an underwater YangWang, a 29-meter dune and a car that turns on its own

The circuit seems taken from the dream of a megalomaniacal engineer: A gigantic dune indoors. A 70 meter pool for cars, not for humans. An impeccable and very wide asphalt route. A gymkhana off road with unevenness, slopes, gravel… BYD has called it Racing Trackwe have gone to Zhengzhou to see it (and test it), and it is much more than a circuit: it is a declaration of intent on the part of its manufacturer, and a not-so-subtle signal of the role it wants to occupy. Not in China, but in the world. Is permanently tighten muscleis throwing the gauntlet to Europe and the United States to see if they keep up. And for us, it is the key to understanding how this manufacturer has gone from a local phenomenon to a world leader in five years. The U8 dune The interior dune is the pride of the complex: 29 meters high, 28 degrees inclined, more than six thousand tons of sand from the Alxa desert. Guinness has certified it as the largest indoor building in the world. He Yangwang U8a luxury SUV with four electric motors, was in charge of climbing it. Of course, a local driver was behind the wheel. On the sides of the dune, dozens of journalists waiting for the climb like a child waiting to open gifts the night before Three Kings Day. Image: Xataka. Image provided. Image: Xataka. Image provided. At one point, the pilot honked his horn and accelerated hard to scale the sand wall. A five-meter tank that went with an unnatural calm. Not a skid, not a hesitation. Just an electrical hum. Another honk, and the descent. Applause and that feeling of celebration of raw power. We missed hitting each other in the chest making simian gestures. But there was something else: that iconic Pirelli advertisement said that “power without control is useless”, and that aphorism fits perfectly here. The U8 is pure power, but full of control. Symbolism. Where cars breathe The next stop was the wading pool, a 70 meter long pond created for the U8. This time we didn’t drive either, but we were inside while the pilot submerged the car in the water. Upon detecting a certain depth, the car automatically raised the windows and opened the sunroof, two safety measures to prevent water from entering the cabin and to facilitate escape if necessary, respectively. Image provided. Image provided. Image provided. Image provided. From there, the motors work like turbines in each wheel. They keep the car afloat and also allow you to steer it. It was impressive to see the water almost at the height of our window. From there, a gentle 180º turn and return to the shore. Science fiction for a amphibious SUV. That said, this function is intended as a response to an emergency such as flooding. It is not something the manufacturer recommends doing for fun. The dune was fun, but The one in the pool was the most hypnotic moment of the dayalthough with a bitter aftertaste due to memories of DANA. But for extreme situations like that this function is supposed to be there. From water to dust with the Denza B5 After the show, it was our turn at the Off-Road Parkan area with 27 difficulty scenarios. We did it, not completely, at the wheel of the Denza B5, the SUV that will arrive in Spain under that brand – although in China it is sold as Fang Cheng Bao 5 -. A competitor to the Land Cruiser that, depending on its price (it will arrive in Spain) will manage to put Toyota in more or less trouble, but in any case it will be noticed. If you don’t know Denza yet, keep his name: technological luxury that has no reason to have any complexes. Image provided. Image provided. Image provided. The assigned circuit was easy: ramps designed to put the car on two wheels, notable inclinations, bridge crossings and areas of complicated relief. Even so, the B5 moved with solvency. Instant electric all-wheel drive and obstacle-filtering suspension with the aplomb of a veteran off-roader. Patrol, is that you? It was not a risky experience, but it served as a symbolic demonstration: Chinese electric cars are no longer only looking for efficiency. They also want to be the most versatile. This one is. And it was extremely easy to drive in those environments even for someone like me, with no experience off-road. The scary crab: Denza Z9 GT The turn of the Denza Z9 GTthe saloon shooting brake that BYD has launched against the Taycan and the Panamera. But we didn’t test it on curves, but on something more disturbing: the crab walk and the U-shaped turn, 180 degrees in static. He crab walk —advancing diagonally like a crab—is a fair trick until you see it in action. You accelerate forward and the car slides sideways, defying all visual logic. It takes a few seconds for the brain to accept that the rear wheels turn in the opposite direction to the front wheels. It is useful for parallel parking without maneuvering. It’s unsettling to drive. And it attracts looks of bewilderment. Image provided. Image provided. But the static 180 degree turn was straight up surreal. Standing still, without moving an inch, The Z9 GT pivots on its own axis until it turns completely around. The four wheels rotate independently, locking one of the front wheels, the car rotates like in a video game and you, inside, only hear the hum of the engines while the world spins outside the window. There’s no need. It is not practical on a day-to-day basis, if perhaps at some specific moment where we do not have an angle to deface a mess But it’s the kind of technological excess that separates a good car from a statement of intent. Of course, it does not seem advisable to play with it too much for the sake of our support tire. “Mickey Mouse” with … Read more

‘Dune 2’ is designed to sweep in the Oscars. That finally is not going to do it is the best radiography of the current Hollywood

