The human voice loses ground and automatic dubbing with AI makes its way between creators

Artificial intelligence (AI) continues to gain space in unthinkable sectors just a few years ago. What began revolutionizing software development is now leaving a mark on very different fields. The phenomenon of ‘Vibe Coding‘, a new way of programming based on Prompts In natural language, without writing code as such, the rules of development are changing. At the same time, tools such as Dall · e of OpenAi or Adobe Firefly They are redefining visual creation, allowing generating images and videos from textual descriptions. And now, AI also reaches voice professionals. For a few months, YouTube allows some creators to use automatic dubbing through AI. This function, which is being deployed progressively, is now available for all members of the YouTube Partner Programa system that allows creators to monetize their contents on the platform. Thanks to this tool, videos can reach global audiences more easily, as an alternative to traditional dubbing and postproduction processes. An activated function by default. One of the most striking changes is that this function is activated by default: if you upload an English video, YouTube will automatically double it in several languages, including Spanish, French, German, Hindi, Indonesian, Italian, Japanese and Portuguese. If the video is in any of those languages, an English version will be generated. The objective, according to the company, is to “break the barriers of the language.” But if the creator prefers not to use this function, it can deactivate it following concrete steps: enter YouTube Studio from the computer and follow this route: Configuration > Subsequent adjustments > Advanced configuration. There you have to uncheck the ‘allow automatic dubbing’ box and click on store. The management of this function, in addition, can only be done from YouTube Studio on a computer, and allows you to even manually review dubbing before publishing them if you want greater control of the result. YouTube admits that technology still has improvement margin. Translations may not be exact and the generated voice may not faithfully represent the author. In fact, the company itself recognizes that intonation, emotional tone and certain cultural nuances do not always move correctly. The basis of this function is in the technology of Google Deepmind And Google Translate, but even with that background infrastructure, not all videos can be folded successfully. Factors such as the original accent, the background noise, the use of jargon or even proper names can affect the quality of dubbing. A video with automatic YouTube dubbing To know if a video is bent with AI, it is enough to look for the “auto-dubbed” label. It is also possible to change audio track from the player’s menu, through the gear icon in the lower right corner. The language adapts to that the user has configured as preferential, which makes the experience, in many cases, more transparent. We can see the active function in this example video. The prelude: real dubbing with professional actors. YouTube had already taken previous steps in this direction. With the function “Add audio track“, Some creators like Mrbeast They began to offer versions of their videos in several languages using professional voice actors. He even counted With the dubbing actress that plays Naruto in his videos in Japanese. This strategy, focused on expanding the scope of the content without losing interpretive quality, allowed many of these videos to reach new audiences. Mrbeast has not been the only. According to YouTube datathe videos that offered versions in several languages ​​made more than 15% of the visualization time come from audiences that saw the content in a language other than the original. In January 2023, users came to consume more than 2 million hours of folded content every day. And that only with the initial tests. The extension of this function to all members of the Partner Program is contributing to the growth of the use of voices generated by artificial intelligence on the platform. This raises questions about how this technology will be integrated into the professional dubbing ecosystem. Some creators could opt for this automatic alternative in certain types of content, especially in informative or structured pieces. However, in other formats where vocal interpretation provides key nuances, the role of dubbing professionals remains a difficult element to replace. Development continues, and the balance between technology and creativity is still evolving. Images | Lorenzi | YouTube screen capture In Xataka | Two students created an AI to “cheat” in work interviews: they have rewarded them with 5.3 million dollars

