The US chip industry is being forged in Silicon Valley. Curiously, the hammer is held by South Korea

The United States has embarked on a journey of technological sovereignty. It has some of the largest and most cutting-edge technology companiesbut they depend on foreign companies. That’s why, Appield Materials has put 5 billion dollars on the table seeking US technological hegemony. And, in this ambitious project, it is not an American who has slipped in as founding partner of the EPIC Center. It’s Samsung. EPIC. It’s a “modest” name for a $5 billion facility that will be in the heart of Silicon Valley. The name comes from Equipment and Process Innovation and Commercialization and is the spearhead of American investment in research and development of advanced semiconductor equipment. Its objective is to accelerate the development of equipment and processes to create advanced memory chips, shortening traditional cycles when developing cutting-edge chips. The installation is imposingwith more than 16,700 m² of clean room and is expected to come into operation this spring. Samsung. And, in that ambitious objective, is the South Korean company. The alliance is to address one of the semiconductor industry’s most important challenges: the long time required to bring new chip technologies to market. from research to production. The EPIC Center is not a competition for the European ASMLbut something complementary to shorten those processes that can take between 10 and 15 years. And Samsung will be there as one of the founding partners. Samsung Electronics CEO Young Hyun Jun commented that the collaboration will allow “advance in cutting-edge semiconductor equipment technologies.” The EPIC Center Expansion. Samsung is one of the most important foundries in the world and, in the era of artificial intelligence, it is consolidating itself as a pillar by being the first that will supply NVIDIA of the new HBM4 memories. Its presence at the EPIC Center seems like a key strategic move, but it is not the only advance that the company has recently made on American soil. In that pursuit of creating high-bandwidth memory and advanced systems, Samsung has a facility in TaylorTexas, to advance the production of 2 nanometer chips. Foreign industrial fabric. One of Donald Trump’s goals was to recover the American industrial fabric with American companies and American labor. That’s why he ‘rescued’ Intel a few months ago with the aim that the company was his great foundry. And it is having its fruits: Intel has risen from the ashes with new advanced processors and is positioning itself to supply both NVIDIA and Apple. However, what is also arriving is foreign muscle like Samsung and something more serious: TSMC. The Taiwanese giant is the company on which the entire semiconductor and device industry pivots, and it is increasingly becoming making more land in the United States to manufacture in the country and continue with a diversification project which includes Europe. That is to say, the United States is reindustrializing and is taking steps to have an authoritative voice in the semiconductor manufacturing industry, but much of that muscle belongs to the same old foreign companies… that will simply now also produce in the United States. HBM4. Meanwhile, Samsung continues to do its thing. Not only are they at full production HBM4 memoriesbut also investigating the possible replacement for that technology: DRAM memories in which Intel and SoftBank are also taking steps. And in addition to their own Exynos for their mobiles, there are sources who claim that ByteDance, TikTok’s parent company, is developing its own chip for artificial intelligence and is in talks with Samsung for it to be manufactured. Images | Applied Materials (edited) In Xataka | China’s future in the chip industry is in the hands of a single, almost unknown company: SiCarrier

Italy’s greatest fortune was forged in scarcity to become your forbidden pleasure: Nutella

