accusing

In Las Vegas, before thousands of theater owners, the head of Amazon MGM Studios promised that at least 15 of its films a year would reach theaters. He did so days after Netflix, which has been avoiding cinemas for years, announced that it will respect traditional exhibition windows for Warner Bros. films, thus building new bridges of understanding with its former enemies, traditional cinemas. Coincidence or highly studied public relations move? 15 a year doesn’t hurt. Mike Hopkins, director of Prime Video and Amazon MGM Studios, He was very direct with the exhibitors: “While some competitors have entered and exited the theatrical waters, for us this is neither a test nor an experiment. Our commitment to release at least 15 films each year in your theaters is underway.” The theater owners responded with a standing ovation. Amazon backs this promise with figures: they have been announcing for some time an investment of $1 billion annually in movies for theaters. The ‘Hail Mary’ gift. Immediately afterwards, Ryan Gosling spoke. The actor and producer of ‘Salvation Project’the science fiction film that has been dominating the global box office for weeks, thanked the exhibitors for their decisive role in the film’s success. He later said that the production, which has accumulated more than $525 million at the global box office, was going to extend its exhibition window, delaying its arrival on digital platforms. A true gift of good will for a sector that appreciates any oxygen cylinder. In the other corner. On the other hand we have Netflix. In April 2025, his co-CEO Ted Sarandos described going to the movies as “an outdated concept”. Obviously, given the platform’s trend-setting power, the statement did not sit particularly well with exhibitors. Months later, when Netflix announced its intention to acquire Warner Bros. Discovery for around 80,000 million dollars, the alarm became something more concrete: the main studio committed to the exhibition passed into the hands of the platform most hostile to traditional cinema. Collect cable. Sarandos partially retreated in January 2026 in an interview: “When this deal closes, we will have a phenomenal theatrical distribution engine that generates billions of dollars of theatrical revenue that we do not want to put at risk. We will manage that business as it is today, with 45-day windows.” He clarified his comment about “outdated” cinema: he was referring to locations without access to theaters, not to the experience itself. Internally, suspicions did not subside: according to the CEO of the Cinemark chainNetflix intended to approach a window of only 17 days. Cinemas are improving. The point is that a slight improvement is detected in the situation of cinemas. According to Comscorethe US box office accumulated from the beginning of this year until April 12 reached $2.26 billion, 23% above the same period of the previous year and the best figure since 2019. Ticket sales grew by 16%, reaching 154 million viewers. This improvement has been echoed among production companies: Universal, which during the pandemic reduced its windows to 17 days, has already announced that will extend its guaranteed minimum to 45 days since January 2027. In this context, MGM’s congratulations and Netflix’s change in philosophy make sense. Reasons for suspicion. The rooms, however, have reasons to be reticent. David Zaslav, CEO of Warner, promised three years ago 20 films a year from Warner Bros. for rooms. He never kept his promise. But we may be seeing the winds of change blowing. The box office in slight but clear improvement, the expansion of windows and the regulatory pressure They are creating a panorama in which it is more profitable for platforms to be allies of cinemas than enemies. Although the rooms know that they have to make sure before burying the hatchet. In Xataka | Spotify killed the record and the industry pivoted to concerts. Netflix killed cinema and the industry was left with a “space crisis”