If you live in Madrid or Barcelona, ​​it is possible that a Latin American bookstore has opened next to your house

The indomitableopened four months ago in the Madrid neighborhood of Prosperidad and directed by a Mexican. A few meters from Retiro Park, the now classic The Retreat of Lettersowned by two Colombians. In Arganzuela, the Argentine bookstore Mandolin It inaugurated its first Madrid branch a year ago. It is not an isolated or spontaneous phenomenon. It responds to an accumulation of demographic, editorial and economic factors that go beyond the folklore chronicle. From rookies to veterans. In this panorama, the most recent projects coexist with initiatives that have been established for a few years. The Mistral It opened in 2021 in the hall of the old Arenal Theater, two minutes from Puerta del Sol, by the Argentine Andrea Stefanoni, and was considered the most beautiful bookstore in the world by National Geographic that same year. His fame allowed him to organize a short story contest that received 150 manuscripts from different countries. Closer in time, in 2020, a couple of Venezuelans inaugurated The little beings also in Madrid, where they sell new and used books with special attention to Venezuelan and Latin American production. Olavidefounded by two Argentine journalists, combines book sales with cultural activities. AND Late Space It simultaneously functions as a bookstore, cafeteria and headquarters of Late, an Ibero-American network of narrative journalism founded as a cooperative by professionals from Colombia, Spain and Cuba. Repeating pattern. Although they are founded by Latin Americans, these bookstores do not operate exclusively with the diaspora as clientele. They are neighborhood bookstores in the most classic sense: children’s collection, independent labels and a personal relationship between bookseller and customer. They organize workshops and reading clubs. Sometimes they even serve cuisine from their places of origin. As a reflection of this phenomenon, the Madrid Book Fair of 2025 dedicated a table of its Meeting of Independent Ibero-American Bookstores to the phenomenon. The figures behind the phenomenon. The most recent breakdown by Latin American origin available, the analysis of the Elcano Royal Institute Based on INE data as of January 1, 2024, there were 4.25 million people born in Latin America residing in Spain (9% of the total population and 48% of all immigrants). The trend behind that figure has not slowed down: during 2024, the largest increases in the foreign population were once again concentrated in Colombians (+98,057), Venezuelans (+52,555) and Moroccans (+48,306), according to the INE. in December 2025. The accumulated result is that as of January 1, 2026, Spain has exceeded the 10 million inhabitants born abroad. A community of that magnitude, concentrated in large cities, generates cultural demand. But… why is this demand channeled towards the opening of own bookstores and not only towards consumption in establishments that already exist? The distribution obstacle. Part of the answer lies in how the transatlantic publishing market works. That Spain and Latin America share a language does not mean that they share a catalog: for example, El Retiro de las Letras imports directly from publishers in Colombia, Ecuador, Peru, Chile and Argentina to make authors visible that do not reach Spain through conventional distribution channels. Combed Cana bookstore specialized in Latin American fiction with offices in Barcelona and Madrid, recognizes that half of its titles are not distributed in Spain and that These copies cannot be returned if they do not sell.. It is a risk of excess stock that large chains are not willing to assume. The bookstore Juan Rulfoproperty of the Economic Culture Fund of Spain, and the Ibero-American Bookstoreopen in Madrid’s Barrio de las Letras since 2004, have been covering that specialized niche for decades. To those establishments have been added in recent years dozens of projects promoted by immigrants that multiply the offer, from bookstores specialized 100% in Latin American narrative to hybrid spaces with a focus on culture. Relief in the sector. The context of the book sector in Spain is not immune to this phenomenon. There are 2,754 independent bookstores active in Spainand although it is a figure in permanent declinethe business going well in economic terms: In 2024, the Spanish publishing sector had a turnover of 3,037 million euros, 6.3% more than in 2023, in its eleventh consecutive year of growth and with the highest figure since 2008. How do you explain that establishments fall while turnover rises? 85% of closures are caused by the retirement of the bookseller. Latin American booksellers are occupying a space where replacements are scarce, in residential neighborhoods of large cities where the traditional bookstore has closed. The limits of the phenomenon. It is advisable not to exaggerate the scope of the phenomenon. A few dozen bookstores founded by Latin American immigrants in Madrid and Barcelona do not reconfigure the Spanish publishing ecosystem. Spanish book exports in 2024 reached 381 million euros, aimed mainly at Ibero-American countrieswhich indicates that the flow of books between Spain and Latin America continues to be mostly in the opposite direction. What these bookstores do represent is a symptom: that of an immigrant community with sufficient cultural roots to invest in a business with fair profitability and that demands a very high vocation. A sector where the main problem is that retirements are multiplying and where there is a Latin American catalog with four million potential readers who continue to need intermediaries willing to cross the Atlantic. In Xataka | The 24 most beautiful bookstores in the world

