Whatever happens in the gala, ‘The Brutalist’ is already the great Oscar winner

It is one of this year’s undisputed favorites to Win the Oscar for Best Film. True, it has firm competition between ‘Anora‘,’ Conclave ‘and even the Debajuste by ‘Emilia Pérez‘. But it is one of the preferred of this year’s cinephile population. Your raptor bets aesthetic and her mastodontic duration They have given her a reputation that makes her one of the films of the year … Want the Oscar or not. Savings example. ‘The Brutalist‘It is an example of savings in a apparently mastodontic project. 9 million dollars of cost that pale films that in some cases look worse like ‘A complete stranger‘(50-70 million),’Conclave‘, (20 thousand),’Dune: Part two‘(190),’Emilia Pérez‘(25),’ Nickel Boys ‘(23,2),’The substance‘(17.5) or’WICKED‘(150). At their level there are only ‘anora’ (6 million) and ‘I’m still here’ (1,8), but they have an infinitely more indie and modest visual finish. ‘The Brutalist‘It looks like a blockbuster. How have you done it? There is no secret of the General Staff, but quite common sense. For example, control expenses. Its director Brady Cobert counted In Slate that to be able to roll in the format of your choice (Vistvision, which It had not been used in Hollywood since the sixties), decided to do without three days of filming and invest the money saved. How is that done? Knowing how much everything costs: “I encourage young people to investigate on their own how much things cost. Because it is very useful to know the price per meter of movie. How much does it cost to rent a crane? What is the daily rate? What is the weekly rate? I have reached a point where if someone tells me: ‘We cannot afford it’, I am able to answer: ‘Yes, we can give this. The collection. All this has translated into 37.3 million dollars collected throughout the world, an amount that Warner does not use to cover the ‘Dune 2’ catering. Of the more than 22 million dollars that ‘The Brutalist’ has raised out of the USit is striking that Spain appears as the second country with more collection, with more than three million dollars. It is only below the United Kingdom and almost folding the amount of the next country on the list, Germany. It may have to do with the excellent conditions in which it has been seen in some Spanish cities, Like Zaragoza. The role of the Oscars. It is clear that the Oscar effect has helped increase that collection: the film premiered in the United States at the end of January, a month before the nominations were known, but by then the film was one of the beautiful girls in the early prizes: it had been acclaimed in Venice in September 2024. On January 5 it was one of the great winners of The Golden Globeswith three awards that included best dramatic film. At the end of the month he won four blows and premiered throughout Europe the same week that the Oscar nominations were known. A Timing Perfect, unattainable for Majors that have to attend dozens of agendas and commitments. Are we going to see more? About ‘Anora’ we talked a few days ago about how, with the exception of ‘Oppenheimer‘Last year, the Oscars have a long ristra of years rewarding independent cinema or with anti-mainstream makers with more joy than in the previous decade:’All at once everywhere‘(2022),’Coda‘(2021),’Nomadland‘(2020) or’Parasites‘(2019). This year, with two favorites like ‘Anora’ and ‘The Brutalist’ on the lists (not exactly the same type of independent cinema, but of course, both very foreign to mass taste), we may see more movies like this in the future. If the night from Sunday to Monday, Hollywood decides to pay tribute to those who invest more time, effort and ingenuity when making the movies that check in white. In Xataka | The great triumph of “high terror”: how fantastic cinema has invaded the main nominations of the 2025 Oscar

‘The Brutalist’ is so long that it includes an intermediate of 15 minutes. And to the surprise of the director himself, people are delighted