Josh Brolin already caught attention to the subject When the 2025 Oscar nominations: Denis Villeneuve, director of the mastodontic ‘Dune: Part 2‘He had not been nominated. Brolin knew what he was talking about: it is no longer just a displacement to the Canadian director. It is also the sign that the Oscars are ninging the Warner Blockbuster, because without the support of that nomination, it would be very strange that the film takes the Oscar to the best film or goes beyond a few technical recognition. A good Oscar’s pan … minors. ‘Dune: Part 2 ‘can be taken, however, a good amount of Oscar important technicians. It is nominated in five categories: best sound, better photography, best production design, better visual effects and, of course, best film. Denis Villeneuve is not only missing in the category of Director, but also, as a coguionist with Jon Spaihts, in a better adapted script, where the first installment of the saga of adaptations of Frank Herbert’s novels was nominated. One year for small movies. We have already commented so much about ‘Anora‘like’The Brutalist‘That the 2025 Oscar seem among their favorites to the smallest films:’ Anora ‘is pure indie cinema, and’ The Brutalist ‘has been shot with an absolutely tiny budget for what is stilate in Hollywood. They are not the only ones: ‘Nickel Boys’,’The substance‘And’ I’m still here ‘have very limited budgets, and even medium movies like’A complete stranger‘ either ‘Conclave‘They seem to make a certain visual modesty and approach their flag. It is stipulated indie. It is not an isolated phenomenon this year, you just have to check most of the winning films of the last editions: ‘All at once everywhere‘(2022),’Coda‘(2021),’Nomadland‘(2020) or’Parasites‘(2019). All of open indie style or, at least, regardless of mainstream Hollywood. The only exception took place last year, with ‘Oppenheimer‘, which we can consider a clearly isolated case when coming from Christopher Nolan, one of the few blockbusters that are considered to have an author’s stamp. This year, only ‘Dune: part two’ and ‘Wicked’ follow their wake. New times for the blockbuster. If we go back to previous years we will see how more Hollywood blockbusters (large distributions, large budgets) were combined with more independent cut films, but there were no such clear gusts. The year hinged in that sense was 2003 with ‘The Lord of the Rings: The Return of the King‘, with his eleven nominations … that he won entirely. An absolute hatching of the blockbuster model that left a certain sense of satiety. Behind her, as we say, films such as’ Million Dollar Baby ‘(2004),’ Slumdog Millionaire ‘(2008),’ The artist ‘(2011), ’12 years of slavery’ (2013) or ‘Moonlight’ (2016) have occurred. The Syndrome ‘The Return of the King’. Our partner Pedro Gallego points, very reasonablythat the possible none of ‘Dune 2’ is due to the fact that the syndrome of the aforementioned ‘The Return of the King’ has suffered and its total sweep in the Oscars of 2003. It may, why it is ‘Dune: Part 2’, the academy prefers to wait for Villeneuve to put an end point to his trilogy (let’s not forget that this second part ends in a ‘continues’ will continue to give him the recognition. If this year ‘Dune’ sweeps, what do we leave for the third? Not everything is Blockbusters. In Xataka we have spoken on numerous occasions how sequelae, franchises and blockbusters seem to have flooded the box office, without leaving space for other options. The Oscars seem to be replicating that fganthasma at the box office, proposing alternatives, which undoubtedly receive a pushing of fame and income thanks to the advertising of the awards. Undoubtedly, an interesting dilemma, just that Marvel seems to have definitely abandoned his absolute prereminence at the box office and that films like ‘The Brutalist or’ The substance ‘manages to raise much more than expected. Normality and diversity has returned to cartekleras, and the Oscars are the reflection. Header | Warner In Xataka | Karla Sofía Gascón has achieved more than endangering her own Oscar: jumping all Netflix alarms

