The cardinals have given themselves a last feast before the conclave. The menu that began in 1274 can last too long

He conclave that will take the cardinals to the election of the new Pope can be eternalized. The story, as we will see below, is full of examples that give us an idea of ​​what can happen when those doors are closed. To get an idea, the meeting that ended with the announcement of Gregorio X took Almost three yearsso much that they even removed the roof to Encourage them To make a decision. In that context, the menu in food can be made very heavy. What do future potatoes eat. For more than 750 years, foods served during papal conclaves have been subject to strict rules seeking to preserve the Absolute confidentiality of the choice process. What at first glance may seem like a lower logistics detail (feeding 135 cardinals for days, weeks or years of confinement) is, in fact, a part deeply ritualized and guarded of the most secret event of the Catholic Church. The food, like the word, can communicate, and it is precisely that potential that has motivated a system of almost obsessive control It prevents, for example, that closed cakes, whole chickens or drinks in opaque containers are served. In past times, an empanada could hide an encrypted message or a dirty napkin could bring news abroad. Today, concerns focus more on electronic devices, but the logic of surveillance It remains intact. What the cardinals eat, how they eat it and who is still part of a complex symbolic and practical framework that protects the White smoke mystery. Millenary tradition. The BBC counted That the origin of these restrictions dates back to 1274, when Pope Gregory X, after suffering in his own flesh the longest conclave in history (1268–1271), It imposed severe norms to avoid stagnations: absolute isolation and progressive rationing. If after three days there was no consensus, the cardinals would receive only one meal a day, and after eight, only bread and water. Although these rules softened in the fourteenth century, with Clemente VI Authorizing three -stroke meals, the essence of control remained. The food ceased to be a privilege and became part of the confinement ritual. During the Renaissance, the famous chef Bartolomeo Scappi (considered the first media chef in history) described in detail the CULINARY PROTOCOL OF CONCLAVE that chose the Pope July III: Meals Transported by shifts raffled, reviewed by tasters, delivered through a RUOTA (A kind of mural tourniquet that prevented visual contact between chefs and cardinals) and supervised by the Swiss and Italian guard. Nothing was left to chance: food was simple but abundant, and napkins, inspected one by one. The Sistine Chapel, the place where the conclave is celebrated Austera meals. In contrast to the Renaissance sophistication described by SCAPPI (salads, fruits, charcuterie, wine and fresh water, all served in private cells decorated with silk), the current church has opted for a Freekness messageaccording to Pope’s style Francisco. For the conclave that begins on May 7, they will be the nuns of the Domus Sanctae Marthae Those who prepare simple dishes of Lazio’s kitchen and Abruzzo: minestrone, spaghetti, arrosticini and boiled vegetables. Despite the change in preparation, the intention is the same: that nothing between or leaves without supervision. The kitchen remains a place of potential risk, and its surveillance, a ritual need. In fact, some of it we already saw in the movie Conclavewhere this tension is dramatized by showing the kitchen as the true intrigues center, and where human interaction continues to occur even when everything else is silent. Obviously, the film cannot be taken as an exact reflection of reality, but it is right in a key: in these events where the word is limited, everyday gestures (such as sharing a dish or lifting a drink) charge a Extraordinary meaning. From luxury to duty. For all this too, before being held, many cardinals occur One last taste In his Roman favorite restaurants, such as AL PASSETTO DI BORGOa few meters from the Basilica of San Pedro. There, some have orders already famous: lasagna for Donald Wuerl, grilled squid for Francesco Coccopalmerio. We talk about dinners loaded with that possible future nostalgia: the last free meal before plunging into the ritual atmosphere of the conclave, where each bite is observed and each measured spoon. That contrast between freedom and control, between the bustle of the Roman dining room and the silence of the papal refectory, not only defines the passage towards the isolation, but also highlights The symbolic weight that has food as a threshold between the outside world and the sacred closure. Surveillance that endures. Although today is not afraid to the poison As in the Renaissance, and the priority is no longer to avoid a popular riot for a stagnant choice, the logic of Total isolation continues. Food surveillance, even with modern resources, maintains the original philosophy: prevent interference, protect the stealth, and preserve the holiness of the process. The fact that a cardinal leaves the refectory and between the Sistine chapel with a full stomach but the mind focused only on its vote, is not accidental. The food cannot distract, nor can it become a vehicle of external influences. Therefore, even if the stuffed chickens are no longer reviewed in search of secret messages, in the Vatican It continues to sweep In search of microphones and hidden devices. A church metaphor. If you want also, food surveillance is not only a matter of security, but a Identity expression same of the Church. In a moment of transition, when the future spiritual leader of 1.4 billion Of Catholics is at stake, each gesture is ritualized. From that perspective, eating ceases to be a biological need to become a liturgical act of containment, discipline and community. The Conclave table, therefore, is not only a place of livelihood, but of Communion and Secret. Of course, quite possibly also and while the cardinals prepare to choose the successor, their Excellences They will remember That last dish of lasagna in Rome. Image | Catholic Church, Gloria … Read more