Since we began talking about ‘The Brutalist’, Brady Corbet’s movie that It is nominated for ten Oscar And that is presented as one of the favorites to take the lists of the best of the year, all chronicles and criticism emphasized their duration, unusually long, three and a half hours. And also the even more unusual decision to be screened divided into two parts, separated by a fifteen minutes intermediate. But why. Was the intermediate necessary? According to Corbet and his coguionist Mona Fastvold, yes. In An interview with Indie Wire They said that “he was always scripted, the intermediate. He is curious, in a way he has caught the attention of what we expected. I personally have trouble sitting still for three and a half hours, so I needed it. And it was a decision of face to the public “. And they added that “people feel at home and see between eight and sixteen hours of a limited series with small breaks, so if you apply that idea to this movie, you are zampando with a little break in the middle.” Longer and longer movies. There is a very fashionable calculation in these times, in order to maximize the time we dedicate to leisure and that values ​​the profitability of cultural works: the longer, the more value we are giving our free time. In the video game industry, the number of hours needed to finish a game is a detail that is made public before it goes on sale. And the increasingly extensive films and series, guaranteeing the viewer that he can invest a good part of his day (or the whole day) in devouring a story. Only in that context are less and less extraordinary films such as’WICKED‘(160 minutes),’The Batman‘(176),’Oppenheimer‘(180),’ Avengers: Endgame ‘(182) … but none has intermediate. Of course, none lasts 215 minutes. Before there were intermediate, but as you are young you don’t remember it. Decades ago the films passed several times: the change of roll in the projector demanded a pause that was soon eliminated, when the projectors arrived that did not demand to interrupt the projection for the change of roll. And then, the arrival of digital cinema was loaded with that characteristic flicker in the image and sound that the oldest of the place identified with analog cinema. That is, the intermediate of ‘The Brutalist’ is completely unnecessary (unless we have the need to go to the bathroom and stretch our legs, which is not little), and still is done. ‘The Brutalist’ also looks like a movie from another time. A very thoughtful intermediate. The interesting thing about ‘The Brutalist’ is that it is not a cut, as was the case in old films, which happens when a film roll ends, or as it happened in some cinemas with the monstrous ‘also’The Moon Killer‘(206 minutes), when the room seemed convenient. It is a very thoughtful intermediate, which divides the film into two parts that differ in tone and style. The film is something in its first half, and after the intermediate, it is something else. The intermediate helps the viewer prepare for that change, and also reinforces the operatic quality of the film: because in the theater and opera they continue to be intermediates. Everyone loves intermediate. This apparently inconsequential aesthetic decision has become one of the hallmarks most celebrated from the film. It is being said that it is a way of recovering cinema as a total experience, which forces us to comment on what we have seen, to consider what we expect from what remains, and see the film as more than a mere procedure of going to any room To consume passively. Along with his celebration of the mastodontic formats And his classic and precious style, ‘The Brutalist’ has become, beyond an admirable film, a cinephile party. In Xataka | If you think Spanish cinema does not have enough nudes, look around: the nudist cinema lands in the rooms

The 15 best looks of Felicity Jones, the actress nominated for an Oscar in 2025 for ‘The Brutalist’

This Friday, January 24, 2025, it arrives in Spanish cinemas The Brutalist, the shocking drama that is already positioned as one of the big winners of the awards season. At the heart of this masterpiece is Felicity Jones, whose performance stands out as strongly as her unmistakable fashion sense. A style reference, the British actress combines classic sophistication and modernity with a naturalness that conquers red carpets and magazine covers. We have selected the 15 best looks of this star in this gallery; an essential review to understand why it is the undisputed muse of the season, both on and off the screen. 115 © Getty Images A black and white dress The actress chose an elegant two-tone black and white dress to attend the special screening of The Brutalist at the Picturehouse Central cinema in London on January 15, 2025. At first glance, the outfit gave the impression of being made up of two pieces: a white top adorned with a black bow tied at the neck and a black skirt. However, in reality, it was a complete dress (from Valentino, collection Pre-Fall 2025), which combined both colors impeccably. Her sweeping bangs and black high heels with a bracelet added an elegant and very personal touch to her style. 215 © Getty Images Suit and long coat set On January 15, during a photo session for the film at the iconic Barbican in London, Felicity wore a completely original look. His SS Daley outfit (Spring 2025 collection) consisted of an elegant black trouser suit, accompanied by a white shirt and a tie, complemented by pointed-heeled shoes and a long black blazer-style coat. The white trim detail on the coat added a distinctive touch to the ensemble, while her low ponytail, with loose strands, gave an air of naturalness and a casual finish to the look. 315 © Getty Images Shining like never before Golden Globes Felicity didn’t want to miss the 82nd Golden Globe Awardsheld on January 5, 2025 at the iconic Beverly Hilton in Beverly Hills, Los Angeles. The British actress was nominated in the best supporting actress category for her outstanding performance in The Brutalist. For an occasion as special as these prestigious international film and television awards, he opted for a style that left no one indifferent. Specifically, she chose a spectacular Prada design: a long, strapless dress, in silver tone, adorned with sequins and embroidered jewelry. The piece was a true work of art, as it was decorated with mirrors and embedded crystals that added a dazzling shine. Length down to the feet, the piece completely hid the high-heeled shoes that accompanied the outfit. 415 © Getty Images A style with cut-outs subtle The actress attended a screening of The Brutalist at A24 in Los Angeles on December 5, 2024. For this occasion, Felicity wore a dress with cut-outs which simulated a top and skirt set, although in reality it was a single piece (creation by Proenza Schouler, Spring/Summer 2025 collection). The top part was designed with thin straps, while the matching skirt stood out for its fluid fall and great flare. She combined the outfit with classic design heels adorned with studded details, achieving a simple, delicate and elegant look, perfect for the occasion. 515 © Getty Images Great white one-shoulder dress for the Governors Awards On November 17, 2024, Felicity did not want to miss the Governors Awards 2024considered the prelude to the Oscars. The event took place at the iconic Dolby Theater in Hollywood, Los Angeles. For an occasion of this category, the actress dazzled with a spectacular white one-shoulder dress, with an elegant drape, from the collection Resort 2025 by designer Alessandra Rich. She accessorized this stunning outfit with Jimmy Choo heeled sandals and a selection of Cartier jewelry: a bracelet, earrings and a ring that added the final touch of sophistication to her look. 615 © Getty Images Black to the feet and neck halter To attend the 62nd New York Film Festival, held at Lincoln Center’s Alice Tully Hall on September 28, 2024, Felicity chose an elegant, simple and timeless dress: a classic floor-length black velvet dress and stood out for his neck halter. There is no more sophisticated fabric than velvet, and the actress wore it with distinction, leaving her back exposed as an additional detail of elegance. She combined the outfit with gold earrings and an updo, which added prominence and highlighted the sophistication of the dress. 715 © Getty Images Pale pink and strapless at the Venice Festival During the 81st edition of the Venice Film Festival on September 1, 2024, actress Felicity Jones surprised with her choice of costume. Instead of resorting to her usual trusted tones such as black and white, she ventured to experiment with an elegant pale pink. For the occasion, she wore a strapless strapless dress, designed by Prada, in a delicate pink tone that perfectly complemented her skin tone. Boucheron’s choice of jewelry added a touch of timeless glamor to the ensemble, further elevating her style and making her look one of the most talked about of the night. 815 © Getty Images Two-tone black and white dress Another of the dresses that Felicity wore at the 81st edition of the Venice Film Festival, especially during a photo session for her film The Brutalist on September 1, 2024 at the Palazzo del Casino, it was a unique Dior piece from the collection Pre-Fall 2024. The dress, with collar halter black and a white bib-style detail, it fused modernity with elements vintage in a single garment. In addition, it was adorned with a belt that accentuated the waist and had side pockets, highlighting the practical and sophisticated approach characteristic of the Dior brand. Felicity complemented the look with delicate high-heeled sandals and a hairstyle collected in a ponytail, achieving an elegant and balanced style. 915 © Getty Images A set of suit total white Also in Venice, and on the occasion of the film festival, Felicity attended a dinner organized … Read more

