If you’ve ever thought about “leaving everything and going to the mountains,” these thinkers have a lot to tell you

In recent days it has gone viralMrinank Sharma’s departurehead of AI Safeguards at Anthropic (that is, the company’s team focused on security, misuse and model safeguards). In the letter that Sharma made publicafter explaining that “the world was in danger”confessed that he was going to the United Kingdom to study and write poetry. The idea of ​​”taking back control of your life” has been in the air for years and has an incredible capacity to mutate and adapt. Yes in 2021 lthose who left work spoke of low pay, lack of progress and feeling disrespected, now we talk about ethical issues and existential anxiety. What persists is that “leave everything and go to the mountains.” AND There are good philosophical arguments for this.. The philosophy of sending everything to hell Cristian Bortes – British Museum Or at least that is what many philosophers throughout history believed. Among the great practical philosophical traditions of Hellenic culture, Epicurism and its proposal to retire to live in peace is perhaps the best-known example. Although it has often been the product of stereotypes and misunderstandings, the school of Epicurus and company understood philosophy as a kind of philosophy of the soul: a kind of, following the ideas of Christopher Gill, a preventive psychological medicine. In this sense, withdrawing, stopping depending on the external, was not a way of being right, but rather of living without anxiety: of dedicating oneself to pleasure. At the end of the day, the epicurean garden that has been painted as an ode to hedonism is, in reality, a search for a friendly place that reduces stimuli, comparisons and needs. In the end, and translating it to our days without all the ontological scaffolding behind it, it is realizing that we are leaving our lives in a race whose goal we have not chosen. Is build a good place to live. However, it is not the only way to see it. independent people Rafael Sanzio Other Hellenic schools, such as the Stoics or the Cynics, were much more radical. Or, rather, hard. With their doctrinal differences, they sought internal independence, autarky. Imported to our days consists of going beyond building a shelter and going on the offensive. Modern life chains us in a thousand different ways (mortgage, career, reputation, schedules, etc…) and, for this reason, retiring goes far beyond a healing practice: it is a practical theory of freedom (liberation). This connects directly with another tradition: that of the hermits and ascetics that goes from Valerio del Bierzo to the eastern saints. There are many ways to justify it, but the idea is always the same: if to sustain your life you need to be liked, be productive and be available, you are not free; You are functional. And being functional to the material world, being functional to the system prevents you from aspiring to higher goals. think better With the birth of the modern world, we began to think about retirement in a different way: as a way of thinking well, of thinking better. The Montaigne tower or Rousseau’s walks have often been seen as a form of misanthropy. But, in reality, they were a way to get away to gain perspective, calm the soul and practice some mental hygiene. It has a lot to do with the idea of ​​disconnection retreats, although since the time of the French solitaries, society has spread its tentacles so much that it has become much more difficult: our minds are always foxes. Withdraw in protest The arrival of modernity also brought us political retreat. That is, leaving as a protest. When you can’t reform the world, sometimes the only lever is the way out. Or, what is the same: if in classical antiquity ostracism was the punishment par excellence, now it emerged as a tool. Refusing to cooperate with an unjust, corrupting or downright absurd order. It is true that much literature considers this type of flight as a sign of cowardice, but it is also true that (lucid or not), it is never neutral. Many reasons, the same gesture Be that as it may, we must not ignore that, in the background, there are always structural reasons: historically, the impulse to withdraw usually intensifies when certain collective sensations invade society: the feeling of the end of the era, acceleration, saturation, existential anxiety, problems of legitimacy. Just what we suffer today. And in the face of this, tranquility emerges as a rare commodity to seek and pursuea way to recover in the current mare magnun. For this reason, many people have begun to understand that ‘going to the mountains’ does not have to be a gesture of evasion, nor a way of disengaging from reality: it can perfectly be a “moral relocation”: a way to become better, to start again, to gain momentum. In Xataka | Seneca, philosopher: “It is not that we have little time to live, but that we do not stop wasting it”

Da Vinci was not only one of the most brilliant thinkers and inventors in history. It was also very good

