Antena 3 has been broadcasting the Rosco from ‘Pasapalabra’ for 26 years as if it were theirs. And justice has just put an end to it

Is the most watched program on Spanish television. And he faces a considerable problem. It is a topic that affects not its mechanics, but its most iconic and recognizable moment: those final minutes in which two contestants review the alphabet against the clock. The Supreme Court has ratified that this circle of letters was never owned by Antena 3, and in fact, its true owners have been waiting for decades for the courts to agree with them. The time has come. The sentence. The Civil Chamber of the Supreme Court issued its resolution on April 30 and made it public on May 21, 2026. The ruling confirms the ruling of the Provincial Court of Barcelona and dismisses the appeals of Atresmedia and ITV Studios, producer of the program, concluding that El Rosco is a work protected by intellectual property whose ownership corresponds to the Dutch company MC&F Broadcasting Production and Distribution CV The sentence requires the cessation of broadcast of Rosco and a compensation of 50,000 euros for moral damages. Delete ‘Pasapalabra’. In fact, there are a detail in the sentence which is more impressive on practical levels for the average viewer than the fine itself: the sentence imposes the destruction of all recordings of programs that include El Rosco. Although this “destruction” comes from article 139 of the Spanish Intellectual Property Law, whose purpose is to remove copies from commercial exploitation (DVDs, platform licenses, sales to third parties), it does not necessarily refer to the chain’s internal archive, that is, ‘Pasapalabra’ is not going to become lost media. In practice, however, you cannot license, sell or distribute the program in streaming. If Antena 3 had, for example, episodes available on Atresplayer, they would have to be removed. The defense of Atresmedia. According to Atresmedia, El Rosco was a generic idea (questions ordered by the letters of the alphabet), and the ideas are not protectable by law. However, the Supreme Court, in reaching its decision, emphasizes that the test enjoys “sufficient originality” because it reflects free creative decisions of its authors, a “own uniqueness” that distinguishes it from other games based on the alphabet, and above all, it alludes to its visual configuration: the circular donut, the dynamic of passing and returning to unanswered questions and the final stopwatch. This idea was born in the Italian version of ‘Pasapalabra’, in 1999. As arrive El Rosco to Spain without rights. It is to that point in history that we must go back to understand the dispute. The game was created by two Italians, Reto Luigi Pianta and René Mauricio Loeb, as part of a program called ‘End Game 21×100’, which was later merged with the Italian version of ‘The Alphabet Game’, called ‘Passaparola’, at the end of that decade. The creators assigned their rights to the Dutch production company MC&F. Until then, no conflict. The problem came when ITV began licensing Pasapalabra to other European networks, including El Rosco in the package, as if it were part of the original format, something that MC&F has been calling illegal for decades. That is to say, Antena 3 has broadcast for 26 years a format that included a piece that was not its own, nor the person who sold it to it. When Telecinco also lost ‘Pasapalabra’. It is not the first time that the Supreme Court has reorganized the Spanish television map on account of this program. In 2019, the Supreme Court forced Telecinco to stop broadcasting ‘Pasapalabra’ following the lawsuit brought by ITV in 2010 over the rights to the full format. Following its victory in court, ITV assigned the rights to Atresmedia, and Antena 3 resumed broadcasting on May 13, 2020. Since then the program has not stopped growing. The importance of ‘Pasapalabra’. The contest is the cornerstone on which all of Antena 3’s late-night programming is based, currently the most viewed chain of Spanish television. In the 2024/2025 season, ‘Pasapalabra’ reached an average share of 18.3% of sharewith a maximum of 21.1% in June 2025, consolidating itself for the sixth consecutive year as the most watched daily program on Spanish television. And from there people do not turn away from television: El Rosco is the anchor that drags viewers towards the nightly news and towards the prime time of ‘The Anthill‘. What is the future of ‘Pasapalabra’. The ruling does not eliminate ‘Pasapalabra’ from Antena 3. ITV’s contract with Atresmedia remains in force and the program can continue on the air. What it cannot do is include El Rosco. Program sources have confirmed that Atresmedia will maintain the broadcast “normally” until receiving official notification of the ruling and knowing the deadlines for the process. From there, the possible paths are to negotiate directly with MC&F to obtain a use license, design a new final test to replace the Rosco or wait for ITV to reach an agreement with MC&F. Problem: None of the three options are quick and all involve altering a program that, as it stands right now, is working like a charm. Mediaset’s trick. And here comes the twist: apparently Approximately a year ago, Mediaset closed an agreement with MC&F to acquire the rights to Rosco, conditional on the Supreme Court resolving the dispute in the terms that have finally become known. With the sentence now final, Mediaset can create a program around Rosco. But that program cannot be called ‘Pasapalabra’ nor have the mechanics of the Antena 3 program. In other words, if it is confirmed that Mediaset can use Rosco, the most famous program on television is now divided: its name and structure is from one network, its best-known test from another. In any case, we are going to see changes in the future, predictably in Access that Antena 3 now dominates. And whoever controls Access… controls the audiences. In Xataka | Four years of historic audience lows: Telecinco is looking for oxygen this summer and its idea is to recycle presenters and formats

