What harm could a raccoon? Any search surface on the Internet reveals its many aesthetic virtues. They are small, but not too small; hairy, but not in moderation; intelligent, but still simple; handsome, still goofy. The dream of any child, the object of desire of every human passionate about terrestrial mammals
Appearances are often treacherous.
Numerous testimonies and graphic documents support the disruptive nature, in criminal occasionsof raccoons. Its own genes give it away: if its gigantic dark spots around its eyes function as a mask, the raccoon is the caco of nature, an extremely skilled animal, elusive, sagacious in its objectives, diligent in its blows.
They know it well conservation services Madrid. Since the small bug was introduced into the community at the beginning of the last decade, it has spread across three different watersheds. During the last fifteen years more than 800 copiesa modest sample of a probably millennial population.
They have become in a nightmare. Without natural predators (they come from the American continent), they wipe out numerous local species and cause fear among peripheral neighborhoods. The extreme expertise that only millennia of plunder provides is combined with a totalitarian reproductive capacity to dominate virgin lands in a matter of decades. The raccoon is a colonizing weapon perfect.
(Thomas Despeyroux/Unsplash)
We know it today, however. Half a century ago, as in many ways still today, the image of such a friendly animal conquered the hearts of a nation at the other (literal) end of the Western cultural world: Japan.
A counterproductive obsession
Their love-hate story begins in 1963, when American author Sterling North published Rascal: A Memoir of a Better Eraa small children’s story in which he surfs the waves of nostalgia in the company of his domestic raccoon. The work becomes an instant classic, hitting the shelves of thousands of children across the country.
His media epic would enjoy a definitive boost when six years later Disney gained access to the rights to the work. Rascal, the moviewould debut in American theaters during the summer of 1969. Without viewing, the film would contemporize the dazzling success of the friendly raccoon in the United States, and limit its legacy.
Until 1977.
Almost fifteen years after its publication, Nippon Animationa Japanese animation studio, had an idea: how about moving the story of Rascal to the small screen, in a production of 52 episodes intended for family consumption? Overnight, Rascal, its irresistible manga version, conquers hyperbolic Japanese pop culture.
It is difficult to define the impact of the series. Rascal would end up appearing in television advertisements and video games intended a la GameBoyand would cause thousands of Japanese children to want a raccoon in their homes. What harm could the proverbial Rascal do, after all? It was 1977 and Japanese parents had no choice but to shrug their shoulders.
In the blink of an eye Japan started to matter raccoons like there was no tomorrow. The fever reached its peak in the late seventies, when Japanese families acquired the mammalian sibylline at a rate of 1,500 copies for weeks. Suddenly, Japan had placed a Trojan horse perfect in its natural ecosystems. And he had done it driven by an animated series.
And the raccoons took over Japan
The consequences were quickly felt. How do they explain in Atlas Obscuraone of Rascal’s moral readings was the liberation of the animal. Raccoons, after all, are wild animals, and at the end of the day they only want one thing: to flee. The idea fit well into the Japanese cultural world, soon to any symbiosis spiritual between fauna and flora.
Many Japanese parents learned the lesson the hard way: the raccoons had begun to behave like, err, raccoons. Aggressive, destructive and difficult to domesticate, many of them were found where the fable of Rascal entrusted them: in nature. Turned into a nightmare, the series offered a comfortable moral safeguard.
The subsequent history is similar to that of Madrid. Within a handful of years raccoons had spread throughout Japan. At the end of the last decade, its presence was known in no less from 42 prefectures (out of a total of 47). They looted templesthey finished with species natives with similar characteristics (the tanuki) and disrupted numerous ecosystems and crops, generating annual damages worth €300,000.
The Japanese government would not take long to prohibit the importation of raccoons, imposing severe fines on anyone who dared to go to the black market, but the damage would already be irreparable. The raccoon continues to roam freely in the archipelago, and Rascalvery oblivious to the consequences caused by his media enthronement, remains very popular.
The beginning of the end.
Even though the raccoon has sneaked in in many nations of the planet (Germany catches about 25,000 every year), only in Japan does its history rotate around pop mythomanias and animated series.
Its presence is probably irreversible. As this report As Slate illustrates, the raccoon is not only an animal suitable for the countryside: it is also a nearly perfect urban pest. His grasping hands allow him to avoid countless traps, and his particular intelligence causes the policies to stop him to become obsolete in a matter of days.
Cities, in essence, function as a field of military training. Each obstacle posed by public authorities offers valuable learning that always ends up being overcome, and that underpins the adaptability urban of the species. In Toronto, for example, the introduction of famous anti-raccoon garbage containers, supposedly impassable, was revealed useless after two years.
Nothing that the Japanese governments don’t know about. Thank you, Rascal.
Image | Richard Burlton
In Xataka | We have found an ancient bone in Córdoba. Some believe it is part of Hannibal’s war elephants.
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