Toni Urban, Pixel Product Manager, about the Pixel 10a

The new Pixel 10a comes to the fore to compete once again in the mid-range, a territory that over the years has become more ambitious and also more demanding. Each new generation tries to get a little closer to the experience of the top modelsincorporating advances that previously seemed reserved for more expensive devices. However, in this process there is a balance that does not depend only on technology, but on the ability to keep the essence of this segment intact. And it is precisely at that point where Google’s new proposal seems to be located. This balance does not arise in isolation, but from the product development process itself. In order to better understand this approach, we have spoken with Tony UrbanPixel Product Manager at Google, directly involved in this generation. Their answers allow us to contextualize the decisions made in the new Pixel 10a and frame its proposal within the evolution that the range has followed in recent years. Pixel 10a technical sheet GOOGLE PIXEL 10a DIMENSIONS AND WEIGHT 153.9mm x 73.0mm x 9.0mm 183g SCREEN 6.3 inch pOLED Resolution: 1080 x 2424 422 pixels per inch Refresh up to 120 Hz Brightness up to 2,000 nits in HDR Maximum brightness of up to 3,000 nits outdoors Corning Gorilla Glass 7i PROCESSOR Google Tensor G4 Titan M2 Security Coprocessor MEMORY 8GB STORAGE 128GB / 256GB BATTERY and charging 5,100 mAh Wire: 45W Wireless: 10W REAR CAMERAS Major: 48 MP with f/1.7 aperture and 82º field of view Wide angle: 13 MP with f/2.2 aperture and 120º field of view FRONT CAMERA 13 MP with f/2.2 aperture and 96.1º field of view Operating system Android 16 SOUND Dual stereo speakers two microphones CONNECTIVITY Wi-Fi 6E 5G sub 6 GHz Dual SIM (nanoSIM + eSIM) Bluetooth 6 NFC USB-C (USB 2.0) OTHERS IP68 certification On-screen fingerprint reader PRICE 549 euros Pixel 10a, an update that focuses on coherence The Pixel 10a largely maintains the design that was so well received in the previous generation: straight edges with gently rounded corners, a compact format and that feeling of lightness that, when we hold it in our hands, does not give up transmitting solidity. It is when turning it that the most visible changes begin to appear. The rear now adopts a completely flat surface and any trace of relief on the camera module disappearsa discreet adjustment in appearance, but significant within the silent evolution with which Google has been fine-tuning the visual identity of the Pixel family for some time. Behind this iteration there is also a reflection on what those who choose the A series really expect. As Urban tells us, the development has focused on the aspects that these users value most, with photography at the center. “Having a great camera is important for everyone, no matter what budget they have. And we know that at Pixel we do it really well, so being able to take many of those learnings from the Pro range to the A series is something we know how to execute very well.” That same logic explains the commitment to a completely flat rear: “In this generation we were able to do it with a completely flat surface… because we were able to transfer a large part of the physical optics to computational photography in the software layer and in the processor. “You still get the same great photos you’re used to in the Pixel family, but in that nice flat format.” There are decisions that are not explained only from the technical sheet, but from the idea of ​​balance that defines a device. On the Pixel 10a, one of them is the continuity of your processing platform: Google is betting on it again G4 tensioner already present in the Pixel 9aa detail that does not go unnoticed in a newly presented phone. Far from being an isolated gesture, this choice points to a concrete way of understanding the evolution within the mid-range, as our interviewee explains to us. “We had to make tough engineering decisions to maintain that $549 price point, which we’ve maintained for four generations. The chipset is part of that consideration. We knew we could still deliver the best of Google’s AI and the best camera experience with the chip we had; we didn’t feel like we were sacrificing quality, and we still made important improvements.” Beyond that internal decision, the Pixel 10a introduces noticeable advances in everyday use. One of the most obvious appears in the 6.3-inch Actua screen, now capable of reaching up to 3,000 nits of peak brightness and offer better legibility outdoors, accompanied by improvements in connectivity and loading speed that reinforce the feeling of an updated device without altering its position within the mid-range. They are less striking changes than a leap in processor, but which many users can appreciate. This progressive evolution also extends to photography and functions supported by artificial intelligence, two classic pillars of the Pixel family. The camera system arrives practically unchanged in terms of figures, with a 48 MP main sensor accompanied by a 13 MP ultra wide angle. To improve the experience, it relies on functions such as Best Shot, include me either Camera Coach. It remains to be seen, however, how all this balance translates into real use. Sustained performance, temperature management or the behavior of the device on a day-to-day basis will be key to understanding how far this proposal really goes. It will be something that we will analyze in detail in Xataka when we can test it thoroughly. Until then, and at least from what we can see, the Pixel 10a can be a very valid option for those willing to spend 549 euros in exchange for the more direct Google and Android experience within the mid-range. Images | Xataka | Google In Xataka | The CEO of Nothing is clear that we do not need a high-end mobile phone every year. A mix of RAM crisis and common sense

