Santander and BBVA co-finance Netflix’s cash offer with 3.8 billion

Santander and BBVA have doubled their financing to Netflix to $3.8 billion to support the acquisition of Warner Bros. for $27.75 per share in cash. The Spanish bank is thus positioned as a key actor in the most significant consolidation operation for the global audiovisual sector, in the midst of a battle to reconfigure the streaming market. How it works. The financial structure rests on a trio of international banks. Wells Fargo leads the credit union with the highest documented individual commitment for an investment grade acquisition, accompanied by the French BNP Paribas and the British HSBC. Between the three of them they have extended the initial bridge loan up to 42.2 billion dollars. What do the Spanish do? In this context, Santander commits to 2,672 million dollars divided into two blocks: 1,360 million in the bridge loan and 1,312 million in the long-term financing agreed in December. BBVA, for its part, offers 1,088 million: 510 million in the transitional loan and 578 million in the permanent lines. Other entities. Along with the Spanish entities, there are the French Société Générale, the German Commerzbank, the Canadians RBC, Banco de Montreal and Scotiabank, the Japanese Mizuho and MUFG, as well as Morgan Stanley, PNC Bank and Standard Chartered. The union brings together fifteen institutions that share the risk of an operation without comparable precedents in the recent history of the audiovisual industry. The Spanish participation, although secondary compared to Wells Fargo, BNP Paribas and HSBC, consolidates the presence of both entities in the corporate financing segment in the US. Seeking internationalization. The presence of Santander and BBVA in financing Netflix illustrates the internationalization strategy of both entities in large-scale operations linked to technology and media. For example, Santander announced in December 2025 a strategic alliance with MoffettNathanson to strengthen its sector analysis in technology, media and telecommunications (TMT) in the United States. and BBVA closed 2024 with record revenue of 3,194 million euros in the first half of 2025, driven by investment banking and corporate financing operations. All in cash. On January 20, Netflix modified the initial structure of its offer for the purchase, which combined money and shares of the platform. Now, Netflix values ​​the operation at 83,000 million dollars through an all-cash offer of $27.75 per share. Paramount, meanwhile, maintains a hostile offer of 108 billion dollars at $30 per share. Netflix wants exclusively the movie studios and HBO Max, excluding the cable TV business. This division will create an independent company, Discovery Global, which will be listed on the stock exchange and whose shares will be delivered to current Warner shareholders. When will we know something? Warner’s board of directors has rejected Paramount’s proposal eight times, calling it “insufficient value”. Netflix’s offer, on the other hand, has the unanimous support of Warner management. Shareholders must vote by April 2026, according to the accelerated schedule following the conversion of Netflix’s proposal to cash. In Xataka | All the unanswered questions left by Netflix’s purchase of Warner: a huge mess

