Ozzy Osbourne was key to lighting something almost more culturally important than metal: television realities

The death of Ozzy Osbourne is generating multiple manifestations of condolenceand it is not for less: one of the latest genuine stars of classic rock leaves. However, although his passage through Black Sabbath and his solo career are his most relevant milestones within music, it is also worth remembering him for how he helped configure modern television in one of his most popular aspects: the reality shows. The Lord of Darkness. It is impossible to summarize here the relevant role that Ozzy Osbourne has in the history of rock, as it is impossible ‘I’m Ozzy’, edited by Espop). However, and despite the success of classics such as’Crazy Train‘ either ‘War Pigs‘, In 2002 nobody already remembered Ozzy. Until The Osbournes revolutionized the genre of realities forever. Mrs. Osbourne. Sharon Osbourne was Ozzy’s wife since 1982, although he had been as a representative of his solo career since 1979 (his father, a historic industry, had also been Black Sabbath’s manager). Sharon was fundamental in Ozzy’s sound in the 80s, oriented to a more pop metal that opened the doors of the MTV. And it was also the brain of the reality ‘The Osbournes’, conceived as a project in which their children were clips presenters, but ended up evolving to show the daily life of the family. His inspiration was also MTV’s canonical reality ‘The Real World’, but with a difference. Here the protagonists were famous. The never seen. The concept was very novel for the time: show the intimacy of a famous family, of the most trivial details to the most dramatic. The chaos that breathed Ozzy’s life gave him a strange air of likelihood and lost that semi-guy air of ‘The Real World’. Success was immediate: razed in audience (In his day, it was the most watched program in the history of the channel) and became the first program of its kind in win a primetime emmyin the category of best non -fiction series. The fault that MTV will become a video clip channel to one of realitieswith programs such as’ Jersey Shore ‘(a phenomenon that would give rise to’ Gandía Shore ‘),’ Teen Mom ‘, ’16 and pregnant’ or ‘catfish’ coping the channel grill? It is from ‘The Osbournes’. Sitcoms in real life. What makes ‘The Osbournes’ so iconic is possibly that he had all the elements of a classic sitcom (hallucinated but endearing father, cunning mother, rebel children), but with themes and vocabulary that could not be seen in a fiction series (continuous swear Patriarch jumping again and again Sharon’s attempts to have something remotely similar to a script. Something of that spirit was transmitted to the next great success (which still lasts) of the genre, ‘Las Kardashian’ and, in Spain, ‘Alaska and Mario’. Ephemeral success, indelible footprint. The program only lasted four seasons, not for a fall at the audience, but because Success surpassed its protagonists. Ozzy was not prepared for all that attention again (in fact, he fell to the drink), and Jack had to go to therapy. He configured, yes, the image of Ozzy that already accompanied him until his death: a rock star that started snacks of pigeons on stage, but with which you would not mind sitting up for a while in front of TV in slippers to listen to his comments about the “horrible, horrible music” that the kids do today. Header | MTV In Xataka | Japan had a real “Truman show”. And it was starred by a man locked up, naked and forced to survive with coupons

The great debate about whether iOS is safer than Android, myths and realities of ‘Breaking Bad’ and much more in 1×09 crossover

Can anyone manufacture your own drugs How did it happen in ‘Breaking Bad’? To tell us about the myths and realities of that series and many other things, he has accompanied us In this 1×09 crossover A very special guest: Breaking Vlad. This well -known scientific disseminator is also an original content creator because of his way of talking about chemical experiments, and in the interview we have been able to do, he answers striking questions about the radiation of phones or about the future of hydrogen cars. Presented as sowing by Jaume Lahoz and Carlos Santa Engracia, in this episode the collaboration of Xataka serves to reactivate an old and controversial debate: If iOS is safer than Android. Both platforms have been really reliable for a long time, and perhaps the problem, as the interview reveals, is another. It is also necessary to separate that debate from another in which Apple does take advantage of Google. One thing is security – things are balanced – and another very different privacy, where Apple’s business model – which is not focused on advertising – allows the company to give more guarantees. In 1×09 crossover there is also a place to make a fun debate about false news that we have seen these days – a Chromecast with integrated Tinder? -, and as we always expect your comments and ideas to improve in upcoming episodes. Enjoy it! On YouTube | Crossover