Now its creators want to carry the innovative concept much further

When someone steps on the Vegas for the first time, it is wrapped by a dazzling show: sources that dance to the rhythm of music, imposing structures and a frenzy that it never seems to go out. But beyond the casinos and bets, there are corners that offer a difficult experience: viewpoints that challenge the vertigo, museums that unravel their history and shows that lead entertainment to another level. A giant screen in the middle of the desert. The Sphere is not just an auditorium, but a monumental structure Designed to offer shows in a completely new way. Its most striking feature is its double LED screens system, which covers both the interior and outside of the building. Inside, the enclosure is equipped with a 15,000 square meter LED screen, an enveloping surface that allows the space to be transformed into any imaginable scenario, from a starry sky to a futuristic city. Outside, the building’s exosphere has an even larger LED screen, 54,000 square meters. Both were designed by Saco Technologies, a Canadian company specialized in LED video screens and lighting. U2 at the inauguration of The Sphere Since its inauguration in September 2023 with a U2 concertThe Sphere has attracted attention both for its size and its technological deployment. During the day, the structure shows great distance images, and at night, its interior houses shows designed to take advantage of its enveloping screen. With capacity for 20,000 people, its format is rare in the entertainment industry. The cost of costs. Developing such a project was not cheap. The Sphere’s initial budget was 1.2 billion dollars, But it ended up costing 2.3 billionalmost twice as planned. To that we must add another problem: not any artist can play there. Unlike a stadium or conventional theater, a show in The Sphere requires audiovisual content specifically designed for its screens. This implies an additional investment in production, which limits the number of events. The Sphere de Las Vegas in full construction With these costs in mind, replicating the model in other cities seems complicated. Few companies or governments would be willing to assume such a high investment without guaranteeing money. However, Sphere Entertainment believes having found a solution. The commitment to smaller versions. To make the most viable model, the company has announced the development of smaller versions of The Sphere. According to Av MagazineSphere Entertainment revealed in a call with investors that works in ‘Mini-Spheres’ with capacity for 5,000 people. These versions will reduce both construction costs and show production, maintaining the immersive experience of the original enclosure. It has not yet been confirmed in which cities these new enclosures will be built, but the possibility that some are located outside the United States is real. Abu Dhabi, in fact, It will be the first In having a large -scale version, although it still remains to be seen when the project will materialize. In any case, The Sphere makes it clear that immersive entertainment has potential, but its expansion will depend on whether the company manages to make its model sustainable without the costs making it unfeasible. Images | SOUNDERBRUCE | LISETTE ( CC by-SA 4.0) | Sphere At The Venetian Resort (Instagram) In Xataka | A man has climbed the top of The Sphere in Las Vegas. No one knows how he got it

We spoke with the creators of ALIA, the 100% Spanish AI, to understand its future

This Monday it was announced release of ALIA language models. The initiative has been in development for years and it is now that the first fruits are beginning to be seen, still modest, but promising. To learn more details about ALIA, at Xataka we have spoken with Martha Villegas (@MartaVillegasM), head of the Language Technologies Unit of the Barcelona Supercomputing Center (BSC). This has allowed us to clarify the status of the project, its objectives and its next challenges. To compete with ChatGPT, nothing The first thing we wanted to know is how ALIA had been created, and here Marta Villegas clarified that the model is based on the Llama architecture – Meta’s Open Source model –, “but the model has been trained from scratch and with zero initial weights“. This is important because ALIA is not a Llama-based model that has undergone a refinement or “fine-tuning” process. In those cases, this expert explained, “you start from a model trained with other data and with initialized weights, and you do it to adapt that model to your needs, either because you have more data and you want it to be better or because perhaps you want to adapt it to a particular domain. But here, he told us, “the vocabulary (set of tokens) is completely different.” In other models the corpus or training data set may be mostly in English, which causes the set of admissible tokens to be calculated through English. That, Villegas indicates, would make it adapt less efficiently to other languages. That is precisely what has been sought with ALIA: reduce the relevance of English to increase the number of 35 languages ​​of the European Union and, especially, Spanish, Catalan, Basque and Galician. How ALIA has been trained The ALIA training process began with some experiments in April 2024. It is necessary because as Villegas explained, “training is not pressing the button after feeding the data and that’s it.” It had to be taken into account that MareNostrum 5the supercomputer located at and managed by the BSC, had just come into operation at full power and there was high demand to use it. MareNostrum 5 In this training process, the ALIA project has had gradual availability of the computing capacity of MareNostrum 5. Although for a short period of time they had access to 512 of the 1,120 specialized nodes of the supercomputer, 256 nodes were used for many months and since September They are using 128 nodes, “which is a lot,” Villegas highlights. During the training process, he told us, there are so-called “checkpoints”, in which it is possible to evaluate how the training process is going. These “pauses” also allow certain training data to be updated, as in fact happened in that process in which at a given moment they introduced a new corpus with high quality that allowed them to replace some data they had. This is just the beginning: it’s time to “instruct” and “align” ALIA Villegas explained to us that ALIA is a foundational model: it is not prepared to be an alternative to ChatGPT. The latter is based on GPT-4, a much more ambitious foundational model that involved much more investment. Here we must differentiate the foundational model from the “educated” and “aligned” models with which we usually interact. As this expert told us, “ALIA-40b is a foundational model that is not instructed or aligned. For a model to be a ChatGPT and understand the conversation and have a certain memory and be “politically correct,” the foundational model (which only learns to say the next token) is “instructed” by passing a bunch of texts.” Even so, the goal is to gradually consider these options. “In March, the instructed version of ALIA-40b is expected to be launched, with a first set of open instructions,” Villegas told us. These instructions are going to be subcontracted – the ones that allow these models to be instructed – and a million euros are going to be invested in that set of instructions from scratch. This data will also be published so that it is available to institutions and developers: if it has been paid with public money, explains Villegas, it is logical that this data will also be public, something that does not usually happen with other AI models from private companies. While training AI models provides guidance on how to respond and defines the context and purpose of those responses, alignment solves problems such as avoid discriminatory biasprevent misinformation or protect privacy. Precisely this lack of alignment means that using these models in this initial phase can produce responses with errors and biases that are precisely mitigated to a great extent with this alignment phase. ALIA and the competition: it is neither a rival of ChatGPT nor does it intend to be In fact, Villegas highlights, “the objective is not to compete with ChatGPT, for that we would need 5 billion dollars.” ALIA-40b “is a good model, and a chatbot can be made in the future because the intention is to instruct and align it, but that will take time.” Within the ALIA family we have the Salamandra models (2b and 7b), smaller and more modest but which already have first instructed versions. Its performance and capacity still have room for improvement, but they are good starting points for the future. It was inevitable to ask how ALIA then intends to compete with other models, both closed and developed by private companies and Open Source models. For her “There is a demand for intermediate models that each person can then adapt to their specific use case, not everyone can use ChatGPT for reasons such as privacy or use case.” Villegas also wanted to highlight how these smaller models can have exceptional performance in specific tasks, and can work at levels of security and not sharing important data. The objective is not to compete with ChatGPT, for that we would need 5,000 million dollars Not only that, he reveals: “we also took out the … Read more

