If you want to get media attention, nothing like boycotting a sports competition

The return to Spain 2025 is living One of his most complicated years At the image level. With a transnational scope that had not been seen in a sporting event in our country, a boycott is interrupting races with pro-palestine claims, obtaining media attention that exceeds the strictly sports. The return organization affirms that it will take legal measures in a conflict that has served to put several issues on the table: the Sportwashingactivist coordination and supposed neutrality of sporting events. What is it. We are facing a coordinated campaign of protests against the participation of the Israel-Premier Tech team, motivated by Israel’s actions in Gaza and, additionally, denouncing The call Sportswashing (Use of sport to clean the international image of a country). The actions have been organized by the BDS movement (boycott, divestment and sanctions) and the solidarity network against the occupation of Palestine, together with platforms and groups from various regions of Spain and Europe. For several stages of the Vuelta, especially since its entry into Spanish territory, groups of activists They have cut the roads At the passage of the Israeli team, showing banners with messages such as “neutrality is complicity. Boicot to Israel” and Palestinian flags. These protests (almost always peaceful) have been broadcast live, where the detention of some protesteras happened in the Tamos’s counterreloj in Figueres (Girona). What reactions have been to the boycott? Mostly support: political parties such as Podemos, IU and Minister Sira Rego (Summar), have demanded the exclusion of the Israeli team and supported the legitimate right of demonstration. On the other hand, the organization of the competition has opposed the boycott firmly: its director Javier Guillén has described the interruptions to the passage of the Israel-Premier Tech team as “acts of violence” And he has announced the presentation of complaints before the police, claiming security reasons. Guillén has declared that all claims are legitimate only if they are channeled peacefully, and that it is not contemplated to expel the Israeli team, defending that it participates by “sports merits”, although they admit be aware of the “political climate” Around the team. Two cyclists have retired from the competition: The Canadian Derek Geefourth in the last turn of Italy and the Danish Jakob Fuglsang, who expressed his relief from Not having to dress the colors of Israel-Premier Tech more. European scale This boycott has become the largest sports campaign against Israel ever seen before in Europe. One of the reasons is that, due to the nature of the competition, which is not restricted to the walls of a stadium or the limits of a Ciudad, it has had follow -up in various cities of the country. The woven network between citizen platforms and international activists demonstrates the capacity of digital activism to mobilize resources, strategies and broad actions in a short time. The organizing platforms have highlighted the scope of the boycott, related to it, According to the public newspaperwith which he lived against the apartheid of South Africa, and where the boycott allowed him to Paíos will be expelled from different competitions from the Olympic Games. Sports and its global reach demonstrates an important tool for political protest. The problem of Sportwashing. Organizations are denouncing the use of Sportwashing by Israel to wash its image, a complaint that connects with the voices that They heard against the participation of the country in Eurovision for similar reasons. It should be remembered that after the invasion of Ukraine, Russia was expelled from the returnwhat makes you think for boycott promoters in a double standard in favor of Isarl. The impossible sports neutrality. Although the organization of the Vuelta defends the presence of Israel, taking into account strictly sports criteria, the promoters argue that Sport is an intrinsically political space and that the alleged neutrality only serves to perpetuate injustices. In sports media and In social networksthe debate is on the table: the limits of the protest in sporting events, the role of sponsors and the Ethical responsibility of sports institutions These are issues that, at least, this boycott has served to introduce sports discussion, which is undoubtedly extremely healthy. Header | Israel Premier Tech In Xataka | Rosalía launched a statement to dodge the controversy over Gaza. There are those who think it has not been clear enough

They are boycotting investments at their CEO

Spotify has just announced your quarterly financial resultsand arrive with bittersweet news, although not as much as the revolt that is created within their own catalog: some bands They are abandoning the platform After the linking of its CEO with the arms industry has been discovered. A new blow to the image of the platform, powerful and influential as fewbut that does not finish finding the approval of many artists. The problem. The main conflict is in the link of Daniel EK, founder and CEO of the platform, with the ‘Start Up’ German Helsing, a company specialized in military software based on artificial intelligence that develops a combat drone called HX-2, which can achieve objectives 100 kilometers away. The financial support from EK to Helsing is frontal: Through prima matter, an investment fund that co-created in 2021, EK injected 100 million euros that same year to the war company. To this has joined another 600 last June. The reaction. This is what has made many groups raise the voice against this investment. Already in 2021, people like Darren Sangita or Skee Maskbut now, after calling for the boycott of the experimental deerhoof and Xiu Xiu, it arrives the abandonment of a couple of independent bands of international fameKing Gizzard & The Lizard Wizard and Mexicans Café Tacuba. The phenomenon is especially striking because the former are greatly prolific, with 27 albums since 2012. This will make abandonment take time, having to coordinate a good number of stamps and distributors. Other frightened. King Gizzard and Café Tacuba are the last to leave, but there have been many other groups and soloists who did it before. Neil Young was a notorious casedenouncing that Joe Rogan’s podcast, produced by Spotify, was delivered to the misinformation about COVID-19. He was followed by relevant artists such as Joni Mitchell, James Blunt or Crosby members, Stills and Nash. Even more media was almost Taylor Swift, which In 2014 he eliminated all his platform musicclaiming that the transmission service did not pay enough to the artists. Snoopp Dogg did this year for similar reasons. Practically all the aforementioned artists They have ended up returning to the platform. An organized rebellion. Especially in alternative environments and more politically committed, certain discomfort with the platform is being developed, which undoubtedly has parallels with the negative of many artists To participate in festivals this summer linked to the Israeli Investment Fund KKR. In the case of Spotify, There are already manifestos that They list alternatives to the platform, and that have more catalog, better prices or, simply, an ethic more in line with the philosophy of the groups or subscribers. The accounts. All this comes at a key moment for Spotify, which has announced 86 million losses and the announcement of the expansion in 857 million of the Actions repurchase plan (all in contrast to a benefit of 274 million in the same period last year). On the other hand, users continue to grow: assets have risen 11% and ‘Premium’ subscribers, 11.6. Undoubtedly, the most important data is the rise in the business figure, 10% more, reaching 4,193 million. How are those millionaire losses possible? Spotify blames him for the impact of financial costs associated with staff and marketing. We will have to see if the abandonment of artists, none extremely massive at the moment, ends up affecting their accounts even more. Image | Xataka – Sampaio Czar in Unspash In Xataka | An artist published an album with 30 songs of 29 seconds exact each. Its goal: to highlight spotify

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