illustrates that Telecinco can only trust realities

Criticisms have not been good and audiences either. Finally, after only seven programs, Telecinco has decided to cancel the new ‘falling who falls’. A failure in Prime Time that certifies several issues: that The Montoya phenomenon It could be an isolated explosion, and that Mediaset intends to trust the genre that works best (the only one that works lately, seen what has been seen), the realities. Fifteen years without ‘CQC’. I made three decades that ‘who falls’ fell’ did not return to the Spanish grill. In this new edition, Santi Millán, Lorena Castell and Pablo González Batista commanded a squad of reporters who, send the new times, left the most successful corners of Iternet and the viral content: Paula Púa, Ana Francisco, Daniel Fez, Andy K, Carles Tamayo … however, from the beginning The criticisms were lazyand underlined the decaffeinated of the proposal: for some media, Like the countryhis problem arose from the current competition to the right of the program, more aggressive and with which, by comparison, “it is very difficult to transgress.” Hearings below expected. But it is that The audiences did not accompany: the maximum of Share It occurred in the debut on January 19, with 9%, and although it did not fall much from there (except 6.7% on February 9), they are unsustainable figures for Prime Timethat in the end they have resulted in 8.2% on average and 990,000 spectators. On Sunday night, always dyeing against premiere cinema in La1, they are a complicated space, but most of the time he could not even endure in front of the envy of ‘The Évole’ in La Sexta. Giro al reality. To take a breath, Telecinco returns to a known territory: with the start of ‘Survivors 2025’, which will broadcast three nights a week (Tuesday, Thursday and Sunday, this occupying the space of ‘falling who falls’). If we take into account that ‘The island of temptations‘It is broadcast two days a week, Monday and Wednesday, we have as a result a week full of programs of this type in Telecinco, five of the seven nights. Only Friday ‘are left out and the new version of’ There is one thing that I want to tell you ‘, on Saturdays. The Telecinco Baza. Telecinco has been trying to depend less on the realities to upload audience, but does not get it. To the battle of Access To stand up to ‘El Hormiguero’ He resigned a long time agobut its last two bets in that sense, ‘Chinese stories‘And’ Babylon Show ‘have been loud failures. At night, he has tried with style contests talent showas ‘Factor X’ or ‘Next Level Chef’ (the latter still in broadcast, but with Very discreet audiences), without reaching remarkable figures. Until 2023, this type of competitions still rented in a audience, with programs such as ‘Got Talent’ or ‘The musical of your life’, but but They have been missing from their grill for a while. Fled forward. This start of the year is raised for Telecinco with a commitment to what you already know that it works: the great audience data of ‘The island of temptations’, planting face to ‘El Hormiguero’ and ‘La Revuelta’ and around several times several times a spectacular 20% of Shareconfirm the Mediaset chain as the queen of the realities. All this in a context of loss of audiences for years (both in 2023 and 2024 made successively historical minimums) that has also led him to return Ana Rosa in the morning. Vasile 1.0. In fact, it is Ana Rosa in the morning, and the trail that leaves with ‘late’ in the afternoon the two great supports on the grill of the realitiesthat spread and echo what is seen in ‘Big Brother’, ‘Survivors’ or what it touches. It is a strategy that popularized Paolo Vasile, which recently He left his position as CEO of the Canaland that he instituted above all ‘Save me’ and his need to fill hours and hours of programming. Paradoxically, however, ‘The island of temptations’ is only generating material For specials and debates in Mitele Plusthe platform of streaming Mediaset’s payment, in one of the most risky and incomprehensible bets of a channel that, right now, returns to the safe. Header | Telecinco In Xataka | In a strange turn of events, Jesús Calleja will be the third Spaniard in history to travel to space

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