If you travel to Galicia or the north of Portugal and observe carefully some of its petroglyphs From the Bronze Age you will find representations of ships. Back in the day, thousands of years ago, someone carved them into the rock to show the silhouette of ships, sometimes with decorations, crew members, oars and even something resembling sails. The really surprising thing about these pieces is that, deep down, they have little of ‘surprising’ about them. In the southern region of Scandinavia (Denmark and Sweden) archaeologists have documented thousands of engravings similar, which leaves one question: How the hell do you explain this coincidence?
Now at last we have answers.
Connecting dots. Recently a group of researchers led by Marta Díaz-Guardaminofrom the University of Durham, embarked on a peculiar project: analyzing the rock art samples located in a dozen deposits distributed throughout the northwest of the Iberian Peninsula, more specifically in Galicia and the north of Portugal. They then compared them with other engravings located in Denmark and Sweden. It was not a capricious or random job. All the pieces shared a common link: they showed representations of ships.
What did they find out? That beyond representing boats, the two samples (both the Scandinavian and the Iberian) have certain details in common, “design characteristics” that are repeated despite the hundreds of kilometers that separate Sweden from the Galician coast. Which is it? The archaeologists mainly identified decorations located at the ends of the boats with birds or ‘S’-shaped layouts, as well as representations of rigging, oars and sails.
“The study identifies important typological and iconographic parallels between images from the northwest of the Iberian Peninsula and the Nordic ones,” they detail in the article that have been published in Plos One with their conclusions and in which they highlight the existence of “numerous and surprising” coincidences between the samples.
“While several of the carved images of ships identified at coastal and river sites on the Atlantic coast of the peninsula are very rudimentary and difficult to interpret, there is no doubt that there are parallels with ships that can be dated within Scandinavian chronologies. In addition to the decorations on the ends of the ships (such as birds and ‘S’ drawings), they include shapes similar to ‘mushrooms’, ‘cult axes’ or ‘sails’ located in the center of the ship or that decorate the ends or knobs of bronze knives”.


Old-fashioned globalization. With his analysis, Díaz-Guardamino pursued two objectives: to understand whether the engravings were related to each other and, if so, what that tells us about the Bronze Age. Now researchers believe they have valuable proof that “ideas and technologies were shared across Europe” millennia ago through maritime connections and cultural ties.
Not only that. They believe that the engravings reveal something to us much more important: that ships were not a simple means of transportation with which to cross seas. They also had a “symbolic importance linked to rituals and beliefs.”
“The shared iconography supports hypotheses about long-distance connectivity and maritime trade networks in Atlantic Europe, particularly regarding the movement of metals such as copper and tin,” abound the authors of the article before remembering that almost all the deposits in Iberia share another peculiarity: they are close to navigable waterways, whether rivers or the sea. Specifically, they have studied carvings from Viana, Caminha, Monterrei and Oia.
Experienced sailors. In the opinion of experts, the “high level of technical detail” they have documented provides a new perspective on navigation capacity in the Bronze Age. Especially since in the engravings you can see boats that include oars, crew, masts, rigging and curved hulls, a detail that supports the hypothesis that the use of ships with sail was widespread on the Atlantic coast. The presence of cosmological symbols also tells us about a “shared concern” for solar mythology and travel.




Fine-tuning the chronological shot. The research is not interesting only for what it reveals about the parallels between both regions. It is also because it helps us better understand the Iberian petroglyphs. More than 20,000 representations of Bronze Age ships have been discovered in Scandinavia, but in the northwest of the peninsula experts have struggled to date them.
Thanks to their comparison and examination with high-resolution laser scanning, three-dimensional photogrammetry, RTI and GIS, the researchers believe that the Galicia and northern Portugal samples can be dated to the Late Bronze Age, around 1300-800 BC, a framework consistent with known Scandinavian maritime technologies. “Sea travel covered great distances and helped share cultural ideas across thousands of miles.”
For researchers, it does not matter whether the Iberian petroglyphs were recorded by local sailors who assimilated foreign naval technology or were created by navigators who came from abroad and were passing through what is now Galicia and northern Portugal. The key, in his view, is that coastal communities “were actively involved in extensive long-distance maritime networks.”

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