The fourth highest-grossing Spanish film in history lands on Netflix full of political incorrectness

28 years ago, Santiago Segura shot the first film in the highest-grossing saga in the history of Spanish cinema in eight weeks and with 1.7 million euros. Now, the sixth part of the series, ‘Torrente President’lands on Netflix with a history of records that speaks for itself: the best first weekend of a Spanish film in the last 15 years, more than 3.7 million spectators in cinemas, the fourth highest grossing of a Spanish film of all time, and a budget that Segura estimated at just under six million euros.

Twelve years after ‘Torrente 5: Operation Eurovegas’, José Luis Torrente, the former fascist and Atleti police officer, returns, always convinced that Spain is going through its most critical moment and that only he can save national dignity. This time he discovers that politics may be his best opportunity to thrive and after a series of entanglements he ends up leading the populist NOX party thanks to his unmistakable and demagogic style, so similar to current political reality.

It was clear that Spain was thirsty for Torrente, and Segura, who can be accused of many things but not of not having a commercial nose, has been able to take advantage of a very specific social moment to return Torrente to the billboards. Right now, ‘Torrente, Presidente’ has already grossed more than half of all Spanish cinema released in 2026, and will surely become one of the most viewed films of the moment on Netflix, which helped co-finance the production and which has the rest of the saga exclusively in its catalog.

The notable thing about all this is that ‘Torrente Presidente’ is not a rarity for Segura’s commercial career. Beyond the fact that the series has already raised more than one hundred million euros, Bowfinger International Pictures is behind the film, the production company directed by Segura together with María Luisa Gutiérrez. The company has more than forty titles and a history that includes ‘The Infiltrator’ (Goya for Best Film) and the sagas ‘Padre no hay más que uno’ and ‘La familia Benetón’. Between 2025 and 2026, its productions accounted for 30% of the Spanish box office. And between its traditional production agreement with Atresmedia and now the entry of Netflix into the company’s finances, the production company has a muscle with little to envy of much larger traditional production companies.

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