We have been reading philosophers from the West and Asia for centuries in search of the secret of happiness. Turns out the Aztecs had it

Each course Lynn Sebastian Purcell, philosophy professor, repeat the same experiment. After reviewing the passage from the ‘Odyssey’ in which Ulysses renounces an eternal life of pleasures with the nymph Calypso to search for his wife and son, the teacher presents a dilemma to his students: How many would do the same as the king of Ithaca? “How many of you would reject immortality and a pleasant existence on the condition that you never see your family and loved ones again?” defiant spear Purcell to the classroom. The answer is always the same: nobody. The ‘Odyssey’ is an epic poem that connects with the Greco-Latin tradition, but in reality that particular passage about Ulysses summarizes well the vital philosophy of a civilization that lived thousands of kilometers from the Ionian Sea: the aztec. Goal: happiness. I don’t know exactly who you are, but it’s quite likely that you, me and the more than 8 billion Of people who share this world, we agree that it is desirable to have a happy life. Logical, right? Happiness is one of those golden nuggets that philosophy has been searching for for centuries. I did it in times of Epicurus and he does it in our days. In fact one of the most famous treatises of Bertrand Russella famous philosopher of the 20th century, is titled with a phrase that is quite a proclamation: “The conquest of happiness”. The lesson of Ulysses. However, it is one thing to aspire to happiness and another to decide how to achieve it or even what exactly happiness is. This is where the passage from the ‘Odyssey’ of the nymph Calypso. If it’s just about seeking happiness, Ulysses already had it, right? If we agree that the goal is to be happy (just like that), isn’t it a good idea to spend an eternal life, free of illness and deprivation, living with a goddess on a distant paradise island? Why does Ulysses decide to return to the sea… and his hardships? “Let it be worth it”. Ulysses’ attitude (like that of Purcell’s students) connects fully with a philosophical ethic that for decades has gone unnoticed in the West: that of the pre-Columbian Aztecs. For them, remember the teacherwhat humanity really seeks is not so much a life full of happiness and pleasures as “an existence that is worthwhile.” That’s the goal. The texts that are preserved and tell us about how the Aztecs saw the world show that for them humanity faced “an existential problem,” In Purcell’s words: a brief, fickle existence, during which it is impossible to control everything just as it is not to skate in a quagmire. “Slippery is the land”. “What they wanted to say is that, despite our best intentions, our life is prone to error, failure in our objectives and, therefore, to ‘fall’, as if we were going to end up in the mud. Furthermore, this earth is a place where joy comes mixed with pain and setbacks,” explains the professor in an article published by the Philosophy Association (APA). In it he remembers that this entire conception of the world can be summarized in a popular saying: “Slippery, slick is the earth”“slippery, slippery is the earth.” Wait, Aztec philosophy? Exact. It has not been easy to survive and in the West we may not have paid enough attention to it, but that does not mean that the pre-Columbian Aztecs created a valuable philosophical corpus, with different currents and treatises. “We have many volumes of his texts recorded in his native language, Nahuatl,” claims Purcell at the BBC. “While few of the pre-colonial hieroglyphic-type books survived the Spanish burnings, our main sources of knowledge derive from the records made by Catholic priests until the early 17th century.” A different vision. Thanks to them we preserve codices with sayings, exhortations, poems, dialogues… different manifestations that essentially tell us about the same thing: how the Aztecs who lived between the 15th century and the beginning of the 16th approached existence. Good example is the ‘Florentine Codex’a bilingual work by friar Bernardino de Sahagún on pre-Columbian knowledge. His legacy is not only interesting because of what he tells us, it is also interesting, Purcell claimsbecause it opens our eyes to “another pre-modern culture with an ethics of virtues”, one different from the legacy of Aristotle or even Confucius. “Place of joy with fatigue”. At this point the question is obvious… If the Aztecs believed that what humans really want are lives “worthwhile”, even more than joyful and pleasant existences, how to achieve it? How to face the passage through this world, “a place of joy with fatigue and pain”, as an Aztec passage says? The key is in a recipe with four ingredients, four “levels” that allow us to enjoy a rooted life, “neltiliztli”. Continuing with the metaphor of existence as a swampy terrain, full of mud, the idea is to take root to gain a foothold. And how to achieve it? To begin by ‘rooting’ in one’s own body. As Purcell explains, the figurines and descriptions we preserve of the Aztecs show us that they liked to exercise their bodies. In fact, they had a regimen of activities aimed at stretching and strengthening the body that is partly reminiscent of yoga. Rooted in the body, it had to be done at another level: the “psyche”, seeking a balance between the heart and the head, desires and judgment. “Only in the middle can you go, only in the middle can you live”, advises one of his works. Social creatures… and of the earth. In an article Published years ago in Aeon, the scholar of Latin American philosophy points out two more levels at which those who want to achieve a rooted life must work, “neltiliztli”, a term that is also used as “truth” and “goodness.” The first level is “rootedness in the community.” We live surrounded by people, in societies in which we play a role that connects us with others and activates the … Read more

