Brandon Sanderson has closed an unprecedented agreement with Apple TV to adapt the literary universe of Cosmere. The platform will develop films based on the ‘Mistborn’ saga and a series of ‘The Storm File’, the author’s two main franchises. The pact gives Sanderson a level of creative control higher than even that enjoyed by JK Rowling or George RR Martin with their respective adaptations: he will be the architect of the universe, he will produce, he will be consulted and he will have the power of approval over creative decisions.
Several attempts. The announcement comes after years of deals that did not come together. In 2016, DMG Entertainment acquired the rights to the Cosmere for $270 million for three films, but the project never moved forward. own Sanderson recognized in December 2024, in your annual updatebeing “back at square one” after the collapse of negotiations for a film adaptation of ‘Mistborn’ that had reached very advanced stages of development. The project had taken five years of work, had a finished script and linked actors whose identities he could not reveal.
Sanderson later detailed on Reddit that the plan contemplated a hybrid model: a first big-budget film followed by a television season covering the period between books one and two of the original trilogy. A second film would adapt the second book, followed by another transitional season. The main actors would have signed contracts for both film and television.
An unusual success. The new agreement with Apple represents the culmination of the publishing phenomenon led by Sanderson: his books have sold more than 50 million copies worldwide, a figure that includes both his solo works and his contributions to ‘The Wheel of Time’ by Robert Jordan, which he completed after his death in 2007. In 2022 he established the record for Most successful literary Kickstarter in history by raising 41.7 million to self-publish four secret novels written during the pandemic.
But what is the Cosmere? The Cosmere is a shared universe that interconnects multiple fantasy sagas through a common cosmology and interlocking systems of magic. The model resembles Isaac Asimov’s approach with his universe of robots and foundations, although Sanderson planned the connections from the beginning to avoid the need to reconcile items later. The Cosmere encompasses different planets with distinct civilizations, histories and magical systems but based on a shared mythology: the being Adonalsium, whose power fragmented into sixteen shards distributed throughout the cosmos.
The agreement. Apple closed the deal after a competitive process in which Sanderson met with most of the top studio executives in Hollywood. In this way, the company is left with a fictional universe that has similarities with another franchise it also owns, ‘Foundation’ (and, in part, with ‘Silo’), which allows it to compete in the field of fantasy and science fiction adaptations with Amazon (The Lord of the Rings: The Rings of Power, The Wheel of Time), HBO (Game of Thrones) and Netflix (The Witcher). It is not the first time that Apple has reached agreements with prestigious creators, such as Alfonso Cuarón (‘Disclaimer’) or Martin Scorsese (‘The Moon Killers’), but none had been given as much creative control as Sanderson.
The challenges of the Cosmere. The technical and narrative complexity of the Cosmere poses notable obstacles. For example, magic systems: Allomancy in ‘Mistborn’ allows users to “burn” ingested metals to obtain supernatural abilities differentiated according to each metal. Sanderson expressed on Reddit his concern about a possible oversimplification that denaturalizes these systems, designed with coherent internal rules that structure entire plots. The length of the works is another problem: the books often easily exceed a thousand pages. For example, the five Stormlight Archive books add up to nearly two and a half million words, and Sanderson plans ten volumes in total.
The expectation. The announcement made by the author on Reddit generated thousands of comments analyzing the implications of the level of creative control guaranteed to the author. The closest precedent to this model could be Peter Jackson with ‘The Lord of the Rings’, although in that case the author of the original work was absent. Meanwhile, Sanderson asks for patience: film development requires years of prior work, usually between two and three, before reaching the production phase. What is clear is that although Sanderson’s presence provides guarantees and Apple is potentially a great option for adaptation, the process is not going to be easy.
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