The Big Tech have always compensated their great failures by copying the successes of others. And with AI are already doing it

Good artists copy, The greats stealSteve Jobs or Pablo Picasso said. What they did not say is that the best artists are probably not done by one thing or the other: directly Buy “Works” They end up seeing how their own. We are continually seeing it in the technological field, and the last example is what is happening in the world of AI. I’m going to buy a company. Google launched its own YouTube before YouTube. Three weeks before, in fact. On January 25, 2005, he announced the launch of Google Video, while YouTube would launch on February 14. We already know how the story ended: YouTube swept while Google Video barely managed to curdle. What did Google? Buy YouTube to solve the problem. Problem solved with a talonario coup. Facebook did something similar with Instagram. The company created by Mark Zuckerberg saw the wolf’s ears, so he preferred Buy your competitive potentialwhich effectively became an absolute success and is now an integral part of its ecosystem. Good artists copy. We have seen it many times: the Big Tech copy ideas as if there were no tomorrow. Facebook and Instagram did it with the Snapchat Storiesor the reels Copied from Tiktokand there are many other examples. There are times to copy works, but there are others in which those attempts end up in A true disaster. The innovator dilemma. The obvious conclusion of all these movements is already known: the Big Tech do not want any other company to end up stealing their wallet. If someone begins to shade, they go for him, it will not be that they end up as Blackberry or Nokiathat seemed immortal and now they are just a minimum expression of what they were. All great technological ones know well about the Innovative dilemmaand none wants to be part of that group of companies that let another climb to Chepa. Openai careful. The current situation is a reflection of that reality. It is happening in the world of artificial intelligence. Openai became from the launch of Chatgpt in the new great star of the technological panorama. Its excessive growth He quickly warned to almost all the great technological (but Not all), who launched ally with her or to compete directly with analogous platforms. But in addition to the Big Tech, they would compete, so many others did. And absolutely all these startups are in danger, because the Big Tech will not allow the “little ones” to steal their wallet. Letter programming agents. We have seen the last example of this phenomenon with the agricultural platforms of AI to program. Cursor was a discovery For programmers, and unleashed fever for these tools. In recent weeks, we have seen how one of its competitors, Windsurf, has been bought by Openaiwho does not happy with that also took out his own programming tool, Codex. But it is that cursor and other startups such as Devin Or replicit ghostwriter they have it complicated, because Anthropic (Claude Code), Google (Jules), Microsoft (Github co -ilot) or Amazon (Codewhisperer). Concentration in sight. This variety of options in that specific field of AI extends to many other areas: there are dozens of options to create images with AI, and the same if what we are looking for is to create music or even video. And the same for tools that transcribe audio, which make content summaries or that help in specific tasks of other types. The problem of all of them is that if one of those ideas is popularized, the Big Tech go to 1) Copy it or 2) If that doesn’t work, buy it. Except for exceptional cases, it is normal for the market to continue to dominate by a small group of large companies, leaving in the background very distant the startups that survive. Image | Techcrunch | Anthony Quintano In Xataka | They left their work in a great multinational to jump to a startup: between security, posture and personal fulfillment

The director of an MCU classic and some modern horror successes signs the best premiere in the history of Apple TV+

We have spoken on more than one occasion of the Bandazos that has been giving Apple in his purpose of becoming a Major Hollywood. Great failures with high pretensions, such as ‘Napoleon’, ‘Argylle’ or ‘The Moon Killer’ have ended up making the company reduce their claims. Strategy that will be possible redoubled when they check that a much more effective film than all those but less ambitious, such as’The secret abyss‘(terrible Spanish title for’ The Gorge ‘) has beaten Records on the platform. Indeed, this film about a couple of confrontated sides snipers that have the mission of monitoring the two ends of a kilometer pit whose dangerous content is unaware It has been number 1 in 99 of the countries to which the Apple platform reachesand it is not difficult to understand why. The always powerful visual finish of Apple’s films (even those destined to go directly to streaming) It is perfect for a movie with star cast (Miles Teller, Anya Taylor-Joy and Sigourney Weaver), who join a director with their own vision. This is Scott Derrickson, who was associated with Marvel with ‘Doctor Strange’ and that signed some very interesting successful horror films, such as ‘The exorcism of Emily Rose’, ‘Sinister’, ‘Líbolos del Evil’ or ‘Black Phone’. To him is due to the turn of how sinister the film visually gives in its second half, a break that has been discussed by the flying with respect to the most suggestive start of this proposal. Because there, without a doubt, is where the best of this Apple production is: when the two protagonists get to know (dance to the sound of the ramones included) and how intimacy is emerging between them, something that is very well told and that ends up being the most memorable of the set, above the inevitable festival of fireworks of the second half. In any case, a sinister and action epic to which it is worth approaching to corroborate that it is not necessary not to look at the whole of Apple’s proposals. Header | Apple TV+ In Xataka | Back ‘separation’ to Apple TV+. His tortuous production for three years predicts bad times for author series