If Spain is hooked today to programs like ‘OT’ or ‘Big Brother’ is due to a single man: Toni Cruz

Toni Cruz’s death last Friday at 78 serves us to radiograph the Current Cathodic Business Status. And above all, it is a reliable evidence that those who were architects of television as we know it are retiring or dying (that is, the one that the first years of the private ones were configured). Although for years it was not in front of the camera, its role has been key in some of the greatest successes of recent years. Great successes. Gestmusic launched, in collaboration with public and private channels, great success programs such as’Operation Triunfo‘,’Big Brother‘ either ‘Martian chronicles‘, being a cross essential part of the design and development of these programs. Little can be added to the founding importance of the three: our primeR talent showour first reality and an unclassifiable but very influential program that reached stratospheric audiences at an impossible schedule. The thing did not end there, and with the passage of time, Gestmusic was generating variants of these primal formats, with successes like ‘Rain of stars’, ‘Your face sounds to me’, ‘You do vouchers’, ‘Do not laugh that it is worse’ or ‘Look who dances!’ Cruz and Mainat ended up selling their part of Gestmusic to Endemol in 2017. The Baron of Bidet. For the general public, Toni Cruz became famous since the end of the sixties and even entered the eighties with the trench, in the company of Josep Maria Mainat and Miquel àngel Pasqual. With them he co -length several successful television programs, such as ‘No Passa Res’ (TV3) and ‘Tariro, Tariro’ (TVE), which led him to a large extent how television worked inside. The next step was clear. Gestmusic arrives. In 1987 the trench published its latest album (‘Marro!’) And created the producer Gestmusic. Its foundation coincided with the arrival of private televisions and the massification of regional and local, and their success catapulted when one of the trio members, Pasqual, left the producer due to health problems and sold its part of Gestmusic to one of the most powerful multinationals in the audiovisual world, the Dutch Endemolcreator of the original ‘Big Brother’ format. Two rode together. In a relatively short period of time, two very relevant proper names have disappeared from the national industry, perhaps those that have best defined the tone and style of mass television of the 21st century. Almost three years ago It was Paolo Vasile, who left his position as CEO of Mediaset. Without it we would not have had a format as influential as’Save me‘, in addition to giving green light to programs produced by Cruz himself, such as’ Big Brother’. Between the two agglutinate (one as creative force, another as necessary administrative work from the most successful channel dome for many years) the mass of headers with the greatest impact in Spain in recent decades. It is no longer just about the success of audience of programs such as ‘Operation Triunfo’ or ‘Big Brother’, but beyond the obvious (these two franchises continue to add editions today), their seal is still very present in current programs of great impact. The legacy. For example, one of the most successful programs today is ‘Your face sounds to me’, which has reached maximum of 25.1% quota: it is the nth variant of the ‘Operation Triunfo’ template (interpretation of pop standards, jury, skill), but with the template of “the contestants are famous”. A template that is lately devouring all competitions and realities… And that Gestmusic also invented with the very thunder and unclassifiable ‘Big Brother’ with Celebrities That was ‘Hotel Glam’. Martian chronicles follow. And not only that: the studied balance of dynamics of order and chaos of ‘Martian chronicles’ continues to be in more harmless formats, such as’El Hormiguero‘(He shares part of his production team with the Sardá program). And, of course, with all kinds of pink information programs, starting with ‘Save Me’, also essential to understand the current television formats. So far, so close. Gestmusic and Vasile gave some of the last chest that the industry has lived, taking into account that many of the current success formats are variations of ‘Big Brother’, ‘Operation Triunfo’. Television has always lived to cannibalize its own hits, so regardless of the issues about its future, what is very clear is that Cruz has been an essential part of understanding television in recent decades, and as we have reached what we have now. Header | RTVE – Gestmusic In Xataka | Thirty years later, there is still an unbeatable television format in Spain: desktop soap operas

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