clone yourself with AI digital twins

A unique group of senior Silicon Valley executives is using so-called AI “digital twins” to delegate part of their daily responsibilities. Meta already warned more than a month ago that they were preparing an AI version of Mark Zuckerberg so that employees could talk to their CEO, but little by little more cases have appeared. The concept is disturbing: an AI system analyzes how they speak, write and even how they think based on the history of emails, speeches and articles. From there, the digital clone He is capable of answering subordinates’ questions, writing proposals in his own style and even, in the most advanced cases, creating video avatars that give lectures in several languages ​​simultaneously. The example of Reid Hoffman. This executive, co-founder of LinkedIn and partner at Greylock Partners, is a clear reference in this trend. His clone, which he called Reid AI, was trained with 22 years of his own content (books, podcasts, articles) to provide it with all the necessary information. The concept of digital twin, by the way, had already been used in the technological field, but with another approach quite distinct. The one on the screen is not me, it is my digital twin. Since it began using it, this digital twin has given more than 75 presentations. In fact, in one of them this AI clone was presented to the public in French, Chinese and Hindi from a giant screen. The executive highlights that “I only speak one language, my AI speaks 74, ensuring that your AI digital twin saves you 50% of the time in the weeks in which you deploy it. For Hoffman, in a decade any company with more than 50 employees will assign trained virtual twins to its managers and middle managers. Not just for speeches. These types of bots are also getting fully involved in the area of ​​human resources and internal management tasks. Bala Sathyanarayanan, HR director at the multinational packaging company Greif, uses the so-called Balabot. This chatbot has interacted with more than 3,300 employees to resolve complex questions, such as motivating underperforming workers. Barriers. As in the case of Hoffman, this manager made use of public appearances and documents, but not those private and more sensitive ones: “He does not ingest my private email or confidential files,” he assured. in WSJ. The tool works so well, says Sathyanarayanan, that some company managers claim that several employees have redirected their careers thanks to the advice of their boss’s clone. But. These digital twins however have some problems. Kelly Monahan former director at Upworkhad to turn off his Digital Kelly clone live at a conference when she began “stuttering and repeating the same phrase on a loop” in front of 200 hoteliers. Hoffman also admitted that his AI sometimes goes completely deadpan after telling a joke, for example, breaking empathy with the audience. The lack of specific data is also another obstacle: Red AI was asked what his favorite ice cream was and he answered “vanilla” because he didn’t know the answer: Hoffman’s is chocolate. Rejection among employees. There is a clear enemy in this trend, and it is the rejection of employee templates. Analyst Josh Bersin attempted to integrate digital twins of employees so that AI could compose business emails by imitating their respective styles. The workers rebelled: “No one wanted to put their entire email history into the system.” Skepticism persists among them, but some claim have turned your digital clone into a daily assistant to prepare meetings or analyze market trends. What happens if you get fired. There is a dilemma more typical of an episode of ‘Black Mirror’ than our present. If an AI becomes brilliant at its job after absorbing all the accumulated experience and knowledge, can you take it with you on a pendrive if you change jobs? Lawyer Paul Jurcys explains that it is likely that in the near future companies will have to financially compensate departing employees so that they leave their digital twin and database behind. First I clone you, then I fire you? There is an uncomfortable question when talking about this topic: will companies create digital clones for the sole purpose of replace human workers and thus save their salaries? Gartner analysts already warn that doing so without transparent communication and without the employee’s explicit consent will cause notable social rejection. There are also doubts about what happens if that digital twin makes a serious mistake: whose responsibility is it, the human employee or the company that has integrated that virtual clone? You take your double, but not what you learned. Kelly Monahan lived this situation upon leaving the company. The employee retains the rights to his or her image, voice, and personal experience, but the company retains the proprietary data of the business that the AI ​​managed to capture during that stage. After leaving the company, Upwork deleted her digital twin, but she ended up retraining a “virtual double” independently with data from her next book to use in her next stage as an independent consultant. Image | Meta, Wikimedia Commons (Anthony Quintano) In Xataka | How to create a character in ChatGPT and Gemini to use it in all the images you make with artificial intelligence

While Big Brother sinks, ‘The House of Twins 2’ triumphs with a wild, online and unfiltered reality show

