure that some of the women were already free and that the rest, if convicted, would only face prison sentences. In addition, they accuse Trump of relying on false information and trying to build political success without a real basis. The shock quickly moves from the facts to the credibility of the person telling them. The leap into confusion. The situation escalates towards complete surrealism when Iranian official channels of their different embassies go one step further and affirm that part of the images released would have been generated with artificial intelligence. At that point, the discussion stops being whether they were going to be executed or not, and begins to question whether some of the protagonists exist as they have been presented, or if they simply exist. This change introduces such a crazy level of uncertainty and propaganda that it makes it very difficult to verify how much of the story is real. A real context that does not disappear. Be that as it may, and despite the confusion, the environment in which it occurs is documented. I remembered the Times newspaper that, after the protests in Iran, there are thousands of detainees and reports of unfair trials. In fact, there are human rights organizations that executions have been reported recent events and the use of the death penalty as a pressure tool. This means that, although this specific case is doubtful, the underlying problem is still relevant. Propaganda faster than facts. In any case, what we see is not new in a war, far from it. Throughout recent conflicts, several stories have shown how narrative can prevail over verification. For example, during the invasion of Kuwait in 1990, the testimony of a young woman known as “Nayirah,” who reported alleged crimes in hospitals, influenced international public opinion before it was learned that he was linked to a public relations campaign. In the 2003 Iraq war, claims about weapons of mass destruction marked strategic decisions no conclusive evidenceand in the Ukraine conflict, narratives such as of the “Ghost of kyiv” or some viral videos spread on networks became popular quickly before to be qualified or denied. In all cases, the pattern repeats itself: in war environments, political and emotional urgency accelerates the spread of stories that can influence real decisions long before their veracity is confirmed. Strategic tension that sets the pace. Of course, all of this occurs while continuing the pressure in the Strait of Hormuz, with attacks on ships and blockade of ports despite the ceasefire. Iran has conditioned any progress on lifting that blockade, while the United States maintains it as a pressure tool. And in that context, the episode of the eight women It is not isolated: it is an essential part of a scenario where the political narrative and the situation on the ground always advance in parallel. Image | Trump Social, Nara In Xataka | Europe has gotten down to work on one of its biggest geopolitical challenges: opening Hormuz without help from the US In Xataka | Iran has 300 internal reports where it models the war against the US. They are all based on the same thing: Ukraine
