Canarian

Between the winters of his native Puerto de la Cruz and those of Saint Petersburg there are a few degrees of difference; but neither that, nor the change in culture, language or landscapes turned back Agustín de Betancourt when in 1808 he decided to pack his bags and move to the Russia of the tsars. He had fallen into disgrace in the eyes of the almighty GodoyIn Spain he had nothing left but family and memories, he had been in Paris for some time and had influential friends, so… What could he lose? Nothing. And so it was. His steppe adventure would bring him significant profits; but above all to Russia itself. So much so that if you walk around Saint Petersburg you will find several statues in his memory. The country of the tsars, that of the Alexanders and Nicolaseswhich today we associate with pageantry and alambic constructions, would probably have been somewhat less brilliant if it had not been for the genius of Agustín de Betancourt, the inventor who during the early part of the 19th century gave shape to his particular “Russia made in the Canary Islands”. Especially in the capital, Saint Petersburg. From Augustine to Agustinovich The one of Agustín de Betancourt y Molina (1758-1824) is one more name in the long list of national geniuses from whom Spain—before and after him, for one reason or another—did not know how to take full advantage. It happened to Isaac Peral, Monica Sanchez, Angela Ruiz, Emilio Herrera…and Betancourt. In his case, yes, in a peculiar way. At the beginning of the 19th century, the situation of the Canarian engineer in Spain was enviable in its own way. He came from a good birth, he had made a career between Madrid, Paris and London, earning the trust of the counts of Floridablanca either Aranda and enjoyed a well-established prestige with his work on steam engines or the optical telegraph that I had designed with Claude Chappe. As, in addition to being a man of action, he was also a man of letters, Betancourt had also encouraged the creation of the School of Roads and Canals, inspired by the École des Ponts et Chaussées in Paris. Despite all this prestige and status, their situation at the dawn of the 19th century was not what one would call comfortable. In 1805 a report with his seal on the Genil River had earned him the distrust of none other than Manuel Godoy himselfstrong man in the kingdom of Charles IV. That circumstance and the scenario that was emerging internationally encouraged Betancourt to liquidate his properties in Spain and move first to Paris —where Napoleon came to tempt him—and then to Russia. There, in Saint Petersburg, he knew how to gain the favor of the best godfather imaginable: Tsar Alexander Iwho probably saw in the canary a more than valid genius for the development of his country. What Spain had missed would be used in the Russian empire. If the future was not tempting for Agustín in Madrid, perhaps it would be in Madrid. 3,000 kilometers from there. So he collected his belongings, settled his pending matters in France and embarked for Saint Petersburg. There they waited with open arms for Agustín “Agustinovich” Betancour. Persuaded perhaps by his prestige or the interviews with Agustín himself, the tsar He soon showed his confidence in the canary. One of his first orders was the modernization of the Tula cannon factory, a strategic cog in the military apparatus of the Russian Empire. Betancourt was not new to the task and he knew how to take advantage of his knowledge of the double-acting steam engine and the operation of the Yndrid factory to give a twist to the ancient Russian system. Happy The result must have convinced the tsar. Only in this way can we understand that throughout the following years Augustine was in charge of tasks of capital importance for Russia and accumulated greater and greater prestige. In a matter of a few years, the formerly feuding engineer Godoy He became a lieutenant general in the Russian army and general director of Communications. In Moscow he took on the task of building a new Equestrian Exercise Room and around the same time he was in charge of what may have been his greatest contribution—and the most profound—to Russian urban planning: projecting a new commercial precinct able to take over the fair that since the 16th century It was celebrated near the Makaevsky Monastery. Its old center had burned in 1816 and the Russian Government wanted to recover it… but with greater packaging and in a better place, more accessible and capable of achieving greater projection. The responsibility of deciding where and how and coming up with the overall design fell on the canary’s shoulders. The venue opened its doors in July 1822 with a huge fair that brought together more than 200,000 merchants and helped for years development of the Volga region and the wealth of the empire. That Betancourt did not do badly in his endeavor is demonstrated by the fact that upon his death the Russian merchants installed a plaque of gratitude on his grave. Two hundred years later the footprint of the Tenerife native in Nizhny Novgorod still deep. Although the Nizhni Novgorod complex is perhaps its greatest urban heritage, the city in which it was used most thoroughly and in which it left the greatest impact is Saint Petersburg. There, in the capital of the empire, he showed his talent in at least half a dozen capital works for the metropolis: the new paper currency factory, the dredging of the port, several bridges and St. Isaac’s Cathedral. As the Orotava Foundation remindsBetancourt assumed in March 1816 the task of setting up a new money paper factory in Goznak, on the banks of the Fontanka canal, and for two years he was in charge of supervising the works. His involvement was not limited to the building: he organized its areas and machinery, … Read more