The Vitruvian Basilica is the “holy grail” of Roman architecture. Also a huge enigma that we have finally solved

If there is one thing that abounds in the presentations of archaeological finds (no matter where, when or who makes them) they are superlatives. Each discovery is the most important, the definitive one, the last missing piece to complete the puzzle. Another thing is that it really is like that. In the province of Pesaro and Urbino (Italy) the authorities they just announced a finding in which the opposite occurs: yes, there are superlatives, but they fall short. In the end, what they have unearthed there is neither more nor less than the “holy grail” of Roman architecture.

In a stroke of luck, archaeologists have found the basilica erected 2,000 years ago by Marcus Vitruvius, which concludes a search for more than five centuries.

What has happened? That Italy has put an end to a 500 year adventurethe time that archaeologists, architects and historians have been searching for perhaps the “holy grail” of Roman architecture: the legendary Vitruvian Basilica. Scholars placed it in Fanum Fortunae (current city of Fano) and for decades they probed its soil in search of vestiges or at least some indication. In vain. things changed about three years agowhen during the renovation works of the market square they found themselves (shortly half a meter deep) some remains that, we now know, belong to the basilica.

“Millimeter correspondence”. What we have found under the cobblestones of Fano are Roman columns. So far nothing exceptional considering that we are talking about an ancient coastal city in the Marche region of Italy. The curious thing is that these vestiges fit closely with the description that Marcus Vitruvius left us of the basilica in his famous treatise. ‘Of Architecture’. The columns, their arrangement, the shape and layout of the nave coincide.

The “definitive confirmation”, clarify from the Italian Ministry of Culture, arrived after the discovery of a fifth pillar that confirms both the position and orientation of the property. A planimetric reconstruction based on the description left by Vitruvius finally provided the guide. The coincidence is so precise that the authorities speak of a “millimeter correspondence”.

“Imposing structures”. “The columns, around five Roman feet in diameter (147-150 cm) and about 15 meters high, rest on pillars and pilasters that supported an upper floor,” points out the Italian Government, which recalls that in 2022 experts were on the trail after discovering some “imposing masonry structures and marble floors” on Via Vitruvio.

The confirmation that the remains belong to the old basilica does not complete the work. In fact, Cultura is already advancing that it will continue researching with the support of community funds. “Everything necessary will be done to recover and promote this exceptional find,” guarantees the regional president, Francesco Acquaroli.

“Like Tutankhamun’s tomb”. During the presentation neither Francesco Acquaroli, nor the Minister of Culture, Alessandro Giuli, nor certainly the mayor of the town, Luca Serfilippi, spared praise (and superlatives). “The column behind us changes the history of the region. It is a discovery comparable to that of Tutankhamun’s tomb,” celebrated the regional leader. Giuli has used similar effusiveness, for whom the location of the mythical Roman basilica, erected ago two millenniabrand “a before and after” in archaeological history.

“History books and not just journalistic chronicles will document this day and everything that will be studied about this exceptional discovery in the coming years. The scientific value is of absolute caliber,” he emphasized the Minister of Culture. “The vestiges discovered clearly demonstrate that Fano was and is the heart of the oldest architectural wisdom of Western civilization.”

Is it so relevant? Whether the discovery of the Vitruvian basilica is comparable to that of Tutankhamun’s tomb may perhaps be discussed, of course what is undeniable is that it is one of the great archaeological news of the year (and that at the very least). The reason is not only the value of the building but that of its creator, Marcus Vitruvius (1st century BC), architect, engineer, treatise writer and author of ‘Of Architecture’a fundamental manual to understand Renaissance architecture.

In his treatise Vitruvius addresses the three axes that would mark architecture for centuries: firmitas (firmness), utilities (functionality) and venustas (beauty). His work influenced, among others, León Battista Alberti, Andrea Palladio and Leonardo Da Vinci, who was inspired by its proportions to create one of the most iconic (and recognizable) drawings of all time: the ‘Vitruvian Man’.

In ‘De Architectura’ the Roman architect does something else: he describes in detail the basilica that has now been found (finally) in Fano, a project in which was directly involved. In fact, the Ministry of Culture remember that it is the “only building attributable with certainty” to the Roman writer.

Now we no longer need to imagine it.

Images | Office Stampa e Comunicazione MiC

In Xataka | We have discovered (again) the secret of Roman concrete. It’s less impressive than it seems