If you are interested in catastrophes cinema, you have undoubtedly heard of Roland Emmerich: ‘Tomorrow’ or ‘2012’ until the most recent and hilarious ‘Moonfall’, his Cite has always been synonymous with the joggy and shameless show, as he demonstrated since his beginnings in classics such as ‘Independence Day’, ‘Universal Soldier’ or ‘Stargate’. Now it comes to us To Filmin A film in which Emmerich assumed the role of a producer, but that maintains his vibrant rhythm and his vision of science fiction as a warning about our future: ‘The Colony‘.
The film is directed by Tim Fehlbaum, which was already seen in a similar situation with ‘Hell’, in which a group of survivors had to protect themselves from the solar rays that had ended life on earth. Fehlhaum has also been nominated this year to the Oscar for Best Screenplay for his film about the kidnapping of several Israeli athletes in the 1972 Munich Olympics.
On this occasion, climatic disasters have left the land completely uninhabitable, and the population has had to abandon it. However, on other planets, settlers are not able to reproduce, and a woman returns to earth to discover the cause of that infertility. In our desolate planet you will encounter an explorer with which it concludes that it is time for the settlers to return to the earth. But the few remaining land do not agree that it is a good idea.
Undoubtedly, the most suggestive (and scary) of the film is the vision of the planet, whose surface, After climate change, it has been flooded by immense masses of water. Survivors take refuge in stranded loaders, in an aesthetic that partly reminds the world described in ‘Waterworld’. Not without some visual pessimistic poetry, ‘The Colony’ raises a bleak future, but in which there is space for hope.
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