elevator

For many years, the Mediterranean horizon was the canvas on which Spain projected its most audacious ambitions, including some extremely difficult to catalog. In times of prosperity, the sky seemed limitless. Then, each silhouette in height began to count a different story about risk, pride and collective memory. The vertical dream born of euphoria. He Intempo building started to get up in 2006at the exact moment when credit was flowing without brakes and Benidorm continued to feed its obsession with growing towards the sky as if there were no tomorrow. We are talking about two tower-shaped monsters of almost 200 meters joined by a golden diamond, a hyperbolic architecture that promised mark an era and become the new icon of the Mediterranean “Beniyork”. The project was born with generous financing from a Galician box and with a ridiculous social capital compared to the magnitude of the work, a disproportion (and a nonsense) that today sums up better than anything the climate of that Spain that believed that the cranes would never stop turning. From the symbol of the future to the monument to the bubble. But the crisis of 2008 changed the script suddenly. The loan skyrocketed above 100 million, the financial institution went bankrupt and the debt ended in hands of the Sarebthe bad bank. The works were paralyzed, the developer entered into internal conflict and the building was left with its structure practically finished but trapped in a legal and financial limbo. For years, his shadow threatened to add to that long list of phantom monsters, in fact, it was the golden skeleton that dominated the Poniente beach, a mass visible for kilometers that summarized the collapse of a model economical based on brick and easy financing. The reality was worse than the myth. Then came the stories and legends, one turned into a meme and repeated a hundred times even in media reference. It happens that, it is not that in the tallest residential skyscraper in Spain they forgot the elevator shaft, it is that the reality it was much worse. The work accumulated erratic decisions, changes in construction, salary delays, serious accidents and chaotic management in which floors were concreted without having definitive plans for the upper ones. The project was at 93% with 100% of the loan consumed, there was physical risk due to the deterioration of the structure and a bankruptcy of creditors that left the fate of the giant in the hands of judicial administrators and investment funds. The problem was not a cartoonish technical detail, but rather a chain of incompetence, financial strain and poor planning that jeopardized the building’s entire viability. The elevator hoax that went around the world. Impossible to ignore it. The story that the architects “forgot the elevator shaft” was born of an ambiguous phrase and it became the perfect headline summer 2013. The image was irresistible: a skyscraper of almost 200 meters incapable of climbing its own neighbors. However, elevators existed, of course, and They worked and were planned in the plans. The photographs and subsequent media visits clearly demonstrated. It didn’t matter, the hoax was amplified in international media that they added layers fiction, from cables that didn’t fit to impossible redesigns. That anecdote overshadowed what was truly relevant: the problem was never technical, it was structural in business and financial terms. Rescue, redesign and change of owners. Years passed, and the bad bank promoted the necessary competition to prevent the tower from deteriorating and facilitated liquidity to complete the work. Later, an investment fund acquired the assetremodeled interiors that had become obsolete and corrected questionable decisions, such as hideous finishes that obscured the homes or layouts that did not take advantage of the sea views. Finally, the top diamond was reconfigured to offer more attractive apartments and the complex was relaunched, now as a luxury residential with thousands of square meters of common areas, hotel services and international marketing. From ghost to icon. Thus, and after more than a decade of delays, the Intempo residential skyscraper finally opened its doors and began to hand out the keys to his first clients. In total, 256 homes, 11 elevatorscomplete technical plants and a structure that rested on piles designed to support both towers. From that moment on, the colossus stopped being a simple media skeleton and became a building with neighbors and real activity. Its golden silhouette left behind the stories to keep you awake, it no longer represented only the bubble and failure, but also the resilience of a city that had made verticality its hallmark. That is why it is worth saying it once again: Intempo was not the skyscraper that forgot the elevator, it was the skyscraper that survived its own time. Image | Enrique Domingo, Diego Delso, Tim Rawle In Xataka | Matalascañas is an example of a major architectural failure: thinking that the beach of your childhood was going to be how you remember it. In Xataka | Parking lots were the goose that laid the golden eggs for bricks in Spain. Until someone created the tomb of Las Teresitas