In Tokyo there is a bookstore with only one book in the catalog. It has been open for ten years and works

In an alley in the Ginza district of Tokyo, a small white-painted room houses what could be considered the most radical bookstore in the world. Morioka Shotenopened in May 2015 by Yoshiyuki Morioka, reverses the commercial logic of the book: while the Japanese publishing industry produces approximately 80,000 new titles each yearthis establishment only sells one, which is renewed every week. It is not performance. Morioka Shoten It is a business that works, selling multiple copies of a single work for six consecutive days. The interior is unusually bare for a bookstore (concrete walls, a piece of furniture used as a counter, a cable telephone) and serves as a canvas for displays inspired by the current book. It is a bit the absolute opposite of Amazon: from infinite offer to minimalism in choice. How it works. Each title remains on display for exactly six days, from Tuesday to Sunday, accompanied by artistic installations, objects or photographs related to its content. The space functions simultaneously as a gallery and a point of sale. The location of the project reinforces this symbolic dimension: the Suzuki Buildingbuilt in 1929 and protected as historic architecture, housed between the 1930s and the end of World War II the offices of Nippon Kobo, the publisher that produced the magazine ‘Nippon’, which many consider foundational for the modern Japanese publishing industry. The context. The opening of Morioka Shoten in 2015 comes at a critical time for the industry. Two decades earlier, in 1995, Amazon had begun operations, and the domino effect was inevitable: American independent bookstores went from more than 7,000 stores in 1994 to just 1,651 in 2009, a reduction of 76%. The physical bookstore model seemed obsolete given the speed of the Internet and recommendation algorithms. Morioka Shoten proposed just the opposite: concentration, deliberate scarcity and time to focus on a single work. The philosophy of issatsu, isshitsu. The Japanese expression issatsu, isshitsu It means “a room, a book.” For eight years, Yoshiyuki Morioka worked as an employee in second-hand bookstores in the Kanda neighborhood, a traditional bibliophile district in Tokyo. He later opened his own independent bookstore in Kayabacho, where he organized author presentations that multiplied sales. The question that it was done was: why maintain hundreds of works if the optimal experience was produced with just one? The Takram design studio developed the store’s visual identity based on a sketch by Morioka himself: a rhombus that condenses the double metaphor of the project, simultaneously representing an open book and a single room. The resurgence of indie. The proposal is part of a broader recovery of independent book trade. In 2015, a curious phenomenon occurred in the United States: American indie bookstores. They began to multiplyup to 49%. The study cited factors such as the feeling of community, the work of booksellers as curators and the capacity of bookstores as meeting points. The pandemic accelerated the trend: since 2020 The sector grew by 70%, in 2024, 323 new stores were inaugurated and in 2025, more than a hundred additional stores were opened in the first months of the year alone. Quality over quantity. The commercial results of the experiment confirm the viability of the model. Morioka Shoten has sold more than 2,000 works since its inauguration. The weekly catalog has ranged from comics by Tove Jansson to botanical photographs by Karl Blossfeldt, novels by Mimei Ogawa and short stories by Hans Christian Andersen, spanning fiction, non-fiction, manga and illustrated books. In an era that offers immediate access to millions of titles, abundance generates paralysis when it comes to decisions. From that point of view, Morioka’s radical limitation does not restrict, but liberates. In Xataka | The 24 most beautiful bookstores in the world

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