Mayans, Olmecs and Aztecs They knew how to appreciate the value of cocoa, and that is why they used it as currency to buy goods and services long before Christopher Columbus. make those lands yours just by reaching them by boat more than 500 years ago. In fact, chocolate has become a “guilty pleasure” these days. so widespreadwe are (yes, I include myself) causing global shortages. Precisely, cocoa is the main ingredient of a product that made two brothers extremely rich in ruined post-World War II Italy: the Ferreros. From that scarcity emerged an empire with $19 billion in annual revenue and a presence in more than 170 countries. The challenge: create a chocolate bar without cocoa In the middle of World War II, Italy suffered an extreme shortage of many things, but especially cocoa, a problem that had already hit Europe during the time of Napoleon. As and as explained in The Green CompassIn 1806, Napoleon Bonaparte became involved in a geopolitical and commercial battle with his enemy the United Kingdom. This caused the volume of trade to reduce considerably, causing a shortage of overseas products. One of them was cocoa, of course. Given the shortage of the main ingredient, a master chocolatier from Turin He came up with the brilliant idea of ​​mixing the little chocolate he had left with a dough made from hazelnuts that were abundant in the area. In this way, it could offer a delicacy with a certain chocolate flavor, but using less cocoa in its production. This is how the gianduia or gianduja. Almost a century and a half later, in 1946, the brothers Pietro and Giovanni Ferrero They found themselves in the same cocoa shortage situation than his Turin colleague. If it had worked before, why wouldn’t it work a second time? Cioccolateria Ferrero in Alba The Ferrero brothers revived the old recipe for hazelnut paste with sugar and cocoa to survive, creating a spreadable bar that would lay the foundations for a product that today sweetens breakfasts and snacks around the world. ​This hazelnut paste and little cocoa saved the Cioccolateria Ferrero that Pietro ran in Alba, south of Turin and in the heart of the Piedmontese countryside. The product, in the form chocolate bar that could be rolled and spread on the bread that mothers gave to their hungry children quickly sold out in local stores. Giandidot by Ferrero Faced with unexpected success, Pietro and his brother Giovanni soon formalized their business, founding a company called Ferrero SpA and opening a small factory in Alba. While Giovanni focused on distribution, Pietro focused on overseeing the manufacturing of his flagship product. However, Pietro died in 1949 of a heart attack. His son Michele, who was 24 years old at the time, took over from his father at the head of the factory. Ferrero factory workers on a company bus Michele was not a businessman like his uncle Giovanni, nor did he have a university degree, but he did he had inherited his father’s creativityto whom affectionately They called “the scientist” and he was willing to improve the recipe for the product that was making them rich. In 1949, Michele made some changes to the formula of the gianduja to make it creamier and easier to spread. With this change, the Ferreros could differentiate themselves from other confectioners who also produced the traditional Piedmontese sweet. The “Supercrema” had just been born. According to what is collected in the book ‘Nutella World‘, the success of the Supercrema was such that the brand soon had the second largest fleet of trucks, only behind that of the army. In 1947, the company barely had a dozen distribution trucks, in 1950 they already had 154 and by 1960 there were more than 1,624 delivery trucks for their company. cocoa cream with hazelnuts. Ferrero Supercream Ad ​Birth of a star product: Nutella In 1964, a change in product labeling legislation banned the use of superlatives in brand names. That forced the Ferreros to change the name of their Supercrema. Given the success of Supercrema, the Ferreros were already thinking about the internationalization of the brand, so they used the English name of its main ingredient “Nut” and, after trying variants such as Nutsy, Nussly, Nutosa and Nutina, they finally decided to use the Latin suffix “-ella” to maintain its Italian roots. Nutella was born and its iconic glass jar with a wide mouth and flattened body. Its smooth texture and addictive flavor made it an immediate success throughout Europe, but Michele continued trying different recipes. The consolidation of Ferrero as the empire it is today occurred with the Kindergarten release in 1968, the “unexpected” Tic Tac mint candies in 1969 and Ferrero Rocher in 1982, coinciding with the opening of factories in several countries. Today, Ferrero generates $19 billion annually, maintains secret formulas and operates in 170 countries without being listed on the stock market. Ferrero established itself as world leader in hazelnut creamseven having its own World Nutella Day since 2007: February 5. Michele Ferrero died in 2015 at 89 years old, leaving a fortune estimated at more than 26.5 billion dollars which made him the richest man in Italy, but he had also continued to manage a large empire as a family business in which the relatives of his employees were hired. As and how I collected The Spanish“Hiring children of employees strengthened the bond of the community and united many of its men and women to the company throughout their working lives,” noted Salvatore Giannella, biographer of the businessman and author of ‘Michele Ferrero, share values ​​to create value’. Giovanni Ferrero, grandson of Pietro Ferrero, inherited the empire of cocoa and hazelnut cream, increasing the family heritage up to 40.8 billion dollars. In Xataka | Jeff Bezos asked his parents for their life savings to found Amazon. They only asked him one question: “What is the Internet? Image | Unsplash (Marko Blažević), Flickr (Spiegelneuronen) Ferrero