This past December 7, a digital reality show achieved what seemed impossible: surpassing the format that for decades had been the undisputed king of Spanish reality shows, ‘Big Brother’. ‘La Casa de los Gemelos 2’, produced by brothers Carlos and Daniel Ramos for YouTube and Kick, attracted more than 200,000 simultaneous viewers during its inaugural gala. The figure is especially significant when compared to the parallel collapse of ‘Big Brother 20’, which Mediaset has been forced to cancel early after registering historic audience lows. But what is broken is not the format, but how it is presented. The first edition. How we count on your daythe first edition of ‘The House of Twins’, released on October 12, 2025, raised questions about the limits of unfiltered entertainment. That experiment, an imitation of ‘Big Brother’ that worked with the fauna cultivated in the Twins’ debates, completely lacked structure: there was no presenter or rules, and the Ramos trusted that the mere coexistence of explosive TikTok personalities would generate content for a full week. The result was both an operational disaster and a viral phenomenon. The program reached peaks of 48,000 viewers connected simultaneously and exceeded one million accumulated views in just nine hours of broadcast. The house became the scene of physical fights between contestants such as La Marrash and La Falete, there was visible consumption of alcohol and substances, destruction of furniture and moments of tension that they bordered on criminal. The program was emergency canceled in the early hours of October 13. A subsequent debate attracted 150,000 spectators and became trending topics number one in Spain. Reality television without filters. The next step was to professionalize the format, but without losing that fundamental idea along the way. And the Ramos bet heavily on this new iteration. As revealed by Kiko Hernández himself in the program ‘We are nobody’, the production has a budget of more than 600,000 euros, a figure well above what is usual in Spanish digital entertainment. The prize for the winner is doubled compared to the first edition: 100,000 euros for those who resist until December 31. Familiar faces. The creators have gone directly to the Mediaset ecosystem and derivatives: José Labrador, from ‘Gandía Shore’; Eros Vidal and Gabriella Barbu, from ‘Temptation Island’; Nissy Lahr, from ‘Secret Story’, make up a core of personalities that the Spanish public already knows. Them they add up Kiko Hernández as master of ceremonies, Víctor Sandoval as “dictator” of the house, and Coto Matamoros as “executioner” in charge of punishments. To bait the audience. From the first moment at the premiere, audiences skyrocketed and the program became trending on social networks. Among the most significant moments, an accidental nude of La Marrash during a moment of lack of control or the reunion between Kiko Hernández and Coto Matamoros, two figures who had not met on screen since ‘Crónicas Marcianas’, and between whom great tension was palpable. Kiko took the opportunity to attack Mediaset and to the fame that ‘Big Brother’ drags: “There has never been a rape here, right?”, he said in reference to the case of Carlota Prado in ‘Big Brother Revolution’. The ‘Big Brother’ disaster. While ‘The House of Twins 2’ celebrated its digital success, ‘Big Brother 20’ was the star of the most resounding failure in the history of the format. The premiere in September 2024 it barely achieved a 17.4% sharesetting the program’s worst inaugural mark. But the decline accelerated week after week until hitting rock bottom in November with a devastating 11.3% share and only 636,000 viewers. The panic in Mediaset was unleashed with the abrupt cancellation of the daily strip and erratic programming decisions. The domino effect reached the entire chain: Telecinco closed November with a 9% monthly quota, its worst historical record for that month, chaining five consecutive months under the 10% threshold. On December 5, Mediaset decided close the program before Christmasproducing a triple expulsion to accelerate the pace of the programs. Two months in broadcast, record down. The problem is not the format. Some analysts talk about a flat casting and without charisma, too sweetened content, and viewers have complained that practices that gave excitement to the galas, such as on-set interviews, have been abandoned. ‘The House of Twins 2’ recovered precisely the elements that made the original ‘Big Brother’ great: 24-hour retransmission without manipulative editing, authentic profiles even if they are uncomfortable, and freedom for conflicts to develop organically. While Telecinco must comply with strict regulations on child protection schedules, advertising limits and content control, the Ramos brothers operate on YouTube and Kick with almost total freedom which allows them to experiment without corsets. The program allows itself the morbidity and transgression that the public demands, but without the restrictions that paralyze conventional television. In Xataka | ‘Temptation Island’ is one of the few things that works on Telecinco. So much so that they are already recording a new season

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