He Da Vinci painter. The sculptor The engineer. The Tuscan wise man who devised flying machines at the end of the 15th century. The one with mirror writing and the muse with a disturbing smile. That of the enigma that does not go away five centuries after his death. With a long beard, sober look and clear forehead, Leonardo di Ser Piero da Vinci is by far one of the most magnetic characters in history. Hundreds of myths and theories have been founded on his genius, rivers of ink have flowed and bestsellers have even been written and movies made in the most genuine Hollywood style. The last helping of conspiracies was served a few years ago, when the Salvator Mundi canvas was sold. for the astronomical amount of 450 million dollars News followed that again questioned the authorship of the painting. However, before being a consummate artist, a curious man with a voracious appetite and even a modern scientist (some maintain that he was the first, anticipating Galileo), Da Vinci was simply a Sir from Tuscany. With his quirks and flaws, overshadowed by the fascination that the character arouses. A muscular, flirtatious Vinciano with a peculiar sense of humor, who hated meat and who liked to be a fan of things. This is the least known Da Vinci. Da Vinci, Renaissance gymbro The author of The Mona Lisa He was a good-looking guy, with a handsome face and athletic body. And to prevent the passage of centuries from erasing that image, there is plenty of evidence that reminds us that the Tuscan was a true beauty. “He was by nature courteous, cultivated and generous, and his face was extraordinarily beautiful,” wrote the humanist Paolo Giovio. Perhaps to curl the curl and elevate him almost to the category of Adonis, his biographer Vasari (who never met the Tuscan) describes him as a “tall, extraordinary beauty and infinite grace” gallant. There is no doubt that he liked to dress well and take care of his appearance. He used to dress up in pink tunics that reached his knees, fur cloaks and rings. Also carefully comb your hair, curly and long. In one of his notebooks he wrote advice on how to become a real dandy. Do you want them to turn around? square at your pace? Well (recommends the Tuscan) “drink fresh rose water and moisten your hands with them.” Da Vinci, liking himself, around 1478. In any case, it was best not to criticize his appearance. Although there are many testimonies of his pacifist spirit, the chronicles tell us of a Da Vinci endowed with a force exceptional. “With his right hand he could twist a horseshoe or the iron ring of a knocker as if they were made of lead,” explained Vasari, who once again seems inclined to exaggerate a bit of Leonardo’s qualities. The Tuscan’s fixation on elegance went far beyond his appearance. Da Vinci was a clean and conscientious man who liked to surround himself with rigorous order. “If you want to know how a person’s spirit inhabits his body,” reads one of his notebooks, “look at how he treats his dwelling; if it is disordered, in the same way the spirit will maintain the body in a confusing way.” The Full Pantomime of its time Leonardo is remembered as a thoughtful, severe, taciturn and reserved man. Although those were undoubtedly fundamental aspects of his character (this is how he showed himself in his very famous self-portrait from Turinin which she presents herself with a melancholic expression), was far from the only one. Throughout his life he dedicated great efforts to making people laugh. in the book Leonardo, the flight of the mindCharles Nicholl points out the irony that his most famous painting is The Mona Lisa (the jubilant one, in Spanish). There is no doubt that the Tuscan liked jokes. The satirical and sophisticated word games, but also the crudest ones. In his notebooks we find funny notes written down relatively frequently. One of them (which invites us to think of a Leonardo holding his stomach with great laughter and tears in his eyes) says: “They asked a painter why he painted such beautiful images, even though they were of dead things, while his children were so ugly. To which he replied that he made his paintings during the day and his children at night.” “Paparl, paparl, take me to the circus.” (Self-portrait of Da Vinci himself in his younger years) His sense of humor also appeared in his artistic work. Their cartoons They are very well known. Also the decorations and gadgets that he designed for the celebrations of the Sforza family or at the court of France, which in a way made him “the king of the party.” Vasari once again collects another anecdote that, this time, gives us a glimpse of Da Vinci’s humor. On one occasion a gardener gave him a large lizard that he had hunted. Leonardo decided to stick some wings he made with scales on its back. Every time the suffering reptile walked, those membranes trembled to the terror of the public. “He made it eyes, horns and a beard and then domesticated it,” says Vasari, “he used to keep it in a box and whenever he took it out for his friends to see, they ran away scared.” Da Vinci, pop star and veggie Yes, musician. Engineer, painter, anatomist, sculptor, architect… And musician! The Tuscan’s fingers not only showed his virtuosity with the brush. There are multiple references that there was nothing wrong with the lyre of braccioan instrument with which he liked to let inspiration take him from time to time. And just like Jimmy Page (Led Zeppelin) has its iconic two-neck GibsonLeonardo also showed off his peculiar instrument when he performed: an elegant silver lyre in the shape of a horse’s head, built by himself. Although Leonardo’s musical side is often overlooked, there are clues that indicate he played an important role. For example, it … Read more

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