How the long and controversial end of ECC Comics has been forged

Even if it is for a short period of time, DC Comics is left without a home in Spain. The publisher that was in charge of it, the Catalan ECC Editionsis declared bankrupt and the judge in charge has launched its liquidation and dissolution, as reflected in the Public Bankruptcy Registry this past Saturday. It is nothing more than the official confirmation of a rumor that has plagued networks and fan forums for months: that ECC was about to lose the publishing rights to Batman and Superman. DC, an abrupt history of editions in Spain. Contrary to what one might think, DC has had a rather bumpy time in our country: Novaro, Bruguera, Zinco, VID, Norma, Planeta have been responsible for publishing its catalog and for just over fourteen years now, ECC . And its arrival to the rights of the North American publisher was not exactly easy: the ADLO blog remembers it! diving into the newspaper libraryand remembering that ECC obtained the rights in a struggle with Planeta (owner of the rights since 2005) that is still full of chiaroscuros. The comic packaging machine. ECC did a job as a packager (in English, packaginga services company that manages translation, layout and even distribution tasks) for Planeta. The transfer of powers, the loss of the rights by a seemingly untouchable giant like Planeta in favor of a fledgling publisher is a strange move, and the official version of ECC is that they got the rights straight from DC. The truth is that, doing all the work of packaging for Planeta when it was outsourced, it had gained considerable experience. However, bad press came to ECC when, after six years as DC’s editor, she decided to launch a minor classic of the house, the ‘Kamandi’ by Jack Kirby via crowdfunding. Of the crowdfunding to heaven The decision, because it was unusual, was highly controversial: not only is it not usual for an established publisher, but it is much less so if it is about launching a comic of one of the majors of superheroes. It was especially controversial among booksellers, since in a crowdfunding which finances and ships directly to readers, the product bypasses intermediaries. The decision to launch more and more crowdfunding (and no less classics, like ‘New Titans’ or ‘Batman and the Outsiders’) and open your own stores continued to raise suspicions. The beginning of the end. In 2020, Panini (Marvel publisher in Spain) acquired the rights in Italy to publish DCwhere Marvel also edited. It was the beginning of four long years of rumors in which in Spain it was said with increasing force that ECC would end up losing the rights to DC. Rumors that have been accentuated as the delays accumulated and the unrest with the stores took shape in a much more tangible way: the Madrid-based Akira Comics, one of the most important specialized stores in Spain, detailed in a tweet “SERIOUS accounting disagreements” with the publisher, with a number of concerns shared by the Madrid Booksellers’ Guild. The authors cry too. While the relationship with fans it was becoming more and more tensealso began to be so with the creators: the cartoonist and screenwriter Bruno Redondo published a thread on Twitternow deleted, about the Spanish edition of his ‘Harley Quinn: Black + White + Redder’, protesting the “disastrous” translation and labeling of the comic. The responsibility, according to Redondo, lies with a tool that uses generative AI, which undoubtedly added fuel to the fire, generating a new controversy from which ECC had to defend itself. in a statement. If these complaints reached DC’s ears and could have precipitated the publisher’s fall, it is something that belongs, again, to the rumor mill, but what is true and verifiable is that since the summer, the publisher’s delays and series that are left hanging They are counted in tens. Who gets DC. Once again, rumors abound about the purchase, not officially confirmed by Panini, but which go far beyond “if the river sounds…” (for starters, the publisher itself tweeting that “as soon as possible, we will share official information with you”, without specifying whatbut at a time when rumors were a clamor). Contacts familiar with the case and close to the publisher confirm that Panini is carrying out personnel movements with the idea of ​​creating a department for the DC edition, and that the intention is to leave before the summer, although for now, in the communication of news From the publisher for April DC Comics does not appear yet. Added to the clues that Panini herself is advancing online is the indisputable fact of her experience editing Marvel, and that she already publishes DC in Italy and France. The other possible candidate to publish DC, Planeta, has already announced that it will imminently publish the other important license that ECC had, Skybound (‘The Walking Dead’, ‘Invencible’). All clues point to Panini. Header | DC Comics In Xataka | We have analyzed the scores of Marvel and DC movies to solve the dilemma: which franchise do you like more?

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