Siri is just the Trojan horse for Google to infiltrate the entire Apple ecosystem

Apple doesn’t have its own AI, so it has chosen a girlfriend. That girlfriend is none other than Google, which has just signed an agreement with Cupertino to make Gemini the center of future developments. Not one, no. Of many. We thought this was just about Siri. The initial official announcement was brief. Apple would use Gemini, but it seemed that it was going to do so basically to launch its long-awaited version of that personalized Siri governed by a generative AI model at once. It turns out that the agreement is broader. Gemini is Google’s Trojan horse to conquer Apple. Google’s statement revealed that this alliance went beyond what seemed to focus on Siri. In a post on XGoogle stated the following: “Apple and Google have signed a multi-year collaboration agreement that will see the next generation of Apple’s entry-level models based on Gemini models and Google’s cloud technology. These models will help power future Apple Intelligence features, including a more personalized Siri coming this year.” This makes it clear that although the initial protagonist will be Siri, the scope of the agreement can be much more important and affect the entire Apple hardware and software ecosystem. Considering that AI options from Apple Intelligence and Siri will likely reach many of its products and services, Gemini, which will power all of those models, would end up being an integral part of said ecosystem. Collaboration above all. As indicated in The Informationthe agreement allows Apple to ask Google to modify some aspects of how Gemini works, but above all it will allow Apple to adjust Gemini itself so that it responds to requests in the way that Apple prefers. No Gemini branding. Sources close to the negotiations add an interesting fact: it will not be noticed that the AI ​​that we use in Siri and other Apple products is actually based on Gemini. Google’s branding will be blurred, and users will not know what is underneath and what is the engine of those interactions with AI. A more emotional Siri. That source cited in The Information also reveals that Siri will be more approachable and emotional. “Historically Siri has always had difficulty with emotional support,” he explains, but in the Gemini-based version, “Siri will give more complete conversational responses, just like ChatGPT and Gemini.” That, of course, has two sides: AI becomes more “human”, but for vulnerable people that can end up being dangerous. Apple Intelligence will still be there. Although Gemini thus infiltrates the Apple ecosystem, both companies clarified that Apple Intelligence will continue to be available on Apple devices and on the servers of its Private Cloud Compute platform. What is not so clear is that the Apple Intelligence models do not also end up being based on Gemini. Especially since Apple’s “foundational models will be based on Google’s Gemini models.” A priori that should mean internal changes at Apple Intelligence as they adopt Google technology. The new Siri at WWDC? The new version of Siri is expected to be presented in March or April behind him controversial delay which was announced almost a year ago. The new voice assistant will theoretically debut in iOS 26.4, the update that should arrive in those months, but Apple could take the opportunity to announce it at WWDC 2026, two years after that initial announcement that ended up becoming a fiasco: Apple promised things which it has not achieved until now, but Gemini may finally become the solution to that problem. In Xataka | Apple has decided not to enter the AI ​​war because it believes it has something more important: the entry “door”

four months at sea, kilometers of celluloid and a Trojan horse the size of a building

We already have here the first trailer for ‘The Odyssey’ by Christopher Nolan, which, as expected, offers us an adventure that moves away from the environments that the director has frequented until now, but which nevertheless has a good part of the house’s trademarks: musical fanfare, impactful images and dense and solemn atmosphere. a genuine deli for devotees of the director. After releasing a six-minute prologue a week ago Exclusive to 70mm IMAX theaters, this new trailer takes us to the immediate aftermath of the Trojan War: a devastated battlefield where Odysseus, played by Matt Damon, kneels before a fully armored Agamemnon (Benny Safdie) and which some critics have already pointed out as unequivocal proof that historical rigor is clearly not going to be one of the film’s priorities. From there, pure icons of classic adventure: the hero and his soldiers crossing forests, navigating rough seas and entering dark caves. Damon’s voiceover tells that “after years of war, no one could come between my men and home. Not even me.” Significantly, we barely see Odysseus on screen. The trailer gives a good account of Nolan’s visual ambition: we see the Trojan horse being dragged from the sea by hundreds of unsuspecting Trojans, and how the warriors inside the gigantic structure experience it. We see a giant creature at the entrance to a cave, perhaps the cyclops Polyphemus. We see ships suffocatingly tossed about by real waves. An ambitious odyssey ‘The Odyssey’ represents an unprecedented leap in the use of the IMAX format. It is the first film in history shot entirely with IMAX cameras.something Nolan has pursued since he began incorporating the format into action sequences with ‘The Dark Knight’ in 2008. Until ‘Oppenheimer’, technical limitations (excessive noise, prohibitive weight, difficulty capturing dialogue) prevented its continued use. But for ‘The Odyssey’, IMAX developed a new generation of cameras 30% quieter and considerably lighter, making full filming viable. Principal photography lasted 91 days between February and August 2025touring Morocco (Aït Benhaddou to recreate Troy), Greece, Italy, Scotland and Iceland. The most reckless: Nolan spent four months in the open seawith the entire cast rolling on real waves. The budget amounts to $250 million, making it the most expensive film of his career. Nolan explained. that sought to identify absences in contemporary film culture. He concluded that Greek mythology had never received the big-budget Hollywood treatment with full dramatic credibility. Furthermore, he states, The Odyssey by Homer contains elements of horror, mystery, romance and thriller simultaneously. It is not a genre, it is the matrix of all genres. It is clear that Nolan wanted to put the emphasis on the physical: real ships almost submerged in the sea, armies of extras, the Trojan horse… at the moment we do not see the abundant mythological creatures that the story has (the Cyclops, the mermaids, the sorceress Circe), but possibly they have sought to contrast with the realism of the rest of the story. And we still have to see the bulk of the star cast (Zendaya, Robert Pattinson, Charlize Theron, Lupita Nyong’o, Mia Goth…). This Odyssey has only just begun.

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