All the unanswered questions left by Netflix’s purchase of Warner: a huge mess

After a few weeks of three-way negotiations, it is finally Netflix that has won, with $82.7 billion ahead, take over Warner Bros.. Which includes, of course, HBO Max, but also the entire production arm of the veteran company, one of the few majors classics that remain in Hollywood. However, the purchase is of such importance that a multitude of questions arise, many of them still unanswered. This is everything we know (and don’t know) about this absolute revolution in the world of streaming. What we do know. Netflix and Warner Bros. Discovery have announced an agreement that radically transforms the entertainment industry. The operation, which is expected to close between the end of 2026 and the beginning of 2027, unites the streaming giant and its more than 300 million subscribers with one of Hollywood’s most legendary film studios, founded more than a century ago. For now, Netflix must wait for CNN and Discovery to finish separating from what was their parent company. And now, the doubts. What will happen to Warner’s classic IPs and franchises? Netflix takes over a trove of intellectual property that includes the DC universe‘harry potter‘, ‘game of thrones‘, Looney Tunes, Scooby-Doo and the distribution rights to franchises such as ‘Dune‘ or the Monsterverse. It also acquires film classics such as ‘The Wizard of Oz’, ‘Casablanca’ and ‘Citizen Kane’, as well as emblematic HBO series such as ‘The Sopranos’, ‘The Wire’ and others close to the platform such as ‘Friends’. Netflix will most likely keep these franchises active and continue them. The company has stated in its statement that these IPs will allow “creating greater value for talent, offering more opportunities to work with successful intellectual property.” The big advantage for consumers is certainty: One of the fiercest criticisms of Warner Bros. Discovery under David Zaslav was the removal of content from HBO Max for tax reasons. Netflix has opposite incentives. Who knows…and if we get to see ‘Batgirl’? What has Netflix not bought and what Warner divisions and businesses are not included in the purchase? The deal completely excludes Warner Bros. Discovery’s global networks division, which will be spun off into a new company called Discovery Global. This spin-off has been planned since June 2025 and will be completed in the third quarter of 2026, before Netflix can close the acquisition, and includes assets such as CNN, TNT Sports in the United States, all Discovery channels (Discovery Channel, HGTV, Food Network, TBS, TruTV), the main free-to-air television channels in Europe, the Discovery+ streaming platform and Bleacher Report. This split makes strategic sense: Netflix has never shown interest in the traditional linear channel business, which is in structural decline. In fact, revenue from Warner Bros.’ cable television division. fell 23% in the last reported quarter. Netflix stays with what really interests it: production studios, content libraries and HBO Max. Are HBO Max prices going to rise? The most immediate answer is that most likely yes, although not immediately. Netflix has a documented history of regular increases: Since 2017, the platform has raised its rates by approx. every 18 months. The most recent one occurred in January 2025. However, the arrival of HBO Max changes the equation. When Disney acquired Fox in 2019 for 71 billion, Disney+ increased its price by 129% between 2019 and 2025. We must not be naive: with 302 million global subscribers after acquiring the 128 million of HBO Max, Netflix would exceed 420 million, a huge base where small increases will generate billions of dollars in additional income. Our bet: a single premium price between 20 and 25 dollars/euros per month by 2027, when the deal is underway. What does Netflix get apart from the catalog? Beyond content libraries, Netflix acquires monumental physical and operational infrastructure. You get the historic Warner Bros. Studios in Burbank, California, a production facility that has been operational since the 1920s and includes multiple sets and top-of-the-line technical equipment. The company has emphasized that this will allow them to “significantly expand American production capacity.” Perhaps most transformative is the global theatrical distribution apparatus. Warner Bros. has deals with networks around the world, a network that Netflix has never fully developed. Netflix will inherit “a global distribution apparatus” which includes contracts, commercial relationships and an army of professionals: human teams made up of executives and creatives with decades of experience. Will you take advantage of it? Netflix has promised maintain “Warner Bros.’ current operations, including theatrical releases for films,” but frankly, and seeing Netflix’s relationship with theaters in recent years, there is reasonable room for skepticism. How is Netflix’s presence on HBO going to be creatively noticed? Speculative territory, but we can reason from the corporate cultures of each platform. HBO built its reputation through a creative process where pre-production is vital, with constant rewrites and only the best series receiving the green light. A meticulousness that has historically paid off, for example, at the Emmys. Netflix is ​​just the opposite: it renews and cancels without stopping, trying many things and sticking with what works. Possibly we will see a hybridization where HBO maintains its distinctive seal of quality, less fast food than Netflix, but accelerating production rates. As a curious note, in the presentation in London to which We attended just a couple of days ago The current CEO of HBO, Casey Bloys, highlighted the differences in creative approaches with Netflix as one of its strengths. Maybe everything will change from now on. What legal problems may arise for the purchase? The regulatory hurdles are substantial. The combined entity would exceed 420 million global subscribers, giving it more than 30% of the streaming market, a threshold traditionally considered problematic in US antitrust law. Republican Representative Darrell Issa warned this month that Netflix already possesses “unmatched market power” and that adding HBO Max “could result in harm to consumers.” Senator Mike Lee was more forceful, declaring in X that this transaction “raises serious competition issues, perhaps more so than any transaction I have seen in a decade.” Netflix … Read more

Netflix’s commitment to its Christmas fireplaces is such that it physically records them and already has several themed ones

It’s not Christmas until they turn on the lights in Vigountil Mariah Carey doesn’t give us permission and until the Netflix fireplaces. What began, in other formats and on other channels, as a programming filler in a difficult time for small channels, has today become a powerful promotional tool. Let’s see what we warm up to this year. This Christmas. Netflix premieres today three hour-long virtual fireplaces set in the universes of ‘Stranger Things‘, ‘Wednesday‘ and ‘The k-pop warriors‘. Three digital chimneys that recreate iconic scenes from the platform’s three indisputable last bombs. A maneuver whose origins at Netflix date back to 2013, when they created ‘Fireplace For Your Home’, a three-hour loop that accumulated millions of views. What started as an alternative for homes without a real fireplace evolved into a holiday tradition. Differentiated experiences. Each of the fireplaces has its particularities, and even, in an attempt to expand the possibilities of the format, Easter eggs. The one from ‘Stranger Things’ includes the iconic wall with the illuminated alphabet that Joyce used to communicate with Will in the first season. There are six easter eggs hidden, from Demogorgons to Steve Harrington’s spiked bat. Particularities. In ‘Wednesday’, the scene is in Principal Weems’ office inside Nevermore Academy. Thing makes a surprise appearance, and all with the series’ original soundtrack. In ‘The K-pop Warriors’ we go to the lair of the demon Gwi-Ma, where the Saja Boys perform their most recognizable song. There will be instrumental versions of songs from the movies, so that the fireplace takes on an authentic karaoke tone. How it was done. Netflix’s Product and Design teams developed these virtual fireplaces with a level of detail unusual for content of this type. According to what they tell us from the platform, the process included recordings in real physical settings instead of depending exclusively on digital effects. According to Netflix, it collaborated with the showrunners of each series to guarantee fidelity to the original narrative universes. Later, digital artists integrated fantastic elements such as the Demogorgons or the violet flames characteristic of the ‘Wednesday’ universe. Therefore, except for these special effects, the fireplace props are authentic, coming from the original sets or recreated with the intention of maintaining aesthetic continuity. Fireplace: Origins. These fireplaces recover a television tradition created in 1970 by the New York network WPIX-TV, which broadcast a virtual fireplace for the first time on December 24 as a Christmas greeting. That 17-second loop, filmed at the New York mayor’s residence with music by Nat King Cole, also allowed the canal workers to celebrate Christmas Eve with their families. After disappearing in the nineties, it returned by popular demand, spawning imitators that marketed VHS and DVD-ROM versions for decades. In Xataka | There is a reason why Vigo is announcing its Christmas in Japan. And it has little to do with Japanese tourists

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