A dismembered Lamborghini and a fillet coffee maker with a single goal: to turn them into art
Art is subjective. There are those who think that Everything can be art From the right prism. AND That subjectivity It is what makes us hallucine or grind us in equal parts Conceptual art. Or that a banana attached to a canvas with an insulating tape is art (of 6.2 million dollars, yes). It can also be eternal, and that is a quality that, unfortunately, does not have the objects we use daily. But … what if we could preserve something in your current state forever And, at the same time, to meet the millimeter how is its interior? That is the question that was at some point the head of the Swiss artist Fabian Oefner, who has perfected an artistic process that analyzes the millimeter the objects with which he works, to the point of mixing tactile, aesthetic and conceptual elements in his work. And what do you like? Destroy things. But although that seems to be at odds with the Eternal preservation of the object, in the case of Oefner’s work, it has all the meaning of the world. The art of tear a nikon, a bialetti or a lamborghini Oefner has three weapons: its camera, a lot of resin and … tons of patience. It has several projects, such as which, together with Google Arts & Culture, merged environmental science and visual art to represent the Relation of alpine glaciers. Among other things. His most visual work is ‘Cutup’ and ‘Disintegring’. The two are impressive, but let’s start with the latter. As the name implies, in it Oefner disintegrates the objects he photographs. An image captures a moment, but in ‘Disintegring’, Oefner wants us to imagine a vehicle swollening at full speedwith each piece leaving in full movement Is what he has done with cars Lamborghini, Jaguar or Mercedesbut also with the Riva Aquaramaa ship that shows to what extent the process of performing this photograph is artisanal. To achieve it, Oefner photographed the ship in bird sight, but later in the study, he made another hundreds of photographs of components of the V8 engines, elements of the cabin, the seats or even splinters of the helmet to, once with more than 1,800 snapshots under his credit, compose The image. On the other hand, we have ‘Cutup’. As the descriptionincludes a series of “technical objects that are cut, rearrange and distort in a new way. Objects are encapsulated in resin to capture them in their current state forever.” And it is the evolution of ‘disintegring’, since that 2D vision goes to a three -dimensional plane. To do this, Oefner encapsulates an object in resin. It does it through vacuum and pressure chambers so that there are no air bubbles or foreign elements that may affect the result, and all this in an atmospheric pressure environment and controlled temperature to the millimeter. Once the resin is stabilized, squeezes using powerful presses and, thanks to a mountain range, it is making cross cuts. It is like ‘fillet’ the object. The result is that, for example, it obtains several ‘slices’ from a camera that puls by hand. After this process, that you can see in this videoand when those fillets are transparent enough to show the object without difficulty, place the pieces in the way you want and embody them again in resin to obtain the final form. In this way, we have a “sculpture” of the camera, but being able to see its interior. But ‘Cutup’ has a twist: instead of assembling the object again in a new resin frame, Oefner had an idea: to turn each slide into the page of a book. It is something that you have done with some objects on scale, such as car models, but perhaps its most famous work in this plane is the BIALETTI BOOK. In it, we can see different cross cuts from a Bialetti coffee maker which shows not only the machine, but water in the base, coffee in a state of Extraction in the bush and liquid coffee In the upper chamber. They are very thin sheets that make us appreciate the object inside, but if we put the book vertically and look straight ahead, it is like seeing the complete coffee maker from that angle. OEFTER states that he does not see destruction as something negative and that he uses that process of “breaking” objects and reensating them as a way of enhancing all the pieces and components of the original object, immortalizing that protagonist in his current state. That coffee maker cut into cachitos is sentenced to Prepare coffee For all eternity. However, art is also ephemeral, such as the six million banana we talked about by some paragraphs … than ended in his buyer’s stomach. Images | LamborghiniStudio Oefner In Xataka | Goodbye to Ouka Leele, the artist who painted her photographs and was key to the move
