China wanted to turn a village into a great tourist resort. Did not have the numantine resistance of a neighbor

For a while to this part, the Guizhou area, in downtown China, has become the stage of impossible architectures. In fact, there is a imposing mountain chainbut a bridge so high has been raised that they fit Two Eiffel towers Under him. Not far from there, one person is raising another titanic work: a kind of street castle.

A challenge to demolition. I told the weekend The New York Times. In a high grass plain in the Chinese province of Guizhou, a structure that Challenge the laws of physicsurbanism and the very bureaucracy. Composed of eleven floors of reddish wooden rooms embedded by each other, supported by pulleys, water cubes and recycled columns, Chen Tianming’s house seems taken from an enlightened novel by Dr. Seuss or delighted world From El Castillo Ambulante of Ghibli.

At first glance, it may seem like a fragile and improvised extravagance, but for its creator and inhabitant, 43, it represents a tenacious affirmation of freedomidentity and resistance to state power. From the ninth floor, to which I access homeless stairs without any railing, Chen observes the uniform apartment buildings where his old neighbors They were relocated. He chose another way: a vertical, personal and challenging.

Architecture against forced uprooting. It all started In 2018when the Xingyi government announced the demolition of Chen’s hometown to build A resort. The compensation offer was considered ridiculous by his family, who refused to leave. When the excavators began to destroy, Chen left his messenger work in Hangzhou and returned to defend his parents’ house.

Initially motivated by an economic logic (compensation depended on the built area), began adding floors with his brother using recycled materials. But what began as a pragmatic measure became a personal obsession. Apartment on floor, his house grew with him, as a physical extension of his determination to stay, resist, and transform a rural home into a work of inhabited art.

And architecture as a manifesto. While officials They insisted in outlaw The structure and sent eviction notifications, Chen responded With nails, ropes and books. The man had studied mathematics before leaving the university, and worked as a calligraphy seller, insurance agent and delivery man, but found in the construction a form of expression that transcended the utility.

Each floor had A function or a symbol: A reading corner in the fifth, an outdoor tea house in the sixth, hanging plants and suspended objects in the eighth, a bedroom always higher. Your tools: stairs, pulleys, old woods and their own body. The house became newspaper, shelter and trench. Chen, what He claims to feel “Guardian of the village,” he dedicated his mornings to inspect every corner and repair damage with such ingenious solutions as strategic buckets and columns elevated by the windows.

A family history. Despite the skepticism of their neighbors, who accuse them of selfishness or foolishness, the Chen family He has joined Around this unlikely structure. Their parents, accustomed to receiving curious visitors on weekends, with stoic patience the decision of their child. Even his brother has suggested decorating the house With lanterns at night.

Together they have chosen isolation against the contempt of the former neighbors who moved. Meanwhile, demolition threat seems have deflated: The resort project was frozen due to lack of funds, in a province marked by Pharaonic developments unfinished. Chen, however, continues to build, not by necessity or ambition, but because it says that each new floor is a personal challenge, an intimate conquest against time and entropy.

Uncertain legacy. Obviously, Chen Tianming’s house is not intended to last, and he knows it. He acknowledges that, without its constant maintenance, he would collapse in a couple of years. But he also states that while he is standing, his house will be. He has invested little More than $ 20,000 in materials and about 4,000 in lawyers. His expenses, no doubt, are not those of a professional builder, but rather those of a stubborn artist.

Although the government has placed a sign warning of Structural Dangersmany neighbors express admiration against originality and will embodied in the structure. Its construction violates known urban codes, but embodies a form of resistance that many feel their own. “If they demolished it, it would be a shame,” some counted to the Times.

In a constant China Forced modernizationthe Chen tower is more than a nail: it is a declaration of intentions.

Image | Azylber, YouTube

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