drones sewn to other drones turned into lethal monsters

Since the first drones went from being simple surveillance platforms to weapons capable of change entire battlesthe war in Ukraine has incorporated these machines in layers, always due to necessity and adaptation. First reconnaissance UAVs, then armed drones, then swarms and loitering munitions. The latest has transformed the war into a new phase. Drones with drones. The war in Ukraine has crossed a disturbing threshold by entering fully into his Frankenstein phasewhere drones “stitched” to other drones give rise to improvised, but highly lethal, spawns. Russia has begun using larger aerial platforms as motherships transport and launch FPV attack very far from the front. The consequence is clear: the idea that FPVs are short-range tactical weapons is broken and a new strategic layer is inaugurated based on hybrids assembled with battlefield logic, not so much laboratory logic. Gerbera as a bringer of death. In this scenario a main actor appears. He Gerbera dronelight, rudimentary and cheap, was born as a simple decoy to saturate defenses during attacks Shahed type. Over time he began to carry small explosive charges and now it has been adapted for something even more disturbing: carrying an FPV hanging and releasing it in mid-flight. In fact, there are photographs and videos released at the beginning of this month of February that show this evolution already in usenot as an isolated experiment but as an emerging pattern. If you will, this type of “Frankenstein drone” has begun to walk alone. A nurse launching an FPV The logic of the graft. The first evolutions we had counted last year. The reason for this combination between drones is not only technical, but deeply operational. A fixed-wing drone can fly hundreds of kilometers, but lacks the agility needed to hunt down small or moving targets. The FPV, on the other hand, can, for example, enter through a window, follow a person or hit an exact point, and launching it from a mothership solves its great historical limitation: the scope. It is the sum of two weaknesses that together become a strength. Future swarms and the shadow of the Shahed. Although the Gerbera can only charge one FPV, at least for now, everything indicates that it is a test bed for something bigger. Industrial and military logic suggests that larger platforms like the Shahed could ttransport several drones of attack, increasing the probabilities of impact and allowing multiple targets to be attacked in a single mission. What’s more, the concept is vaguely reminiscent of a kind of bomber that does not launch bombs, but rather small autonomous hunters. Frankenstein is still in its early stages, but its final form is already apparent. The communications web. Plus: given the limitations imposed by Starlink blocking by SpaceX a few days ago, Russia has resorted to an invention that we had not seen in the war: sets of mesh spokes of Chinese origin that allow drones to communicate with each other and extend control in successive jumps. We are talking about a system that is already quite expensivebut it reduces dependence on satellites and opens the door to deeper and more impactful operations. In the medium term, Russian experts they point to another mutation o variant of the flying monster: FPV sets with greater autonomy and capacity own decisionin this case less dependent on the human operator and much more difficult to neutralize. Background: more AI. From battlefield to global problem. It is possibly the last of the legs to analyze with the appearance of these models. Ukraine has demonstrated an exceptional ability to shoot down carrier drones before they launch their charge, but now the concept is already out of the bottle. FPVs launched from mother “mothers” can destroy radars, anti-aircraft systems, aircraft on the ground or even armored columns at distances that were unthinkable until very recently, all at a ridiculous cost compared to traditional missiles. In other words, this new Frankenstein phase It is not just a quirk of war in Ukraine: it is a disturbing preview of the future of conflict, one where innovation aims to be hastily “stitched” with available parts and devastating results. Image | UNITED24 In Xataka | Ukraine has found what it needed in an unexpected ally. Spain had the missing piece against the shahed drones In Xataka | Russia has activated the “dandelion” armor: the scarier the tank, the more confused Ukraine’s drones are

What is the ‘wounded man’, the most unfortunate creature of the entire Middle Ages: sick, beaten and sewn to Sabblazos