There is a youtuber broadcasting the Soterration works of the A-5 in Madrid. And there are thousands of people hooked

The phenomenon popularly known as “Retirees looking at the works“A recurring image in urban environments has been for decades. But new technologies have redefined that passer -by: a YouTube channel that broadcasts comments the advances of the megaobras of the A5 is the last incarnation of a phenomenon as old as the same cities. And this is its most recent plasma. Look at YouTube works. Travel is my thing It is the name this channel that contemplates in detail works, especially from Madrid. It started like A travel channelbut it has ended up focusing on different works in the capital: MADRINGthe Puerta del Sol awningsthe stations of Atocha and Chamartínthe new Castellana Park… And of course, that controversial mastodon and that is turning the south of the capital into chaos, which is the underground of the A-5, which has already dedicated A fortnight of videos. Many of this theme are around 25,000 views and already have almost 20,000 subscribers. A-5, in detail. It is not strange that the account focuses on the works of SOTERRATION OF THE A-5that affect Neighborhoods like Lucero, Aluche, Camp and Casa de Campo: The works began in October last year but it is from January when they have started Generate problems. Its objectives, among other things, are to reduce surface traffic by 90%, improve air quality and reduce noise. However, the problems follow each other as they are dodged The original planning: The capacity has been reduced by half in a three -kilometer stretch, generating large bottles, and specific closures and deviations are being enabled, which is giving rise to tremendous chaos. Why interests. All this gives as fruit A horrible summer to move around Madrid Due to the problems that are also generating the works by Metro, Cercanías, Metro Light and some of the aforementioned above. It is a problem that literally affects millions of people who move daily for the capital by public or private transport, so it has every sense of the world that they want to be informed. Accounts such as traveling is mine provide valuable information beyond official sources. The cliché of the retirees. Beyond the service that these accounts give, the truth is that the topic of retirees looking at works, thanks to accounts like this, acquires a renewed sense, but without limitations of age or free time. We are the digital version of That passerby that in his day Manuel Delgado defined as “he Flâuneur contemporary“. Only now we have Short videos with specific reflections On the layout or incidents of a work, or live broadcasts that document minute large projects such as eThis follows the Camp Nou reconditioning or this detailed chronicle of Those of the Romareda. Children of #Pormishuevism. Those who want warm up with the nth jam of the A-5 They have their content, and the fans of superconstructions, too. It is a trend of digital content consumption that reflects interest, not lacking criticism, for urban transformation, and that derives from legendary accounts in networks such as Broken nation. In more recent times, he has gained great follow -up Erik Harley coining the term #PorMishuevismo, with which he invented a false artistic movement to denounce speculative architecture, urban corruption and waste in public and private projects. The success of satirical or openly critical accounts with urban transformation is what has generated interest in the excesses in construction in large cities. Now, with one more eye put in the detailed analysis of the evolution of the works, this interest is exploited as traveling is mine. Header | Travel is my thing

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