Oscar 2025: The entire list of nominees, with ‘Emilia Pérez’ leading with 13

The Netflix musical film “Emilia Pérez” today became the top nominee for the 97th edition of the Academy Awards by achieving 13 nominations, including best film, best actress for Karla Sofía Gascón, who becomes the first openly trans actress to be nominated for an Oscar. Other nominations for “Emilia Pérez” were, first of all, for actress of Dominican and Puerto Rican descent Zoe Saldaña, who obtained a nomination in the supporting actress section, in addition to the nominations for direction, adapted screenplay, cinematography, editing, makeup and hairstyle, sound, original score, two nominations in original song and international film, marking a record as the non-English language film to obtain this number of nominations for the Academy Awards “Emilia Pérez” was followed by the equally musical “Wicked” which obtained 10 nominations, including the best film and acting categories for Cynthia Erivo for lead actress and Ariana Grande for supporting actress. Edgar Ramírez, Karla Sofía Gason, Selena Gómez, Adriana Paz and Zoe Saldaña are part of the cast of “Emilia Perez”. (Jason Armond/Los Angeles Times) After having been changed to the date of January 17 as a result of the voracious fires that have been experienced in Los Angeles County, the nominations for the 2025 Oscars are finally were announced digitally this morning in a private event in which the media was not present. Those in charge of revealing the nominees from the Academy’s Samuel Goldwyn Theater in Beverly Hills were “Wicked” actor Bowen Yang and actress Rachel Sennott, known for her participation in “Bottoms.” Ariana Grande, left, and Cynthia Erivo, from the cast of the movie “Wicked.” (Chris Pizzello/Invision/AP) Below is the list of nominees for the 97th edition of the Academy Oscars that, despite the changes in the announcement date and the voting period, never changed the date of the celebration, which will take place live on the next 2 March from the stage of the Dolby Theater in Hollywood and which will be broadcast on the ABC network and the Hulu streaming platform. Best Film“Anora”“The Brutalist”“A Complete Unknown”“Conclave”“Dune: Part Two”“Emilia Pérez”“I’m Still Here”“Nickel Boys”“The Substance”“Wicked” Lead ActressCynthia Erivo, “Wicked”Karla Sofía Gascón, “Emilia Pérez”Mikey Madison, “Anora”Demi Moore, “The Substance”Fernanda Torres, “I’m Still Here” This image released by Netflix, Karla Sofía Gascón as Emilia Pérez in a scene from “Emilia Pérez”. (Shanna Besson/Associated Press) Main ActorAdrien Brody, “The Brutalist”Timothée Chalamet, “A Complete Unknown”Colman Domingo, “Sing Sing”Ralph Fiennes, “Conclave”Sebastian Stan, “The Apprentice” Supporting ActorYura Borisov, “Anora”Kieran Culkin, “A Real Pain”Edward Norton, “A Complete Unknown”Guy Pearce, “The Brutalist”Jeremy Strong, “The Apprentice” Supporting ActressMonica Barbaro, “A Complete Unknown”Ariana Grande, “Wicked”Felicity Jones, “The Brutalist”Isabella Rossellini, “Conclave”Zoe Saldaña, “Emilia Pérez” Dominican actress Zoe Saldaña is nominated for best supporting actress. (Ashley Landis/Invision/AP) DirectorSean Baker, “Anora”Brady Corbet, “The Brutalist”James Mangold, “A Complete Unknown”Jacques Audiard, “Emilia Pérez”Coralie Fargeat, “The Substance” Adapted Screenplay “A Complete Unknown”“Conclave”“Emilia Pérez”“Nickel Boys”“Sing Sing” Original Screenplay“Anora”“The Brutalist”“A Real Pain”“September 5”“The Substance” Best Documentary “Black Box Diaries”“No Other Land”“Porcelain War”“Soundtrack to a Coup d’Etat”“Sugarcane” International Film“I’m Still Here”“The Girl with the Needle”“Emilia Pérez”“The Seed of the Sacred Fig”“Flow” Animated movie“Flow”“Inside Out 2”“Memoir of a Snail”“Wallace & Gromit: Vengeance Most Fowl”“The Wild Robot” A scene from ‘Inside Out 2’. (Disney/Pixar) animated short film“Beautiful Men”“In the Shadow of the Cypress”“Magic Candies”“Wander to Wonder”“Yuck!” Live action short film“A Lien”“Anuja”“I’m Not a Robot”“The Last Ranger”“The Man Who Could Not Remain Silent” Cinematography“The Brutalist”“Dune” Part Two“Emilia Pérez”“Maria”“Nosferatu” costume design“A Complete Unknown”“Conclave”“Gladiator II”“Nosferatu”“Wicked” Director Edward Berger and actor Ralph Fiennes on the set of ‘Conclave’. (Philippe Antonello/Focus Feature) Edition “Anora”“The Brutalist”“Conclave”“Emilia Pérez”“Wicked” Makeup and hairstyle“A Different Man”“Emilia Pérez”“Nosferatu”“The Substance”“Wicked” Timothee Chalamet in a scene from “Dune: Part Two,” at Warner Bros. (Warner Bros. Pictures/Warner Bros. Pictures) Original scoreDaniel Blumberg, “The Brutalist”Volker Bertelmann, “Conclave”Clément Ducol and Camille, “Emilia Pérez”John Powell and Stephen Schwartz, “Wicked”Kris Bowers, “The Wild Robot” Original Song“El Mal” from “Emilia Pérez”“The Journey” from “The Six Triple Eight”“Like A Bird” from “Sing Sing”“My Way” from “Emilia Pérez”“Never Too Late” from “Elton John: Never Too Late” Production Design “The Brutalist”“Conclave”“Dune: Part Two”“Nosferatu”“Wicked” Better Sound“A Complete Unknown”“Dune: Part Two”“Emilia Pérez”“Wicked”“The Wild Robot” This image released by 20th Century Studios shows Isabela Merced in a scene from “Alien: Romulus.” (20th Century Studios via AP) Special effects“Alien: Romulus”“Better Man”“Dune: Part Two”“Kingdom of the Planet of the Apes”“Wicked”

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