The Pope has died, so millions of people have put the same worldwide: see ‘conclave’

He Death of Pope Francis Last Monday by a cerebral stroke has caused reactions of all kinds in the world of society and culture, but especially unexpected is the revitalization of one of the most acclaimed films of the last season. This is ‘Conclave’, which addresses an issue that is undoubtedly hot today, the intrigues that are unleashed in the Vatican for the Pope’s succession after his death. Vision of the future. Specifically, ‘conclave’ tells how after the sudden death of the Pope because of a heart attack, the Cardinal College gathers to choose his successor. The main candidates to hold the position represent different currents Within the Church: an American progressive, a social conservative of Nigeria, a Canadian conservative and an Italian traditionalist. With thriller format that does not reveal its letters until the end, the film explores struggles of power, conspiracies and moral dilemmas within the Catholic Church. 283%catapult. According to Variety accountthe film starring Ralph Fiennes has experienced an increase of 283% in its visions in streamingwhere at the moment he is only for rent (except in Prime Video in the United States, where his subscribers can already see it). For example, on April 20, before the death of the Pope, ‘Conclave’ had seen 1.8 million minutes. The next day, after the death, that figure rose to 6.9 million minutes. Mystery revealed. The reason for this increase in interest in the film is not only in its unquestionable quality (with a BAFTA for Best Film and EIGHT OSCAR NOMINATIONS), but in its treatment of power struggles within the Vatican, to the point that there are those who have played to relate Potato candidates of the film with the real pools They are handled to succeed Francisco. In any case, the secretism of the Pope’s choice, which for the profane is often limited to “Habemus Papam” and the White Small, is a fascinating theme that ‘conclave’ helps to clear. And in cinemas. The Spanish distributor of the film, of course, will not miss the opportunity to take advantage of this interest, and has announced that it will be reset this weekend. After getting 900,000 spectators in its first cinema pass, the film will return to 150 rooms, to try to endorse what is its most noticeable title: the highest grossing adult film so far this year, exceeding 6 million euros of collection. A rising trend. Although streaming is the queen in that sense (for example, prime video has premiered the hilarious madness of terror and action ‘The Pope’s exorcist’), the cinemas begins to demonstrate more waist to be more competitive and re -restrain movies linked to the present. For example, after the death of Olivia Newton-John in 2022, ‘Grease’ was re-re -ied in US cinemas, and part of the collection was destined to the investigation against breast cancer, taking advantage of the media impact. Something similar happened when Isabel II died in 2022 and ‘the King’s speech’ was re -stared. They are strategies that provide momentary and non -definitive impulses, but that reflect a growing trend: cinemas and platforms take advantage of the news to relaunch or highlight titles that emotionally connect with the public at a given time. The immediacy of streaming It has accelerated the phenomenon, but movie theaters are increasingly reacting faster to this type of current events. and flexibility to the great headlines. The Pope interests. It is not the only audiovisual production with potato on board that has experienced a rise in its figures: ‘The two potatoes’, an exclusive Netflix production of 2019, tells the withdrawal of Benedict XVI and Francisco’s choice, in a drama starring Jonathan Pryce and Anthony Hopkins. Since Sunday, your audience has shot 417%, from 290,000 minutes of visualization to 1.5 million. In Xataka | Much Lirili, little lyrele: Francisco has been a much less “revolutionary” pope than he is accused

