This is how the “impossible” photo of the man falling into the Sun was made

It seems like a montage, but it is so real that it has gone around the world just when AI was making surreal images stop impressing us. Andrew McCarthy’s “The Fall of Icarus” has shown that there are still ways to outdo the machine with technical precision and months of planning.

Logistical madness. In the photo, a backlit silhouette appears to have launched itself in free fall over the Sun. It is the skydiver Gabriel C. Brown transiting in front of a particularly active solar disk. On the other side of the telescope, the famous astrophotographer Andrew McCarthywhich had begun planning the capture at the beginning of the year.

It is, quite possibly, the first photo of this type, since the list of variables to control was insane. They needed the optimal sun angle, a safe height for Brown to launch from, and a perfectly calculated glide path between the sun and the camera.

Three-way communication. It was 9 in the morning in the Arizona desert. McCarthy had his telescopes ready and was in constant communication with both Gabriel Brown, the skydiver, and Jim Hamberlin, the pilot of the paramotor from which he would launch.

McCarthy followed the aircraft with his telescope and, once it was aligned with the Sun, gave the order. “Okay, I’ll see you,” he said over the radio. “Jump, jump, jump!” Brown jumped at about 1,070 meters above sea level with the engine idling to ensure a perfect angle. “I got it, man!” he heard him say on the radio.

The sixth time was the charm. McCarthy told Live Science that the biggest challenge had been finding the paramotor in the sky. Although it was about 2.4 km from its position, the point of the shot was to capture in detail the Sun, which was 50 million times the same distance.

It took the team six attempts to correctly align the aircraft with the photographer’s position on the ground. When push came to shove, they could only make one jump, as folding the parachute for a second attempt would have taken too long.

Is it really not a setup? It is not, and the secret is in the telescope. As explained PetaPixelcarried a hydrogen-alpha filter to block all sunlight except for a very specific red wavelength that emits incandescent hydrogen. This is how those infernal images of the solar chromosphere are taken: the layer of active “fire” on the surface of the Sun, with its filaments and protuberances especially visible during times of greater solar activity.

It is not very different from how other photos of rockets and space stations passing in front of the Sun are taken, but with extra planning and audacity so that the protagonist of the image is, for the first time, a tiny person.

Images | Andrew McCarthy

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