Hollywood has been debating for years whether AI can replace real actors. With Val Kilmer the debate turns into practice

A year after his death, Val Kilmer will appear in a fiction film without filming a single scene. ‘As Deep as the Grave’ uses generative AI to bring the actor to life with the explicit support of his family and respecting the rules of the actors’ union. It is the first documented case of a Hollywood star being digitally recreated on this scale and with this level of legitimacy. Perhaps in the future this film will be seen as the point at which there was no turning back.

As deep as the grave. Val Kilmer died on April 1, 2025, at the age of 65, from pneumonia resulting from the throat cancer that he had been fighting since 2014. This week, almost a year later, the production company First Line Films has announced that the actor will return to the screens in a role that he was never able to film. The film, initially known as ‘Canyon of the Dead’, is a historical drama based on the true story of Ann and Earl Morris, early 20th century archaeologists who documented the culture of the Navajo people in Canyon de Chelly, Arizona.

Kilmer was cast five years ago to play Father Fintan, a Native American Catholic priest and spiritualist. The role was designed around him: Kilmer identified with the character’s Native American heritage and with the story’s spiritual link to the American Southwest, where he made his home in New Mexico. “We were ready to film his part. Just, (Val Kilmer) was going through a very, very difficult medical time,” has counted director and screenwriter Coerte Voorhees.

Go for AI. The production accumulated six years between filming and forced stops due to the pandemic. When the Voorhees brothers (Coerte directs, John produces) reviewed the material, they saw that Father Fintan’s scenes were essential to the story. Replacing the actor was a possible solution, but they did not have the budget to repeat the shoot. So they chose to generate it artificially.

What makes this recreation technically unique is not only the use of images of the actor at different stages of his life, many contributed directly by his family, but the decision to use his real voice, deteriorated by the tracheotomy that Kilmer had to undergo during cancer treatment. Father Fintan suffers from tuberculosis in the fiction, which turns his altered voice into a character trait. The character generated by AI occupies, according to those responsible, a significant part of the final footage.

Pioneer Kilmer. The curious thing is that Kilmer was one of the first actors to actively resort to AI to preserve his communication skills. In 2021, while working on the documentary ‘Val’, he collaborated with the startup Sonantic to reconstruct your voice from hours of archival recordings. The company had to develop new algorithms (the available material was ten times less than what they used in other projects) and generated more than 40 different models before selecting the most expressive. That work reached the general public in 2022, when Kilmer appeared in ‘Top Gun: Maverick’, in an appearance that was one of the most talked-about moments of the film.

Seal of approval. What distinguishes ‘As Deep as the Grave’ is the consents that support it. The actor’s daughter, Mercedes Kilmer, states that “my father always looked at emerging technologies with optimism, as a tool to expand the possibilities of the story. This spirit is what we honor within this film.” The producers also assure that the film followed the SAG-AFTRA union guidelines and that the actor’s family receives financial compensation.

The environment. This news comes amid constant updates on the topic of AI to generate prototypes of real actors or completely new virtual creatures. In recent months, the Xicoia company launched Tilly Norwooda character entirely generated by AI whom she presented as an actress, and which SAG-AFTRA unambiguously condemned, calling her a direct threat to the profession. Here, however, we have the posthumous realization of a job that the actor himself had accepted. But… what will happen when the technology is accessible to productions without family endorsement? How is compliance with SAG-AFTRA standards monitored in independent productions? Can a case like this normalize practices in less scrupulous hands?

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