Oscar 2025: The entire list of nominees, with ‘Emilia Pérez’ leading with 13

The Netflix musical film “Emilia Pérez” today became the top nominee for the 97th edition of the Academy Awards by achieving 13 nominations, including best film, best actress for Karla Sofía Gascón, who becomes the first openly trans actress to be nominated for an Oscar. Other nominations for “Emilia Pérez” were, first of all, for actress of Dominican and Puerto Rican descent Zoe Saldaña, who obtained a nomination in the supporting actress section, in addition to the nominations for direction, adapted screenplay, cinematography, editing, makeup and hairstyle, sound, original score, two nominations in original song and international film, marking a record as the non-English language film to obtain this number of nominations for the Academy Awards “Emilia Pérez” was followed by the equally musical “Wicked” which obtained 10 nominations, including the best film and acting categories for Cynthia Erivo for lead actress and Ariana Grande for supporting actress. Edgar Ramírez, Karla Sofía Gason, Selena Gómez, Adriana Paz and Zoe Saldaña are part of the cast of “Emilia Perez”. (Jason Armond/Los Angeles Times) After having been changed to the date of January 17 as a result of the voracious fires that have been experienced in Los Angeles County, the nominations for the 2025 Oscars are finally were announced digitally this morning in a private event in which the media was not present. Those in charge of revealing the nominees from the Academy’s Samuel Goldwyn Theater in Beverly Hills were “Wicked” actor Bowen Yang and actress Rachel Sennott, known for her participation in “Bottoms.” Ariana Grande, left, and Cynthia Erivo, from the cast of the movie “Wicked.” (Chris Pizzello/Invision/AP) Below is the list of nominees for the 97th edition of the Academy Oscars that, despite the changes in the announcement date and the voting period, never changed the date of the celebration, which will take place live on the next 2 March from the stage of the Dolby Theater in Hollywood and which will be broadcast on the ABC network and the Hulu streaming platform. Best Film“Anora”“The Brutalist”“A Complete Unknown”“Conclave”“Dune: Part Two”“Emilia Pérez”“I’m Still Here”“Nickel Boys”“The Substance”“Wicked” Lead ActressCynthia Erivo, “Wicked”Karla Sofía Gascón, “Emilia Pérez”Mikey Madison, “Anora”Demi Moore, “The Substance”Fernanda Torres, “I’m Still Here” This image released by Netflix, Karla Sofía Gascón as Emilia Pérez in a scene from “Emilia Pérez”. (Shanna Besson/Associated Press) Main ActorAdrien Brody, “The Brutalist”Timothée Chalamet, “A Complete Unknown”Colman Domingo, “Sing Sing”Ralph Fiennes, “Conclave”Sebastian Stan, “The Apprentice” Supporting ActorYura Borisov, “Anora”Kieran Culkin, “A Real Pain”Edward Norton, “A Complete Unknown”Guy Pearce, “The Brutalist”Jeremy Strong, “The Apprentice” Supporting ActressMonica Barbaro, “A Complete Unknown”Ariana Grande, “Wicked”Felicity Jones, “The Brutalist”Isabella Rossellini, “Conclave”Zoe Saldaña, “Emilia Pérez” Dominican actress Zoe Saldaña is nominated for best supporting actress. (Ashley Landis/Invision/AP) DirectorSean Baker, “Anora”Brady Corbet, “The Brutalist”James Mangold, “A Complete Unknown”Jacques Audiard, “Emilia Pérez”Coralie Fargeat, “The Substance” Adapted Screenplay “A Complete Unknown”“Conclave”“Emilia Pérez”“Nickel Boys”“Sing Sing” Original Screenplay“Anora”“The Brutalist”“A Real Pain”“September 5”“The Substance” Best Documentary “Black Box Diaries”“No Other Land”“Porcelain War”“Soundtrack to a Coup d’Etat”“Sugarcane” International Film“I’m Still Here”“The Girl with the Needle”“Emilia Pérez”“The Seed of the Sacred Fig”“Flow” Animated movie“Flow”“Inside Out 2”“Memoir of a Snail”“Wallace & Gromit: Vengeance Most Fowl”“The Wild Robot” A scene from ‘Inside Out 2’. (Disney/Pixar) animated short film“Beautiful Men”“In the Shadow of the Cypress”“Magic Candies”“Wander to Wonder”“Yuck!” Live action short film“A Lien”“Anuja”“I’m Not a Robot”“The Last Ranger”“The Man Who Could Not Remain Silent” Cinematography“The Brutalist”“Dune” Part Two“Emilia Pérez”“Maria”“Nosferatu” costume design“A Complete Unknown”“Conclave”“Gladiator II”“Nosferatu”“Wicked” Director Edward Berger and actor Ralph Fiennes on the set of ‘Conclave’. (Philippe Antonello/Focus Feature) Edition “Anora”“The Brutalist”“Conclave”“Emilia Pérez”“Wicked” Makeup and hairstyle“A Different Man”“Emilia Pérez”“Nosferatu”“The Substance”“Wicked” Timothee Chalamet in a scene from “Dune: Part Two,” at Warner Bros. (Warner Bros. Pictures/Warner Bros. Pictures) Original scoreDaniel Blumberg, “The Brutalist”Volker Bertelmann, “Conclave”Clément Ducol and Camille, “Emilia Pérez”John Powell and Stephen Schwartz, “Wicked”Kris Bowers, “The Wild Robot” Original Song“El Mal” from “Emilia Pérez”“The Journey” from “The Six Triple Eight”“Like A Bird” from “Sing Sing”“My Way” from “Emilia Pérez”“Never Too Late” from “Elton John: Never Too Late” Production Design “The Brutalist”“Conclave”“Dune: Part Two”“Nosferatu”“Wicked” Better Sound“A Complete Unknown”“Dune: Part Two”“Emilia Pérez”“Wicked”“The Wild Robot” This image released by 20th Century Studios shows Isabela Merced in a scene from “Alien: Romulus.” (20th Century Studios via AP) Special effects“Alien: Romulus”“Better Man”“Dune: Part Two”“Kingdom of the Planet of the Apes”“Wicked”

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