Faced with the threat of an “orbital Pearl Harbor”, Europe has made the same decision as the US: shield space

The race to militarize space has accelerated to an extent unprecedented since the end of the Cold War. The reasons are several, but the main one is driven by the combination of explicit russian threatscovert sabotage and an international architecture incapable of containing the emergence of atomic weapons out of the atmosphere. The last one to join: Europe. The war in orbit. Moscow not only has reactivated its classic nuclear discourse, but has opened a second front in low Earth orbit through the development of anti-satellite systems equipped with nuclear warheads that openly violate the Outer Space Treaty. In this context, European and North American experts match in which the Kremlin is lowering the threshold for the use of tactical nuclear weapons both on Earth like in spacewhile experimenting with platforms capable of camouflaging orbital bombs designed to disable satellites essential for the economy, defense and communication. Thus, the very idea of ​​a “Space Pearl Harbor” (a nuclear explosion that destroyed thousands of satellites, blinded entire continents and turned low orbit into a radioactive dump for generations) has forced Europe to abandon the romantic vision of an exclusively civil space and enter a new strategic reality which combines deterrence, diplomacy and operational preparedness. The bet of the old continent. This turn has crystallized in a historic decision: For the first time, European Space Agency countries have approved funding a program designed explicitly for military functions. He ERS projectconceived as a “system of systems” equipped with surveillance capabilities, secure navigation, encrypted communications and Earth observation, marks Europe’s entry into the club of actors who recognize that their future security depends both on what happens on the ground and what happens hundreds of kilometers above it. The approved financing (1.2 billion euros with more to come) comes accompanied by an unprecedented political mandate that redefines the concept of “peaceful purposes” at a time when China multiplies its space capabilities and Russia turns orbit into a space hybrid pressure. The magnitude of the support, bordering 100% of what was requestedreflects an internal consensus: without its own capabilities, Europe would be a vulnerable spectator in a conflict that would be decided by the speed and resilience of its satellite constellations. The French and German response. On this new board, France and Germany have assumed a central role both for its industrial capacity and for its newly adopted conviction that the wars of the future will begin (or be decided) in space. Paris has invested 10 billion euros in its new Space Command, oriented to military operations in orbit, to shield satellites against kinetic attacks and to promote an interoperable architecture with NATO. Berlin, for its part, has announced an investment of 35 billion until 2030 to reinforce its own Space Command, develop guardian satellites and equip itself with advanced early warning systems. Both countries have publicly assumed that orbital infrastructure is so critical such as energy or digitaland that any Russian aggression could paralyze not only defense, but European civil society as a whole. National security is no longer decided solely on the eastern land border, but in a three-dimensional environment where the loss of a single satellite node can destabilize entire sectors. Nuclear beyond the atmosphere. Analysts agree that the most feared scenario is not a specific attack against specific satellites, but the detonation of a nuclear charge in orbitcapable of generating devastating electromagnetic pulses and cascading space junk that would render low orbit useless for decades. Historical precedents, such as try Starfish Prime that destroyed a third of existing satellites in the 1960s, serve as a warning of what it would mean to repeat a similar experiment today, with more than 10,000 active satellites. Such an explosion would kill astronauts, destroy global navigation infrastructure, fossilize the digital economy and cause a domino effect that could move the war from space to Earth. Although some experts hold While Moscow would only resort to such action in a scenario of terminal collapse, the mere existence of these capabilities forces Europe to prepare for a type of conflict that would break the traditional limits of deterrence. Political pressure and a new order. Fear of an orbital conflict has reactivated debates on nuclear disarmamentboth in the United States and in Europe, where legislators are promoting initiatives to revitalize multilateral negotiations that have been stagnant for decades. At the same time, ESA has achieved a record budget (22.1 billion euros) that not only finances its transition towards space security, but also promotes scientific and commercial programs, such as reusable rockets, Martian exploration or new astrobiological missions. This growth, supported by Germany, France, Italy and Spain, reflects the strategic convergence between defense, research and technological sovereignty. In the new scenario, Europe seeks not to be a secondary actor in the face of spatial duopolization between the United States and China, but to develop real autonomy that reduces dependence on private platforms like starlink or American systems such as the space interceptors of the Golden Dome. Militarize space. If you also want, the intersection between russian threatsAmerican technological advances and the European strategic awakening marks the beginning of a stage in which the Earth’s orbit is consolidated as the new global scenario military competition. What was once a scientific and commercial domain has become a space where the resilience of entire societies is decided. He ERS projectthe expansion of national space commands and the growing funding of dual capabilities make up a defense ecosystem that seeks to avoid a conflict that no one wants to imagine. And in that scenario, Europe seems to have understood that the only way to deter orbital escalation is to demonstrate that it has the same means to resist it, respond to it and recover. Image | RawPixelESA/Mlabspace In Xataka | The US wants to build an unprecedented anti-missile shield called “Golden Dome.” And SpaceX has the ideal technology In Xataka | Space solar never worked. A military escalation in orbit is making it a reality

