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Marvel’s new arachnid hero animation series, ‘Your friend and neighbor Spider-Man‘ has arrived at Disney+and raises an interesting point of view, although of course not unpublished in the adaptations of the hero: his first years with the costume, in which he combines work as a photographer of Peter Parker with his care Safeguard your secret identity and, at times, save New York from some cataclysm than another.
However, What has caught the attention has not been his argument, but his peculiar aesthetics: appropriate to reflect the comiquero spirit of the series, has a style that reminds of Cel-Shading of the games a few years ago. That is, more than the Cel-Shading Sophisticated titles such as the next ‘Borderlands 4’ or ‘Hi-Fi Rush’, is closer to original experiments with style, such as ‘XIII’ U ‘Okami’. That it does not have to be bad, we are all excited about ‘Jet Set Radio’, but criticisms have already pointed out that it gives a somewhat expired touch to the series.
Jeff Trammell, Srie’s screenwriter, defended the style in techradar. He declared that “there is no Spider-Man like ours. I think it is important -Man mixed with others, you think: ‘That is the Spider-Man of’ Your friend and neighbor Spider-Man ‘”.
The truth is that this style sometimes leads to something rigid and somewhat artificial environments, But the truth is that it is perfect for action sequencesand transmits purely comic vibrations. Although it is not the only complaint: in the first two episodes that have been seen from the series, the scenarios are somewhat soulless, with empty and grid streets and that remember, again, to video games of a time that was already left behind. It is a shame, although the entire series will have to be seen to calibrate to what extent these problems weigh in the final result.
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