The “Death whistles” Aztecs were always a mystery. Until we discovered why they give us so many chills

The “Death whistles” Aztecs have surprising peculiarity: their intimidated appearance, but much more does its sound. Although the artisans manufactured them in the shape of a skull and figures that are today interpreted as references to Mictlantecuhtlithe Aztec King of the underworld, it is his loudness that has been intrigued by archaeologists for years. Not surprisingly if one takes into account that when we take one of these instruments to the lips and blow, something occurs similar to a human cry. It’s hard to listen to it without feeling uncomfortable. A group of researchers wanted to go further and investigate why we feel what we feel when we listen to the whistles of Aztec death. The answer can be key to understanding a piece that is still involved in mystery. Death whistles? Exact. His name imposes, but not as much as his appearance and sound. The “Death whistles” Aztecs are instruments made with clay between three and five centimeters and skull form, a peculiarity that experts interpret as a reference to Mictlantecuhtli, the lord of the underworld. They also include Figures of the Snake of Fire and Owls. Experts believe that the original pieces were manufactured Between 1250 and 1521. Wars or rituals? The first references about them date from End of the 19th centuryalthough probably the most famous specimen was found between 1987 and 1989 in the Ehécatl-Quetzacóatl templein Mexico City. There the archaeologists located the skeleton of a human sacrifice with a whistle, which has given wings to the different theories that try to explain what they were used for. There are those who think that the Aztecs used them in wars to scare their enemies and who believe that their use was basically ritual and symbolic. According to them, the sound would accompany the dead on their trip to Mictlánthe Aztec underworld. To that last theory contributes that death whistles have been found in places where ritual burials and human sacrifices were made. Another interesting clue is that the piece located next to the skeleton recovered in Ehecatl-Quetzcalcóatla circular sanctuary dedicated to the god of the wind, Ehecatl. Today several copies are preserved in facilities of the National Institute of Anthropology and History (INAH) or the Berlin Ethnological Museum. And how do they sound? Here are A few examples So you can check it. Depending on how they are used, whistles produce a siseo or a much deeper, intimidating sound, similar to a human cry. Recently a group of researchers from the University of Zurich (UZH) set out to go nevertheless and answer two big questions: why do they sound like they sound? And why listening to them produces such an overwhelming feeling? Their conclusions were reflected in An article Posted in November in Communications Psychologya magazine of the prestigious Nature Group. How have they done it? With a combination of techniques. The team obtained recordings from several whistles, including two recovered in Tlatelolcohe performed computerized tomographs To create 3D objects and resorted to replicas of whistles made of artisans with clay simulating the characteristics of the originals. Then they registered the sounds and reproduced them to a group of volunteers. To document their reactions well, scientists submitted them to a neuroimaging study. The objective: find out how their brains reacted. What did they find out? To start they discovered that the whistles have “A unique internal construction”with two opposite cameras that generate turbulence in the air and produce that kind of shout that, if archaeologists are right, accompanied the ritual victims in their descent to the underworld. “The whistles have a very unique construction, and we do not know any comparable instrument of other pre -Columbian cultures or other historical and contemporary contexts,” Explain Sacha Frühholz, the professor of cognitive and affective neuroscience who directed the study. The Aztecs are also known for making instruments that imitated the sound of the wind or the songs of the birds. What did they feel when listening to it? That is the most interesting part of the research. The volunteers described the sounds as “extremely chilling and terrifying”, According to verifies The UZH. “The brain regions belonging to the affective neuronal system responded strongly to the sound, which once again confirms its intimidating nature. The team also observed brain activity in regions that associate the sounds with symbolic meaning.” In summary, the volunteers called him “very negative” and “frightening.” “Given the aversive/terrifying and associative/symbolic sound nature, as well as the locations of the excavations known in places of ritual burial with human sacrifices, its use in ritual contexts seems very likely, especially in rites and sacrificial ceremonies related to the dead,” They conclude The experts, who recognize in any case a handicap of their experiment: the test was done with listeners of modern Europe who did not know that they were going to listen to the sounds produced by the old Aztec instrument. Did they find out anything else? Yes, something interesting. The volunteers perceived the sounds of whistle as hybrids, between the natural and the artificial. “They were classified at the psychoacoustic level as a hybrid mixture of voice sounds and screams, but also caused by technical mechanisms,” says research, which slides that this double quality could influence the reaction of the listeners: sound evoked shouts of a human nature, but also tones generated with artificial objects. Images | Sascha Frühholz, UZH and Wikipedia In Xataka | We have found a historical treasure in Mexico. The board game with favorite beans of the Maya and Aztecs

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