‘The Brutalist’ is only broadcast in 70 mm in three Spanish cinemas. Two of them are in an unlikely city: Zaragoza

‘The Brutalist’, one of the premieres of the yearreaches Spanish screens with its 10 Oscar nominationsbut it does so in a very special way: from a week before, in Zaragoza, where it is also being seen in 70 mm format. An unusual decision that is usually reserved for large capitals, but in this case it has given an unusual privilege to the city. Early release. To start, the winner of three Golden Globes It was seen a week earlier in Zaragoza: it premiered on Friday, January 17, while it hits theaters in the rest of Spain on the 23rd of the same month. Furthermore, he did it that Friday with a special pass: at the Palafox Cinemas, with Luis Alberto de Cuenca, Eduardo Torres-Dulce and Inocencio Arias, members of the radio program ‘Cowboys de Medianoche’, directed by Luis Herrero, and who maintained a discussion with the spectators at the end of the screening. Only three in Spain. But not only that: the film is shot in VistaVision, a widescreen format owned by Paramount and not used since the 1961 classic western ‘The Impenetrable Face’. This means that the best format to be enjoyed is 70 mm, and that only three cinemas are equipped to project in Spain: Phenomena and two cinemas in Zaragoza, Palafox and Aragonia. Nolan went first. The format is, therefore, ideal for watching ‘The Brutalist’, a film with a very careful image, since the 70 mm. They offer up to three times the resolution than 4K (reaching a digital equivalent of 12K), and stand out for their excellent brightness and sharpness. It is not the first time that Zaragoza, along with Barcelona, ​​has become an icon of screenings in traditional formats: Christopher Nolan films such as ‘Interstellar’ or ‘Oppenheimer’ have also been seen almost “how he would like it“. “Almost” because the format Nolan plus ultra It is the 70 mm IMAX, and for this there are no cinemas in Spain. But the 70 mm. Analogues are a good approach for which Zaragoza is prepared. The man from Zaragoza. Behind these cinemas is Francisco J. Puig, owner with his Zarafilms group of a third theater in the Aragonese capital, the Cervantes cinemas. At the Palafox they started their projections in 70 mm. in the complicated times of the pandemic, as told by ‘The Herald‘, precisely with a screening of Nolan, ‘Tenet’. A bet that, over time, has ended up configuring the city as a center of film pilgrimage from other parts of Spain. Medium-sized cities also exist. The case of this exceptionality in the Zaragoza exhibition puts the problem of the quality movie theaters outside big cities. However, the drop in collections After the pandemic (which is being noticed worldwide, but in countries like Spain it has had a special impact) it has especially affected cinemas in medium-sized cities or, of course, in rural areas. Often, entrepreneurs like Puig and his resistance to abandoning the traditional film business are a small-scale reflection of the drama of exhibition in Spain, which in 2024 was especially affected by a very little collections. In Xataka | The IMAX technology used in ‘Oppenheimer’ is overwhelming. But it depends on a 20-year-old Palm Pilot

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