At 110 -inch and 165 Hz to get the players in your pocket

Hisense seems unstoppable. His growth has allowed him to place himself in second position in the global television market only behind Samsung During the third quarter of 2024. In fact, He has surpassed his compatriot Tcl. And these two Chinese brands have beaten by 2% the LG market share during that same quarter. This “photography” helps us identify in what state the television market is currently.

In any case, in this article, what interests us is to investigate the high -end and mid -range models that Hisense proposes us by 2025. At the top of his catalog we have two televisions: the 110 UX mini mini LED, equipped with a 110 -inch LCD panel, and the 100E7Q PRO, a television that is committed to an LCD matrix. The other four televisions are 55 or 65 -inch models with a much more affordable price and a benefit that will call the attention to the players: they all propose panels with a 144 or 165 Hz soda.

Hins’s TVs by 2025: Technical Specifications

100 -inch or more models promise us a film experience

The most ambitious TV that is going to place Hisense in Spanish stores this year is 110 UX mini LED. As I mentioned a few lines above, it is committed to an 8 -bit LCD + FRC LCD matrix and 110 inches capable of working at a maximum soda frequency of 144 Hz. Its mini LED retroilumination system incorporates 40,960 independent local attenuation zones, and, according to Hisense, it has a maximum brightness delivery capacity of 10,000 nits. These figures are a real barbarity. In addition, you are prepared to deal with All HDR formats currently used. The pity is that only two of its four HDMI entries implement Standard 2.1 complete.

On the other hand, the 100E7Q Pro model has an LCD matrix ranges from 100 inches and 8 bits + FRC that is also able to refresh 144 Hz. However, unlike 110 UX does not propose Mini LED retroilumination; Bet on a much more modest Direct LED scheme. Even so, it maintains compatibility with all HDR formats that are currently used and the two HDMI 2.1 inputs that allow us Wi-Fi 6while 100E7Q Pro implements Wi-Fi 5.

The mini LED and 165 Hz tandem is a winning bet for players

The 65U8Q TV is one of Hins’ most balanced proposals by 2025. And it is committed to an LCD panel ranges from 65 inches with mini LED retroilumination that is capable of giving us brightness peaks of 5,000 nits. In addition, its refreshment frequency amounts to 165 Hz by activating games for games, and, like the other televisions of this brand, you can process all HDR formats currently used. Another point in your favor: the three HDMI entrances that incorporate implement standard 2.1. And, of tip, its sound on the paper rivals that of the much more ambitious 110 UX mini LED.

On the other hand, the 65U7 Pro model has a lot in common with the television in which we have just investigated. It is also committed to an LCD matrix ranges from 165 Hz with mini LED backlight, and both incorporate the socio mediatek MT9655. However, the 65u7q pro delivery 2,000 nits maximum shine peakshas a slightly more modest and Wi-Fi 5 audio hardware instead of Wi-Fi 6. Of course, it surpasses its older brother in a feature that is worth not overlooking if we are players: its four HDMI entries implement Norm 2.1 complete.

We are now with the 65E8Q, the most content mini LED TV that Hisense proposes this year. Its LCD panel goes from 8 bits + FRC refreshes a maximum of 144 Hz and has a little more modest than the two models in which we just inquired (a MediaTk MT9618). Of course, it maintains compatibility with all HDR formats and the two HDMI 2.1 inputs.

Finally, the Canvas 55S7NQ model is a TV with a very careful design and an ultrafine enclosure that aims to be confused with a picture. In fact, The mode of operation ‘art’ It allows you to reproduce paintings and photographs to spend as unnoticed as possible. Its LCD panel goes 55 inches and 144 Hz has a matt finish.

In Xataka | China is devouring the televisions market. So much that Panasonic considers abandoning it

In Xataka | The television market has been dominated for years by Korea and Japan. Now they have a new rival: China