No matter what happened to you, how bad the week has gone, if you are exhausted after climbing and lowering boxes during a move, you have injured yourself, you have a fever, you have given positive in Covid or yesterday you cut the piss while cooking. No matter how bad that you find yourself and a lot that you suffer is impossible that you are worse than the ‘Wounded man ‘. If there is a unfortunate character in history, one mistreated to the limit, that is him. Nor the Biblical Job. My Héctor dragged by Achilles. Not Julio César with The gross frame dagger. He Wounded man It is the most suffering creature of creation for a very simple reason: it was created for that, to suffer, to support all the hardships imaginable by medieval minds. And yet there we see it in the codices of the fifteenth and sixteenth centuries, with resigned expression, almost unstimated. The wounded man? Exact. It is probably one of the most unfortunate names (and also one of the least original) in the history of humanity; But thus, ‘wounded man’ (‘Wound Man’), is how the diagram is known that for centuries, approximately Between the XV and XVIalthough some outstanding examples can also be found The XVIIillustrated the surgery manuals. The term says it all. The injured man was a representation in which the aesthetic and medical criteria were combined to basically show that: an “injured man.” Although saying so is to fall short. The character was a compendium of catastrophes, a creature that gathered all kinds of injuries, infections and various ailments. Virtually all misfortunes that fit in a medieval mind. Eejmplo of wounded man collected in a treaty of the Wellcom Collection. A pistoning with legs. If it is true that saying that a picture is worth a thousand words, the injured man is his greatest exponent. The figure is not only “injured.” If we showed us the portrait of a real staff, of flesh and blood, it is most likely to be unable to stand up. Not all versions are the same, but usually the injured man used to be crossed by swords, daggers, spears and arrows (some look, others have the cut tip), beaten by garrotes, full of blood cuts and with thorns stuck in the feet. Is there more? Yes. They have also bitten snakes and dogs, has run into poisonous toads and have chopped bees and scorpions. And the above is only ‘skin outside’. Inside the panorama was not much better. The images show it full of bubones that suggest that it has contracted the plague and with smallpox marks. In A particularly ruthless example of the wounded man, prepared in the XV and that today is preserved in the funds of the London’s Wellcom Collection, he is seen with a curtured penis while one of his testicles has an aspect that invites us to think that he suffers a venereal. A medieval celebrity. Today your image may surprise us (or even look exotic), but in its day, during the low Middle Ages and the beginning of the Modern Age, the wounded man was a relatively popular topic in European medical treaties. Jack Hartnellprofessor of the Univerisity of East Anglia and who has dedicated him several Essayscalculate that it has been found at least A dozen of examples in medieval manuscripts and more than twenty manuals printed in the modern age. And those are just known cases. Wounded man preserved in a xylography in the Wellcomo collection. A long (and extensive) trip. “The first known versions appeared at the beginning of the XV in books on the surgical trade, particularly in works by southern Germany related to the famous surgeon Würzburg Ortolf von Baierland,” says Hartenell in An article Posted in Public Domain Review. Interestingly, despite his battered appearance, the injured man survived the fifteenth century, the Middle Ages and the handwritten codices and sneaked into the manuals created with The new technology of printing. In 1497 we found him on the cover of a book on Strasbourg Surgery and In 1678 We can still observe it in the pages of the ‘Full Speech of the Wounds’, of the London surgeon John Browne. The wounded man lived enough to mistreat him with new weapons, not only spears, swords, daggers, arrows and clubs. In 1517 the German military surgeon Hans von Gerdorff included a version in Your field manual in which he saw how the unfortunate man was shot with cannon bullets to the hands and legs. And what exactly did it serve? Good question. Difficult response. And the reason is that its meaning, its role, the purpose it had in the surgical manuals that it illustrated, could vary over time. They recognize it From the well collection, custodian of one of the most fascinating versions that are preserved, the only English specimenincluded in a medical treaty in the late XV. “Its exact purpose is still somewhat mysterious, but presumably served as a reminder of the wounds to which the human body is prone,” He recounts The British institution. At least in some of the first versions, the injured man was accompanied by numerous annotations related to each of his injuries, sometimes more or less extensive texts accompanied by figures, which reinforces his role as a diagram. “A human index”, In words of Hartnell. In the ‘Das Buch der Clurgia’, 1497 manual, we already see it however Free of annotations. Example extracted from a Strasbourg Treaty of 1519. Art or science? Its extensive trajectory and those changes over time has led to different interpretations about what its exact use could be. Hartnell points out, for example, that at least in his first versions he served as a didactic guide, a conductive thread of the manual that facilitated its handling to the surgeon. In A German specimen From the XV we see the character surrounded by numbers and phrases, each related to a different ailment (a sablazo, a bite, an arrow … Read more

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