‘The island of temptations’ had been without great successes for years, but it has revived thanks to an unusual memes reef: Montoya

‘La Revuelta’, in La1, coincides a couple of days a week with ‘The island of temptations’, the tronado reality of TV5 of couples who undergo high pressure tests to demonstrate their love. On January 29, Broncano and her guest, singer NIA, chatted for a while of the abundant plots that the Mediaset program has generated: that is the level of the eighth edition of the program, commented to In its direct competition. Or as with Retraca they recognized in one of the subtitles of the program, “the debate of ‘The island of temptations’ is in La1. TV in Spain is more complex than Marvel Multiverse” Ascent audiences. The audiences with which this edition of ‘The island of temptations’ started They were not especially high. Although it is still to see the average audience of the season, which currently is around 15.4% of Share (something less than last year), in recent weeks its audiences are exceeding 16%, as its content is viralized in networks: its maximum was obtained this last Monday, with a remarkable 18.5%. In any case, it remains far from those stratospheric audiences of 24.1%, 22.5% and 26.3% of the first three editions. What makes this edition different? Without a doubt, their contestants, who have managed to generate viral content without a price. Let’s briefly remember the rules of the contest. A series of couples come to an island, where they separate in two large groups: boys and girls will be tempted in their respective residences, and their partners will later see the images of nonsense, erotic games, dances and falls in plate in temptation. Of course, the more exaggerated the reactions of their partners seeing them “sin”, the more television it results. And thus, the Sevillian Jose Carlos Montoya has become a living meme with his exorbitant reactions to the behavior of his girlfriend Anita. What Montoya has done now. In these weeks that the eighth edition of the program has been running, there have already been criticism for the High level of toxicity of one of the couplesbut Montoya like for that imposed drama, almost an involuntary parody of the Latin character. That personality of an advertisement of colony that has led to Open several shirts to pull As a gesture of spite, literalizing so many couplets about misfortunes, passionate (not knowing that “breaks the shirt” is sometimes also a metaphor); to run aimlessly and finally collapse in the sand of the beach between shoutsas in a karaoke video; And as a great final number, break into the house of the brides to catch her In fraganti in bed, crazy whose conclusion will be seen on the night of February 5. A meme that crosses borders. Montoya’s clear precedent on the island are contestants from other editions that ranged from the cartoon jealousy (“Manué, La Manita Relajá“) or the passions that spread much further further and their weak human wrappings (that cristofer scream”Estefaníaaaaa! “In the first season and that closes the circle with the escape of Montoy Trochants Memesnext to threads that review their life out of the island and inside. But Montoya also transcended borders: It is not necessary to understand Spanish to alone in your body expressiveness of MUPPET in love. A dead end. Montoya is the perfect example of all the needs, attractions and problems of the program: it is very hilarious to contemplate its naked behavior, but we all know that it is creating show. There is an abyss between Montoya and the Primal “Who puts my leg on me“From the first edition of ‘Big Brother’, disarming in its naive ‘Blind trust’ that was crowned as the best reality Spanish of all time. Here we all know the rules of the game, and that makes it more wild, but in essence, much less human. Header | Mediaset In Xataka | Japan had a real “Truman show”. And it was starred by a man locked up, naked and forced to survive with coupons

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