Some archaeologists have found 80 tons of stones under the sea. Everything points to one of the Seven Wonders of the Ancient World

At the end of the 19th century, several fishermen in the port of Alexandria began to accidentally catch huge fragments of stone entangled in their networks. Some were so large and strange that stories circulated for years about giant ruins hidden underwater off the Egyptian coast. Long before underwater scanners or digital archeology existed, the Mediterranean was already hinting that beneath its waters remained buried a monumental part of the ancient world.

80 tons to return a wonder. Archaeologists and divers they have been finding for years huge blocks of granite and limestone under the waters of Alexandria, but the latest works have triggered a fascinating idea: everything indicates that the Mediterranean is returning key fragments of the legendary Alexandria Lighthouseone of the Seven Wonders of the Ancient World.

Some of the recovered blocks weigh up to 80 tons and were part of monumental entrances, platforms and gigantic structures that for centuries remained dispersed on the seabed. The discovery is not only allowing us to reconstruct what the lighthouse really was like, but it is also changing many of the theories that existed about its size, its engineering and its final appearance.

A gigantic tower that dominated the Mediterranean. The Lighthouse of Alexandria began to be built at the beginning of the 3rd century BC under the reign of Ptolemy I Soter and it was designed by Sostratus of Cnidus on the island of Pharos, opposite the Egyptian port. Ancient sources described a structure of more than a hundred meters higha type of Hellenistic skyscraper visible dozens of kilometers out to sea thanks to its enormous night fire and complex reflective systems.

For more than sixteen hundred years it served as a guide for ships arriving at one of the most important ports in the Mediterranean, also becoming a political symbol of the Ptolemaic power and the ambition of the Alexandria founded after the death of Alexander the Great. Some Roman chroniclers even stated that its light was so intense that it could be confused with a star.

The sea ended up swallowing the wonder. The structure withstood earthquakes for centuries, but several huge earthquakes between the 14th and 15th centuries they ended up destroying it almost completely. Part of its stones were later reused to build the Qaitbay fortresswhich still occupies the same coastal area, while the rest of the ancient city began to slowly sink under the sea due to geological movements and the relative rise in the level of the Mediterranean.

Over the centuries, the lighthouse eventually disappeared beneath murky waters filled with sediment, architectural remains, and huge stone fragments scattered across dozens of underwater acres. For a long time, historians even thought that ancient descriptions of its size had been exaggerated.

A gigantic puzzle. Everything began to change when French and Egyptian archaeologists began to systematically map the eastern port of Alexandria in the 1990s. Sphinxes, columns, colossal statues and gigantic door frames weighing up to seventy tons appeared under the water, but recent work from the PHAROS project They have taken the process much further.

Only in recent campaigns have rrecovered 22 huge blocks of granite using special cranes mounted on barges, including lintels, jambs and pieces of a hitherto unknown structure that mixed Egyptian architectural elements and Greek construction techniques. Each find reinforces the idea that the lighthouse was not just a functional tower, but a monumental demonstration of the multicultural power of Hellenistic Alexandria.

Reconstructed block by block… but digitally. The New York Times said last February in an extensive report that the great advance of the PHAROS project is not only in removing stones from the water, but in virtually rebuilding the lighthouse with a never seen before precision. The researchers have scanned thousands of fragments using photogrammetry to create a “digital twin” capable of recomposing the building piece by piece without continually moving extremely fragile and heavy materials.

Thanks to this, engineers and archaeologists are discovering how the blocks really fit together, how they worked the joining systems and what techniques allowed such a gigantic structure to be built more than two thousand years ago. Investigations have also revealed that the lighthouse used advanced assembly systems with clamps and huge interconnected blocks, something that helps explain how it was able to survive so many centuries against earthquakes and storms.

The modern Mediterranean like ancient earthquakes. Archaeological work is also carried out in an increasingly complicated environment. The waters off Alexandria have very poor visibilityare full of pollution and suffer a progressive rise in sea level while the coast itself continues to slowly sink.

The researchers they warn that the Mediterranean is warming faster than many other regions of the planet and that the accumulation of waste and sediments makes underwater documentation tasks increasingly difficult. Paradoxically, while technology allows one of the greatest wonders of Antiquity to be digitally reconstructed, the environment where its physical remains remain becomes more hostile and vulnerable year after year.

One of the Seven Wonders reappearing. The most striking thing of all is that the project has already managed to dismantle many historical doubts about him Alexandria Lighthouse. Researchers now believe that the ancient chronicles probably they did not exaggerate: The tower really must have been as colossal and advanced as classical authors described.

The recovered blocks, some almost impossible in size even for modern engineering, are allowing locate monumental entrancesplatforms and structural elements with unprecedented precision. Little by little, under the waters of Alexandria, one of the most famous constructions in all of human history is ceasing to be a myth and once again taking on a real form.

Image | PHAROS, SciVi 3D studio, Roland Unger

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