Queen Sofia, pure elegance with a beaded dress and Kasumiga pearl necklace

The queen sofia was outlined yesterday, Friday, January 24, as the most absolute protagonist of the day. The mother of Felipe VI moved to the French capital to preside over the commemorative ceremony that took place on the occasion of the 150th anniversary of the inauguration of the Palais Garnier. Doña Sofía did not want to miss this significant event in the historic headquarters of the Parisian operaalso coinciding with the city’s Fashion Week. The attendance of this cultural enthusiast comes after, last Tuesday, she led the Stradivarius for Dana charity event, at the Teatro Real in Madrid, a space in which she conquered with a style consisting of a two-piece set in brocade floral and satin. © Getty Images Queen Sofia was received by the president of the Paris Opera, Alexander Neef; by the director of the ballet of the institution in question, José Carlos Martínez; and the Spanish ambassador to France, Victorio Redondo Baldrich. A doubly special evening, due to the meticulous attention to detail of the event itself and because it is a building whose inauguration took place on January 5, 1875 under the presence of Queen Elizabeth IImother of Alfonso XII and great-great-grandmother of Juan Carlos I. At the meeting, Doña Sofía captivated again with her choice of clothing. © Getty Images © GTRES The exclusive dress with which Queen Sofia starred in the evening Queen Sofia dressed in a long dress bathed in electric blue. A long-sleeved body design with a wrap-around neckline and a skirt with great movement. It is a Customized clothing made by the Spanish creative Alejandro de Miguelfavorite seal of the mother of Felipe VI, whom he already trusted, for example, for the wedding of Theodora of Greece, his niece. We talked about a piece that stood out from the other guests for being decorated, throughout it, with rhinestones and sequins of different sizes in metallic shades. Likewise, he decorated his outfit with the addition of a recycled floral broocha Christmas Rose of mother-of-pearl, gold and diamonds from Van Cleef & Arpels jewelry. © Getty Images © Getty Images The historic jewelry with which ‘made in Spain’ design was elevated As far as accessories are concerned, Queen Sofía culminated her impeccable proposal with a midnight blue cape to protect against low temperatures with exquisite taste, golden footwear with rounded toes and clutch with glitter. As far as jewelry is concerned, Doña Sofía wore her Kasumiga pearls, in a triple row necklace format (which Used in 2013 at the presentation of the Reina Sofía Institute medal to Hillary Clinton and Antonio Banderas) and pendant earrings, from the Quirós de Oviedo house. © GTRES © Getty Images

La Perla arrives in LA with its vibrant rhythmic, feminine and combative fusion

It doesn’t seem to be a coincidence. In recent weeks, we have announced the different avant-garde cumbiera groups that have been visiting Southern California, which seems to indicate the existence of a renewal movement that is not limited to a single Latin American country. And although Son Rompe Pera -who performed at Alex’s Bar in Long Beach after passing through Coachella-, Black Rooster Sound -which was presented at the same Alex’s on December 31- and Karen and The Remedies -which was at the Lodge Room on January 18- came to our shores representing Mexico City, what is coming from the same musical side tips the balance towards the original territory of the genre, that is, the Colombian nation. The most immediate corresponds to the show that will be offered on March 9 at The Echo (1822 W Sunset Blvd., Los Angeles, CA 90026), and which will be headed by La Perla, a Bogota combo made up of Karen Forero, Giovanna Mogollón and Diana Sanmiguel who, despite respecting traditions, has chosen to combine them with modern contributions that reflect her own identity. Placing themselves within the topic of “new Colombian music,” the members of the combo claim to have been in contact for a long period of time with the teachers of the school they practice through the informal folklore meetings that take place in their city, and which are usually called “wheels”. After winning the prize for the amateur category at the National Bagpipe Festival that takes place on the Colombian coast thanks to the interpretation of classical pieces, and having thus become the second all-female band to triumph in the prestigious contest, Forero , Mogollon and Sanmiguel began to create their own songs, maintaining the percussion format (using drums and seeds) and adding elements of hip-hop and beatboxing. The preparation was long, but finally, in 2022, after publishing several singles, they managed to release their first album, “Callejera”, which also includes contributions from merengue and champeta, and which, unlike cuts of rural origin, cater to urban themes that, in many cases, are connected to social interests worthy of consideration. Another photo of the band. (Maria Alejandra Villamizar) That is the case of “Bruja”, which achieved notoriety after being included in the Netflix original series “Siempre Bruja” (“Always a Witch”), and which seems to speak of the unfair persecution suffered by women who have decided challenge conventional norms; from “El Sol”, which is dedicated to the farmers who are experiencing hardships in our countries, and from “La Selva”, which demands the respect that the Amazon deserves. It is, in the end, a proposal that is as vibrant on the rhythmic and vocal level as it is combative on the level of messages, and that you will be able to appreciate live if you attend the aforementioned concert by The Echo, where the three Bogota natives will share the stage with Susobrino, an electronic artist and DJ of Bolivian descent who appeals to the sounds of his ancestors in order to generate a unique style. The next visit to the coffee country that is going down similar paths is that of Los Piranas, the celebrated instrumental supergroup made up of Eblis Alvarez (from Meridian Brothers), Mario Galeano (from Frente Cumbiero and Ondatrópica) and Pedro Ojeda (from Romperayo and Sidestepper). This presentation will take place on April 11 at The Lodge Room (104 N Ave 56, 2nd floor, Los Angeles, CA 90042), and there will be an opportunity to talk about it in more detail.

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