Meta is paying content creators up to $50,000 a month to post more on Instagram and Facebook

Meta Platforms, the parent company of Facebook and Instagram, is implementing a Aggressive strategy to attract top TikTok content creators. According to recent reports, the company is offering payments of up to $50,000 per month to those who commit to actively publishing on its platforms. This movement seeks to consolidate Instagram and Facebook as attractive destinations for creators and their followers. The initiative arises in the middle of a fierce competition in the social media marketwhere platforms fight to capture users’ attention through exclusive, high-quality content. Meta, aware of the popularity of TikTok, seeks to attract the most influential creators of this platform to strengthen its offer and gain ground in a highly competitive sector. The context of uncertainty for TikTok Meta’s offer is developed in a complicated scenario for TikTokespecially in the United States, where the platform faces political and regulatory pressures that could put its operation at risk. Joe Biden’s administration passed a law forcing ByteDance, its parent company, to sell US operations from TikTok by January 19, 2025 or face an outright ban. This panorama has generated concern among content creators, who have begun to look for alternatives to ensure the continuity of their work. The uncertainty is also motivating many users to explore options on other platforms. In addition to Meta, other apps like Lemon8, Clapper, and Fanbase have emerged as potential havens for creators who want to diversify their channels and avoid relying exclusively on TikTok. However, Meta stands out for its ability to offer a massive user base, advanced tools, and now, substantial financial incentives. Meta seeks to lead with an aggressive strategy By offering up to $50,000 per month, Meta not only aims to attract creators, but also position itself as a reliable and stable option in the social media market. This approach aims to capitalize on the possible weakness of TikTok and strengthen the presence of Instagram and Facebook as competitive platforms. For creators, these types of incentives represent a unique monetization opportunity, especially in an environment where the rules for generating income on social networks can change rapidly. However, Meta’s strategy faces challenges, such as the need to ensure that creators can maintain and expand their audiences, as well as offering them tools that make it easier to engage with and monetize their content. With this maneuver, Meta is not only trying to gain ground against TikTok, but also position itself as the undisputed leader in the digital ecosystemattracting both creators and their followers with a comprehensive offer that combines visibility, stability and financial rewards. Keep reading: – “No one should go through this”: Mark Zuckerberg apologizes to families of children who have suffered harm due to social networks– TikTok Ban in US: Do VPNs Work to Maintain Access?– TikTok loses legal battle against law that seeks to prevent its operation in the US

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